Naxos 베토벤 탄생 250주년 기념 전집 (10/21 마감, 11월 첫째주 출고예정)
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Naxos 베토벤 탄생 250주년 기념 전집
8.500250 (90CD)
베토벤 탄생 250주년 기념 전집
▶ 베토벤의 모든 세계를 담고, 복원하다
2020년 베토벤(1770~1827) 탄생 250주년을 앞두고 낙소스가 내놓은 박스물로 교향곡·협주곡·소나타·실내악·극음악(오페라 등)·합창·가곡 등의 대표작은 물론 최근 발견한 희귀작품들을 포함하여 천재의 삶과 예술세계를 두루 살펴보는 철저한 개론서와도 같은 박스물이다. 베토벤 초상화와 악보, 스케치 등이 수록된 수준 높은 해설지가 들어 있다. ‘Unheard Beethoven’의 음악감독 빌헬름 홀스베르겐이 매니저로 참가하여 희귀작과 악보 발굴에도 큰 힘을 실었다. 그의 노하우와 경험이 박스물의 가치와 완성도를 높인다.
베토벤은 많은 음악가들이 자신의 작품을 새롭게 해석하기를 바랐으며, 코다이 콰르텟, 타카코 니시자키(바이올린), 보리스 길트버그(피아노) 등의 베토벤 스페셜리스트들은 신선한 해석을 통해 베토벤의 음악적 유언을 성취해낸다. 이러한 후대의 해석자들은 전세계적으로 비평가들의 찬사를 받았으며, 이 박스물을 통해 그러한 이들의 역사적인 베토벤 연주를 만날 수 있다.
[낙소스 베토벤 박스의 장점]
1) 1,550개 이상의 트랙, 136쪽에 달하는 트랙리스트 및 해설지, 두 개의 무료 다운로드권이 들어 있는 90CD의 박스물이다.
타사에서 발매될 베토벤 박스는 때로는 3중으로 복사된 CD가 있는 반면 낙소스 박스물에는 복제된 레퍼토리나 CD가 없이 레퍼토리가 고르게 분포되어 있다.
2) 권위와 명성을 지닌 레퍼토리로 구성되었다. 오케스트라, 협주곡, 피아노, 실내악, 극음악 (오페라·연극), 합창, 가곡 등이 포함되었다. 베토벤하면 떠오르는 친숙한 대표작은 물론 근래에 발견된 희귀작품을 두루 아울러 베토벤을 이해하기 위한 일종의 교과서와도 같은 박스물이 될 것이다.
3) 1,550개 이상의 트랙을 안내하는 목록에는 음반의 녹음일자, 장소, 연주·녹음에 사용된 악보 판본과 버전, 출판사 등이 수록되어 악보에 관한 명확한 데이터를 얻을 수 있다.
4) ‘Unheard Beethoven’ 프로젝트의 음악감독 빌헬름 홀슈베르겐이 박스물 제작에서 컨설팅을 맡았다. 홀슈베르겐은 프로듀서 마크 짐머와 함께 수백년 동안 밝혀지지 않은 희귀작, 연주나 녹음 전례가 없는 작품 등을 열정적으로 수집했으며, 이를 통해 베토벤의 작품 역사를 재구성하는 데에 큰 역할을 한 바 있다.
5) 베토벤이 연극을 위해 1811년 작곡한 ‘아테네의 폐허’ Op.113는 연극 대사와 함께 세계 최초로 녹음된 음반으로, 이 박스물을 통해 만날 수 있다.
6) 근래 발견된 희귀작품 수록과 세계 최초 레코딩 작품들 수록
7) 보너스 :
박스물 구매자는 리스트가 편곡한 베토벤의 교향곡과 가곡이 담긴 앨범을 무료 다운로드 할 수 있다. 박스에 이에 관한 세부 정보와 쿠폰 코드가 담겨 있다.
8) 북클릿내 해설지 (His Life and Works) 한글번역본 제공 (번역본 온팩 /한정수량)
BEETHOVEN COMPLETE EDITION
[DISCS 1–8] ORCHESTRAL
Symphonies Nos. 1–-9 · Overtures · Wellington’'s Victory
German and Viennese Dances · Marches · Minuets
[DISCS 9–-13] CONCERTO
Piano Concertos Nos. 1–-5 · Piano Concerto, Op. 61a · Piano Concerto, WoO 4
Violin Concerto · Triple Concerto · Romances · Fragments
[DISCS 14–-34] KEYBOARD
Piano Sonatas Nos. 1–-32 · Early Sonatas · Dances and Bagatelles · Piano Variations
Works for Piano Four Hands · The Creatures of Prometheus (version for piano)
Wellington’'s Victory (version for piano) · Fragments, Arrangements and Sketches
[DISCS 35–-65] CHAMBER
Violin Sonatas · Cello Sonatas · Flute Sonatas and Serenades · Horn Sonata · String Trios
String Quartets · String Quintets · Piano Trios · Piano Quartets · Wind Quintet · Sextets
Septet · Octet · Preludes and Fugues · Canons · Dances and Marches
Duets, Trios and Quartets · National Airs and Variations · Fragments
[DISCS 66–-72] STAGE
Fidelio · Leonore · Egmont · King Stephen · The Creatures of Prometheus
The Ruins of Athens · The Consecration of the House · Leonore Prohaska · Germania
[DISCS 73–-77] CHORAL
Missa solemnis · Mass in C major · Choral Fantasy · Christ on the Mount of Olives
Calm Sea and Prosperous Voyage · Cantata on the Accession of Emperor Leopold II
Cantata on the Death of Emperor Joseph II · The Glorious Moment · Opferlied
Abschiedsgesang · Cantata campestre · Gesang der Mönche · Der freie Mann · Bundeslied
[DISCS 78–-90] VOCAL
Irish, Scottish, Welsh and English Songs · Folk Songs · Lieder · Concert Arias
Canons and Musical Jokes · Fragments and Alternative Versions
[음반별 수록곡]
ORCHESTRAL
DISC 1 62:10
Symphony No. 1 in C major, Op. 21 (1800) 26:55
1 I. Adagio molto –- Allegro con brio 9:12
2 II. Andante cantabile con moto 7:06
3 III. Menuetto: Allegro molto e vivace 4:31
4 IV. Finale: Adagio –- Allegro molto e vivace 6:00
Symphony No. 2 in D major, Op. 36 (1801) 35:03
5 I. Adagio molto –- Allegro con brio 12:21
6 II. Larghetto 11:12
7 III. Scherzo: Allegro 4:37
8 IV. Allegro molto 6:45
Nicolaus Esterházy Sinfonia
Béla Drahos, Conductor
Recorded: 17–-20 June 1995 1–-4 and 9–-16 June 1995 5–-8 at Phoenix Studio, Italian Institute, Budapest, Hungary
Producer: Ibolya Tóth • Engineer: János Bohus • Acoustic Consultant: Tim Handley 1–-4
Released on 8.553474 1–-4 8.553476 5–-8
DISC 2 81:45
Symphony No. 3 in E flat major, Op. 55 ‘Eroica’ (1803) 47:13
1 I. Allegro con brio 16:57
2 II. Marcia funebre: Adagio assai 12:49
3 III. Scherzo: Allegro vivace 5:53
4 IV. Finale: Allegro molto 11:29
Symphony No. 4 in B flat major, Op. 60 (1806) 34:26
5 I. Adagio –Allegro vivace 11:45
6 II. Adagio 9:39
7 III. Allegro molto e vivace –Un poco meno allegro 6:00
8 IV. Allegro ma non troppo 6:56
Nicolaus Esterházy Sinfonia
Béla Drahos, Conductor
Recorded: 21–4 June 1995 1–4 and October 1995 5–8 at Phoenix Studio, Italian Institute, Budapest, Hungary
Producer: Ibolya Tóth •Engineer: János Bohus •Acoustic Consultant: Tim Handley 1–4
Released on 8.553475 1–4 8.553477 5–8
DISC 3 77:58
Symphony No. 5 in C minor, Op. 67 (1807–8) 35:47
1 I. Allegro con brio 7:14
2 II. Andante con moto 9:19
3 III. Allegro 8:33
4 IV. Allegro 10:36
Symphony No. 6 in F major, Op. 68 ‘Pastoral’ (1808) 42:00
5 I. Angenehme, heitere Empfindungen, welche bei der Ankunft auf dem Lande im Menschen erwachen 11:02
(‘Pleasant, cheerful feelings awakening in people upon arrival in the countryside’). Allegro ma non troppo
6 II. Szene am Bach (‘Scene by the brook’). Andante molto moto 12:03
7 III. Lustiges Zusammensein der Landleute (‘Merry gathering of country folk’). Allegro 4:59
8 IV. Donner. Sturm (‘Thunderstorm’). Allegro 3:54
9 V. Hirtengesang. Wohltäige, mit Dank an die Gottheit verbundene Gefüle nach dem Sturm 9:56
(‘Shepherd’s song. Feelings of benevolence and gratitude to God after the storm’). Allegretto
Nicolaus Esterhazy Sinfonia
Bella Drahos, Conductor
Recorded: 9–6 June 1995 1–4 and 17–0 June 1995 5–9 at Phoenix Studio, Italian Institute, Budapest, Hungary
Producer: Ibolya Tóth •Engineer: János Bohus •Acoustic Consultant: Tim Handley 5–9
Released on 8.553476 1–4 8.553474 5–9
DISC 4 67:51
Symphony No. 7 in A major, Op. 92 (1811–2) 41:00
1 I. Poco sostenuto –Vivace 14:24
2 II. Allegretto 8:09
3 III. Presto 9:31
4 IV. Allegro con brio 8:50
Symphony No. 8 in F major, Op. 93 (1812) 26:44
5 I. Allegro vivace e con brio 9:15
6 II. Allegretto scherzando 3:48
7 III. Tempo di menuetto 5:51
8 IV. Allegro vivace 7:47
Nicolaus Esterházy Sinfonia
Béla Drahos, Conductor
Recorded: October 1995 1–4 and 21–4 June 1995 5–8 at Phoenix Studio, Italian Institute, Budapest, Hungary
Producer: Ibolya T�h •Engineer: J疣os Bohus •Acoustic Consultant: Tim Handley
5–8
Released on 8.553477 1–4 8.553475 5–8
DISC 5 64:52
Symphony No. 9 in D minor, Op. 125 ‘Choral’ (1822–4) 64:52
(Text: Friedrich von Schiller, 1759–805)
1 I. Allegro ma non troppo e un poco maestoso 14:46
2 II. Molto vivace 13:45
3 III. Adagio molto e cantabile 13:05
4 IV. Finale: Presto 23:16
Hasmik Papian, Soprano 4 •Ruxandra Donose, Mezzo-soprano 4
Manfred Fink, Tenor 4 •Claudio Otelli, Baritone 4
Nicolaus Esterházy Chorus 4
Nicolaus Esterházy Sinfonia
Béla Drahos, Conductor
Recorded in August 1996 at Phoenix Studio, Italian Institute, Budapest, Hungary
Producer: Ibolya Tóth •Engineer: János Bohus
Released on 8.553478
DISC 6 53:43
1 Overture to Collin’s Coriolan, Op. 62 ‘Coriolan Overture’ (1807) 8:29
2 Overture in C major, Op. 115 ‘Zur Namensfeier’ (‘Name Day Celebration’) (1814–5) 7:15
3 Leonore Overture No. 1, Op. 138 (1806–7) 9:59
4 Leonore Overture No. 3, Op. 72b (1805–6) 14:23
5 Musik zu einem Ritterballett, WoO 1 (‘Music for a Ballet of the Knights’) (1790–1) 13:22
No. 1. Marsch (‘March’) –No. 2. Deutscher Gesang (‘German Song’) –No. 3. Jagdlied (‘Hunting Song’) –
Deutscher Gesang –No. 4. Romanze (‘Romance’) –Deutscher Gesang –No. 5. Kriegslied (‘War Song’) –
Deutscher Gesang –No. 6. Trinklied (‘Drinking Song’) –Deutscher Gesang –No. 7. Deutscher Tanz
(‘German Dance’) –No. 8. Coda
Slovak Philharmonic Orchestra •Stephen Gunzenhauser, Conductor 1 4
Nicolaus Esterházy Sinfonia •Béla Drahos, Conductor 2 3 5
Recorded: 4– July 1987 at the Concert Hall of the Slovak Philharmonic, Bratislava, Czechoslovakia 1 4
4– May 1995 at Phoenix Studio, Italian Institute, Budapest, Hungary 2 3 5
Producer: Guenter Appenheimer 1 4, Ibolya Tóth 2 3 5 •Engineer: János Bohus 3 5
Digital Editing: István Berényi 2 3 5 •Acoustic Consultant: Tim Handley 2 3 5
Released on 8.550072 1 4 8.553431 2 3 5
DISC 7 56:50
11 Dances, WoO 17, Hess 20 ‘Mölinger Täze’ (1819) 19:27
1 No. 1. Waltz in E flat major 1:27
2 No. 2. Minuet in B flat major 2:27
3 No. 3. Waltz in B flat major 1:21
4 No. 4. Minuet in E flat major 2:17
5 No. 5. Minuet in E flat major 2:13
6 No. 6. Läderer in E flat major 1:20
7 No. 7. Minuet in B flat major 2:14
8 No. 8. Läderer in B flat major 1:16
9 No. 9. Minuet in G major 2:17
10 No. 10. Waltz in D major 1:11
11 No. 11. Waltz in D major 1:24
12 Contretäze, WoO 14 (1802) 12:40
12 No. 1 in C major 0:36
13 No. 2 in A major 0:46
14 No. 3 in D major 1:26
15 No. 4 in B flat major 0:41
16 No. 5 in E flat major 1:25
17 No. 6 in C major 1:39
18 No. 7 in E flat major 0:46
19 No. 8 in C major 0:41
20 No. 9 in A major 0:37
21 No. 10 in C major 1:09
22 No. 11 in G major 0:38
23 No. 12 in E flat major 2:16
12 Deutsche Täze, WoO 8 (1795) 18:41
24 No. 1 in C major 0:3726
25 No. 2 in A major 1:26
26 No. 3 in F major 1:28
27 No. 4 in B flat major 1:27
28 No. 5 in E flat major 1:25
29 No. 6 in G major 1:35
30 No. 7 in C major 1:29
31 No. 8 in A major 1:24
32 No. 9 in F major 1:26
33 No. 10 in D major 1:26
34 No. 11 in G major 1:23
35 No. 12 in C major 3:35
36 Triumphmarsch zum Trauerspiel Tarpeja von Kuffner, WoO 2a, Hess 117 3:02
(‘Triumphal March for the Tragedy “Tarpeja” by Kuffner’) (1813)
37 Leonore, Act II: Introduction, WoO 2b, Hess 117 (1805 version) 2:52
Capella Istropolitana •Oliver Dohnányi, Conductor 1– 35
Turku Philharmonic Orchestra •Leif Segerstam, Conductor -36,37
Recorded: June 1989 at the Moyzes Hall of the Slovak Philharmonic, Bratislava, Czechoslovakia -35
15–9 January 2018 at Turku Concert Hall, Turku, Finland -36,37
Producer: Karol Kopernický Hubert Geschwandtner -35, Sean Lewis -36,37
Engineer and editor: Sean Lewis -36.37
Publisher: Edwin F. Kalmus -35, Breitkopf & Hätel -37
Released on 8.550433 1–35 8.573956 -36,37
DISC 8 60:14
12 Menuette, WoO 7 (1795) 27:07
1 No. 1 in D major 2:10
2 No. 2 in B flat major 2:13
3 No. 3 in G major 2:07
4 No. 4 in E flat major 2:12
5 No. 5 in C major 2:07
6 No. 6 in A major 2:11
7 No. 7 in D major 2:14
8 No. 8 in B flat major 2:20
9 No. 9 in G major 2:10
10 No. 10 in E flat major 2:47
11 No. 11 in C major 2:24
12 No. 12 in F major 2:11
6 Menuette, WoO 10 (1796) (reconstructed for orchestra by F. Beyer, 1922–018) 14:13
13 No. 1 in C major 2:10
14 No. 2 in G major 2:59
15 No. 3 in D major 2:08
16 No. 4 in B flat major 2:22
17 No. 5 in E flat major 2:14
18 No. 6 in C major 2:13
19 Gratulations-Menuet in E flat major, WoO 3 (1822) 3:52
Wellingtons Sieg oder Die Schlacht bei Vittoria, Op. 91 14:54
(‘Wellington’s Victory, or the Battle of Vitoria’) (1813)
20 Part I: Schlacht (‘The Battle’) 8:10
21 Part II: Sieges-Symphonie (‘Victory Symphony’) 6:39
Capella Istropolitana •Oliver Dohn疣yi, Conductor 1–12
Turku Philharmonic Orchestra •Leif Segerstam, Conductor 13-18
Minnesota Orchestra •Stanisłw Skrowaczewski, Conductor 19
Slovak Radio Symphony Orchestra •Ondrej Len疵d, Conductor ) 20-21
Recorded: June 1989 at the Moyzes Hall of the Slovak Philharmonic, Bratislava, Czechoslovakia 1–12
15–9 January 2018 at Turku Concert Hall, Turku, Finland 13-18, September 1980 at Elite Recordings 19
14–5 February and 31 March– April 1989 at the Concert Hall of the Czechoslovak Radio,
Bratislava, Czechoslovakia ) 20-21
Producer: Karol Kopernický Hubert Geschwandtner 1–12, Sean Lewis 13-18,
Marc Aubort and Joanna Nickrenz (, Güter Appenheimer ) !
Engineer and editor: Sean Lewis #–* •Publisher: Edition Kunzelmann 13-18
Released on 8.550433 1–12 8.573956 13-18 VOX-ED-5099 -19 ( 8.550230 ) -201,21
CONCERTO
DISC 9 78:11
Piano Concerto No. 1 in C major, Op. 15 (1795, rev. 1801) 37:19
1 I. Allegro con brio 17:39
2 II. Largo 11:01
3 III. Rondo: Allegro 8:37
4 Rondo in B flat major, WoO 6 (before 1793) (completed by C. Czerny, 1791–857) 9:37
Piano Concerto in E flat major, WoO 4 (1784) 31:08
5 I. Allegro moderato 11:20
6 II. Larghetto 10:17
7 III. Rondo: Allegro, ma non troppo 9:29
Stefan Vladar, Piano
Capella Istropolitana
Barry Wordsworth, Conductor 1–4
Martin Galling, Piano
Berlin Symphony Orchestra
Carl-August Bunte Concuctor 5-7
Recorded: 3– October 1988 at the Moyzes Hall of the Slovak Philharmonic, Bratislava, Czechoslovakia 1–4
April 1968 at the Gemeindehaus Zehlendorf, Berlin, West Germany 5–7
Producer: Martin Sauer 1–4
Released on 8.550190 1–4 VOX-ED-5986 5–7
DISC 10 69:55
Piano Concerto No. 2 in B flat major, Op. 19 (1793–8) 29:01
1 I. Allegro con brio 14:01
2 II. Adagio 9:03
3 III. Rondo: Allegro molto 5:53
Piano Concerto No. 5 in E flat major, Op. 73 ‘Emperor’ (1809) 38:15
4 I. Allegro 20:09
5 II. Adagio un poco moto 8:00
6 III. Rondo: Allegro, ma non troppo 10:01
7 Romance cantabile in E minor, WoO 207, Hess 13 (fragment) (1786/87) 2:27
Stefan Vladar, Piano
Capella Istropolitana •Barry Wordsworth, Conductor 1–6
Martina Čchová Flute •Filip Krytinář Bassoon
Johanna Haniková Piano
Czech Chamber Philharmonic Orchestra Pardubice
Marek Šilec, Conductor 7
Recorded: March 1988 at the Concert Hall of the Slovak Philharmonic, Bratislava, Czechoslovakia 1–6
1 February 2019 at The House of Music, Pardubice, Czech Republic 7
Producer: Martin Sauer 1–6, JiříŠilec 7 •Engineer: Václav Roubal 7
Released on 8.550121 1–6 9.70288 7
DISC 11 70:51
Piano Concerto No. 3 in C minor, Op. 37 (c. 1803) 35:07
1 I. Allegro con brio 16:30
2 II. Largo 9:52
3 III. Rondo: Allegro 8:41
Piano Concerto No. 4 in G major, Op. 58 (1805–6) 34:38
4 I. Allegro moderato 19:04
5 II. Andante con moto 5:36
6 III. Rondo: Vivace 9:55
7 Concert Finale in C major, Hess 65 0:55
(arr. of Coda to Piano Concerto No. 3 in C minor, Op. 37 –III. Rondo, for piano) (c. 1809
Stefan Vladar 1–6, JenőJandó7, Piano
Capella Istropolitana 1–6
Barry Wordsworth, Conductor 1–6
Recorded: 21–3 March 1988 at the Concert Hall of the Slovak Philharmonic, Bratislava, Czechoslovakia 1–6
15–8 January 1996 at the Unitarian Church, Budapest, Hungary 7
Producer: Martin Sauer 1–6, Ibolya Tóth 7 •Engineer: János Bohus 7 •Digital Editing: István Berényi 7
Released on 8.550122 1–6 8.553798 7
DISC 12 79:19
Piano Concerto in D major, Op. 61a (1809) 43:29
1 I. Allegro, ma non troppo 24:15
2 II. Larghetto 9:24
3 III. Rondo 9:50
Triple Concerto for Violin, Cello and Piano in C major, Op. 56 (1803–-04) 35:50
4 I. Allegro 17:41
5 II. Largo 5:03
6 III. Rondo alla polacca 13:06
Dong-Suk Kang, Violin • Maria Kliegel, Cello 4–-6
Jenő. Jandóo, Piano
Nicolaus Esterhazy Sinfonia
Bella Drahos, Conductor
Recorded: 1–-6 May 1997 at Phoenix Studio, Italian Institute, Budapest, Hungary
Producer: Ibolya Tóoth •. Engineer: Jáanos Bohus •. Digital Editing: Veronika Vincze
Released on 8.554288
DISC 13 73:36
Violin Concerto in D major, Op. 61 (1806) 46:37
1 I. Allegro ma non troppo 25:08
2 II. Larghetto 10:13
3 III. Rondo 11:12
4 Violin Concerto in C major, WoO 5, Hess 10 (fragment): Allegro con brio (1790–-92) 8:14
5 Romance No. 1 in G major, Op. 40 (c. 1801–-02) 8:35
6 Romance No. 2 in F major, Op. 50 (1798) 9:53
Takako Nishizaki, Violin
Slovak Philharmonic Orchestra •. Kenneth Jean, Conductor 1–-3 5 6
Jakub Junek, Violin
Czech Chamber Philharmonic Orchestra Pardubice
Marek Štilec, Conductor 4
Recorded: July 1988 at the Reduta Concert Hall, Bratislava,Czechoslovakia 1–-3 5 6
1 February 2019 at The House of Music, Pardubice, Czech Republic 4
Producer:Güunter Appenheimer1–-3 5 6, Jiř.íi Š.tilec 4 • Engineer: Václav Roubal 4
Released on 8.553232 1–-3 9.70288 4 8.550149 5 6
KEYBOARD
DISC 14 67:06
7 Bagatelles, Op. 33 (1801–-02) 20:14
1 No. 1 in E flat major: Andante grazioso, quasi allegretto 3:51
2 No. 2 in C major: Scherzo allegro 3:06
3 No. 3 in F major: Allegretto 2:02
4 No. 4 in A major: Andante 2:57
5 No. 5 in C major: Allegro, ma non troppo 3:03
6 No. 6 in D major: Allegretto quasi andante 3:17
7 No. 7 in A flat major: Presto 1:49
11 Bagatelles, Op. 119 (1820–-22) 14:32
8 No. 1 in G minor: Allegretto 2:11
9 No. 2 in C major: Andante con moto 1:02
10 No. 3 in D major: àa l’Allemande 1:33
11 No. 4 in A major: Andante cantabile 1:26
12 No. 5 in C minor: Risoluto 1:12
13 No. 6 in G major: Andante –Allegretto 1:39
14 No. 7 in C major: Allegro, ma non troppo 1:04
15 No. 8 in C major: Moderato cantabile 1:49
16 No. 9 in A minor: Vivace moderato 0:36
17 No. 10 in A major: Allegramente 0:14
18 No. 11 in B flat major: Andante, ma non troppo 1:41
6 Bagatelles, Op. 126 (1823–4) 20:31
19 No. 1 in G major: Andante con moto, cantabile e compiacevole 3:41
20 No. 2 in G minor: Allegro 2:33
21 No. 3 in E flat major: Andante, cantabile e grazioso 2:40
22 No. 4 in B minor: Presto 3:54
23 No. 5 in G major: Quasi allegretto 3:07
24 No. 6 in E flat major: Presto –Andante amabile e con moto 4:32
25 Bagatelle in A minor, WoO 59 ‘Fü Elise’ (1810) 3:22
26 Bagatelle in A minor, WoO 59 ‘Fü Elise’ (1822 version)
(ed. Barry Cooper, b. 1949) 3:30
27 Klavierstük in B flat major, WoO 60 (1818) 1:12
28 Bagatelle in C major, Hess 57 (fragment) (1823–4) 0:41
29 2 Bagatelles, WoO 216, Hess 73–4 (1800–1) 0:48
30 Klavierstük in C major, WoO 54 ‘Lustig-Traurig’ (?1802) 1:54
Jenő Jandó1–25–27-30, Sergio Gallo-26, Piano
Recorded: 26–30 August 1991 1–24"' and 15–8 January 1996 –25-27-30 at the Unitarian Church, Budapest, Hungary;
15–7 April 2019 at Hahn Hall, Music Academy of the West, Santa Barbara, USA 26˜
Producer: János Mácsay 1–24"', Ibolya Tóth 25-27-30, Barbara Hirsch, Sergio Gallo 26
Engineer: István Berényi 1–24"', Barbara Hirsch 26, János Bohus 30 •Balance engineer: János Bohus 25-27-29
Digital editing: István Berényi 25,27-30 •Publisher: London: Novello 26
Released on 8.550474 1–24"' 8.553795 25.27-29 8.574131 26 8.553798 30
DISC 15 56:35
1 Klavierstuck in B minor, WoO 61, Hess 62: Allegretto (1821) 2:23
2 Klavierstük in G minor, WoO 61a, Hess 56: Allegretto quasi andante (1825) 0:33
3 7 Lädler, WoO 11, Hess 27 (?1798) 4:00
4 6 Lädler, WoO 15 (version for piano) (1801–2) 3:52
5 12 German Dances, WoO 8, Hess 100 (1795) 14:41
6 Menuett in C major, WoO 218 (c. 1793–5) 2:07
7 6 Minuets, WoO 10 (version for piano) (?1795) 11:39
8 Bagatelle in C major, WoO 56: Allegretto (1803) 2:09
9 Allegretto in C minor, WoO 53 (1796–7) 4:25
10 Fantasia, Op. 77 (1809) 10:26
JenőJandó Piano
Recorded: 15–8 January 1996 at the Unitarian Church, Budapest, Hungary
Producer: Ibolya Tóth •Balance engineer 1–9, Engineer 10: János Bohus •Digital Editing: István Berényi
Released on 8.553795 1–9 8.553798 10
DISC 16 56:49
1 12 German Dances, WoO 13, Hess 5 (1792–7) 14:14
2 Contretäze, Hess 102 (piano version of 12 Contretäze, WoO 14: 5:19
Nos. 1, 2, 4, 5, 7, 9 and 10) (1802)
3 6 Ecossaises in E flat major, WoO 83 (1806) 1:53
4 Menuett in E flat major, WoO 82 (before 1805) 3:43
5 Bagatelle in C minor, WoO 214, Hess 69 (1794) 2:44
6 Polonaise in C major, Op. 89 (1814) 5:39
7 Rondo in C major, WoO 48, Hess 51 (1783) 2:25
8 Prelude in F minor, WoO 55 (before 1805) 2:17
9 2 Preludes through all 12 Major Keys, Op. 39 (?1789) 7:36
10 Fugue in C major, WoO 215, Hess 64 (1795) 1:32
11 Rondo àcapriccio in G major, Op. 129 ‘Rage Over a Lost Penny’ (1795) 6:08
12 2 German Dances, Hess 67 (1811–2) 1:26
12 Piano Miniatures from the sketchbooks,
edited by Jos van der Zanden, b. 1954 (Raptus Editions) (before 1801) 1:30
13 No. 9. Menuetto in D major (Kafka Miscellany, f. 39r, 1–)
JenőJandó1–12, Sergio Gallo 13, Piano
Recorded: 15–8 January 1996 at Phoenix Studios, Unitarian Church, Budapest, Hungary 1–12
15–7 April 2019 at Hahn Hall, Music Academy of the West, Santa Barbara, USA 13
Producer: Ibolya Tóth 1–12, Barbara Hirsch, Sergio Gallo 13 •Engineer: János Bohus 1–12, Barbara Hirsch 13
Digital editing: István Berényi 1–12
Publisher: Raptus Editions 13
Released on 8.553798 1–10 8.553799 11.12 8.574131 13
DISC 17 57:34
1 Rondo in C major, Op. 51, No. 1 (1796–7) 5:42
2 Rondo in G major, Op. 51, No. 2 (1798) 9:26
3 Rondo in A major, WoO 49 (1783) 2:34
12 Minuets, WoO 7, Hess 101 (1795) 20:42
4 No. 1 in D major 1:49
5 No. 2 in B flat major 1:51
6 No. 3 in G major 1:45
7 No. 4 in E flat major 1:52
8 No. 5 in C major 1:52
9 No. 6 in A major 1:54
10 No. 7 in D major 1:54
11 No. 8 in B flat major 1:54
12 No. 9 in G major 1:52
13 No. 10 in E flat major 2:15
14 No. 11 in C major 1:51
15 No. 12 in F major 1:47
Bagatelles, WoO 213 (c. 1793) 3:43
16 No. 1 in D flat major (ed. B. Cooper, b. 1949) 1:02
17 No. 2 in G major (transcribed by A. Schmitz, 1893–980) 0:29
18 No. 3 in A flat major (ed. A.W. Holsbergen, b. 1957)* 1:16
19 No. 4 in A major (ed. B. Cooper) 0:50
20 Anglaise in D major, WoO 212, Hess 61 (c. 1800) 0:35
21 Bagatelle in A major, WoO 81 (1793) (transcribed by A. Schmitz, 1893–980) 1:12
22 Waltz in E flat major, WoO 84 (1824) 1:50
23 Waltz in D major, WoO 85 (1825) 0:36
24 Menuett in F major, WoO 217 (1794) 1:35
* WORLD PREMIERE RECORDING
25 Ecossaise in G major, WoO 23, Hess 4 (c. 1810) (arr. C. Czerny, 1791–857, for piano) 0:37
26 Ecossaise in E flat major, WoO 86 (1825) 0:30
27 Waltz in C minor, WoO 219, Hess 68 (1803) 0:51
28 Menuett in B flat major, Hess 331 (1799) (transcribed by W. Virneisel, 1902–995) 0:36
29 Menuett in B flat major, Hess 331 (1799) (reconstructed by A.W. Holsbergen)* 2:21
30 Minuet in D minor, Gardi 10 (1790–2) (transcribed by D.P. Johnson, 2:14
dates unknown, performing version by L. Bisgaard, b. 1947)
* WORLD PREMIERE RECORDING
JenőJandó1–15 Sergio Gallo 16.17.19 Carl Petersson 18.20.21.24-30, Larry Weng 22.23', Piano
Recorded: 15–8 January 1996 at the Unitarian Church, Budapest, Hungary 1–15
15–7 April 2019 at Hahn Hall, Music Academy of the West, Santa Barbara, USA 16.17.19
3– July 2018 at Helsingborgs Konserthus, Helsingborg, Sweden 18,20,21,24-30
17–20 March 2017 at Morse Recital Hall, Yale School of Music, New Haven, Connecticut, USA 22.23
Producer: Ibolya Tóth 1–15, Barbara Hirsch, Sergio Gallo 16.17.19
Mette Due, Lars Bisgaard * )18.20.21.24-30, Matthew LeFevre 22.23
Engineer: János Bohus 1–15, Barbara Hirsch 16.17.19 Mette Due * )18.20.21.24-30, Matthew LeFevre 22.23
Digital editing: István Berényi 1–15 Editor: Mette Due * ) 18.20.21.24-30Matthew LeFevre 22.23
Publisher: London: Novello 16.19 (, Bonn: Kurt Schroeder, Verlag 17.21 The Unheard Beethoven, Inc. (BMI)18.29
Breitkopf & Hätel )20.24-26 Bonn: Verlag Beethoven-Haus •28 UMI Research Press 30
Released on 8.553799 1–15 8.574131 16.17.19 9.70291 18.28.29 8.573928 ) 20,21,24-27.308.573939 22.23
DISC 18 67:43
Piano Sonata No. 1 in F minor, Op. 2, No. 1 (1795) 18:25
1 I. Allegro 5:38
2 II. Adagio 4:49
3 III. Menuetto: Allegretto 3:05
4 IV. Prestissimo 4:53
Piano Sonata No. 2 in A major, Op. 2, No. 2 (1795) 23:20
5 I. Allegro vivace 6:56
6 II. Largo appassionato 6:49
7 III. Scherzo: Allegretto 2:58
8 IV. Rondo: Grazioso 6:37
Piano Sonata No. 3 in C major, Op. 2, No. 3 (1795) 25:48
9 I. Allegro con brio 10:18
10 II. Adagio 7:24
11 III. Scherzo: Allegro 3:06
12 IV. Allegro assai 5:00
JenőJandó Piano
Recorded: 4– January 1988 at the Italian Institute, Budapest, Hungary
Producer: Monika Feszler •Engineer: Endre Radáyi
Released on 8.550150
DISC 19 84:07
Piano Sonata No. 4 in E flat major, Op. 7 (1796–7) 28:08
1 I. Allegro molto e con brio 8:18
2 II. Largo, con gran espressione 7:58
3 III. Allegro 4:51
4 IV. Rondo: Poco allegretto e grazioso 6:57
Piano Sonata No. 5 in C minor, Op. 10, No. 1 (1795–7) 17:40
5 I. Allegro molto e con brio 5:22
6 II. Adagio molto 7:55
7 III. Finale: Prestissimo 4:21
Piano Sonata No. 6 in F major, Op. 10, No. 2 (1796–7) 13:45
8 I. Allegro 5:40
9 II. Allegretto 4:11
10 III. Presto 3:51
Piano Sonata No. 7 in D major, Op. 10, No. 3 (1797–8) 24:22
11 I. Presto 7:51
12 II. Largo e mesto 9:30
13 III. Menuetto: Allegro 2:48
14 IV. Rondo: Allegro 4:06
JenőJandó Piano
Recorded: January 5–14, February and March 1988 1–4 at the Italian Institute, Budapest, Hungary
Producer: Monika Feszler •Engineer: Endre Radáyi 5–14
Released on 8.550167 1–4 8.550161 5–14
DISC 20 72:45
Piano Sonata No. 8 in C minor, Op. 13 ‘Pathéique’ (?1797–8) 17:54
1 I. Grave –Allegro di molto e con brio 8:30
2 II. Adagio cantabile 4:45
3 III. Rondo: Allegro 4:35
Piano Sonata No. 9 in E major, Op. 14, No. 1 (1798) 13:16
4 I. Allegro 6:04
5 II. Allegretto 3:55
6 III. Rondo: Allegro comodo 3:15
Piano Sonata No. 10 in G major, Op. 14, No. 2 (1798–9) 16:26
7 I. Allegro 6:33
8 II. Andante 6:27
9 III. Scherzo: Allegro assai 3:25
Piano Sonata No. 11 in B flat major, Op. 22 (1800) 24:56
10I. Allegro con brio 7:44
11 II. Adagio con molta espressione 7:47
12III. Minuetto 3:10
13 IV. Rondo: Allegretto 6:12
Boris Giltburg 1–3, JenőJandó4–9, Piano
Recorded: 26–8 January 2015 at the Concert Hall, Wyastone Leys, Monmouth, UK 1–3
January 1988 4–9 and 22 August– September 10–13 at the Italian Institute, Budapest, Hungary
Producer: Andrew Keener 1–3, Monika Feszler 4–9, JenőSimon 10–13
Engineer: Phil Rowlands 1–3, Endre Radányi 4–13 •Editor: Stephen Frost 1–3
Released on 8.573400 1–3 8.550162 4–9 8.550234 10–13
DISC 21 73:51
Piano Sonata No. 12 in A flat major, Op. 26 ‘Sonate mit dem Trauermarsch’ (1800–1) 19:08
1 I. Andante con variazioni 7:18
2 II. Scherzo: Allegro molto 2:46
3 III. Marcia funebre sulla morte d’un Eroe 6:06
4 IV. Allegro 2:56
Piano Sonata No. 13 in E flat major, Op. 27, No. 1 (1800–1) 16:22
5 I. Andante 5:22
6 II. Allegro molto e vivace 1:59
7 III. Adagio con espressione 2:59
8 IV. Allegro vivace 6:02
Piano Sonata No. 14 in C sharp minor, Op. 27, No. 2 ‘Moonlight’ (1801) 14:37
9 I. Adagio sostenuto 5:15
10 II. Allegretto 2:04
11 III. Presto agitato 7:18
Piano Sonata No. 15 in D major, Op. 28 ‘Pastoral’ (1801) 23:22
12 I. Allegro 9:06
13 II. Andante 7:31
14 III. Scherzo: Allegro vivace 2:06
15 IV. Rondo: Allegro ma non troppo 4:49
JenőJandó Piano
Recorded: February and March 1988 1–8, 21–3 April 1987 9–! and 31 January–7 February 1989 12-15
at the Italian Institute, Budapest, Hungary
Producer: Monika Feszler 1–8 12-15, János Horváth 9–11
Engineer: Endre Radányi 1–4, Istvá Zakariá 12-15
Released on 8.550166 1–4 8.550167 5–8 8.550294 9–11 8.550255 12-15
DISC 22 68:25
Piano Sonata No. 16 in G major, Op. 31, No. 1 (1802) 23:08
1 I. Allegro vivace 6:28
2 II. Adagio grazioso 9:55
3 III. Rondo: Allegretto 6:43
Piano Sonata No. 17 in D minor, Op. 31, No. 2 ‘Tempest’ (1802) 23:23
4 I. Largo –Allegro 8:58
5 II. Adagio 8:11
6 III. Allegretto 6:12
Piano Sonata No. 18 in E flat major, Op. 31, No. 3 ‘La Chasse’ (1802) 21:46
7 I. Allegro 8:02
8 II. Scherzo: Allegretto vivace 4:40
9 III. Menuetto: Moderato e grazioso 4:27
10 IV. Presto con fuoco 4:34
JenőJandó Piano
Recorded: 20–21 June 1987 4–6 and February –March 1988 1–3 7–10 at the Italian Institute, Budapest, Hungary
Producer: Monika Feszler •Engineer: Jáos Horváh 4–6, Endre Radányi 1–3 7–10
Released on 8.550166 1–3 7–10 8.550054 4–6
DISC 23 71:02
Piano Sonata No. 19 in G minor, Op. 49, No. 1 (1797) 6:55
1 I. Andante 3:42
2 II. Rondo: Allegro 3:13
Piano Sonata No. 20 in G major, Op. 49, No. 2 (1795–6) 7:32
3 I. Allegro ma non troppo 4:27
4 II. Tempo di Menuetto 3:04
Piano Sonata No. 21 in C major, Op. 53 ‘Waldstein’ (1803–4) 23:24
5 I. Allegro con brio 8:42
6 II. Introduzione: Adagio molto 3:59
7 III. Rondo: Allegretto moderato 10:41
Piano Sonata No. 22 in F major, Op. 54 (1804) 9:19
8 I. In tempo d’un Menuetto 5:45
9 II. Allegretto –Più allegro 3:33
Piano Sonata No. 23 in F minor, Op. 57 ‘Appassionata’ (1804–5) 23:37
10 I. Allegro assai 9:35
11 II. Andante con moto 5:43
12 III. Allegro ma non troppo –Presto 8:17
JenőJandó1–4 8–12, Boris Giltburg 5–7, Piano
Recorded: February and March 1988 1–4 8–9 and 21–3 April 1987 10–12 at the Italian Institute, Budapest, Hungary;
26–8 January 2015 at the Concert Hall, Wyastone Leys, Monmouth, UK 5–7
Producer: Monika Feszler 1–4 8–9, Andrew Keener 5–7, János Horváth 10-12•Engineer: Phil Rowlands 5–7
Editor: Stephen Frost 5–7
Released on 8.550167 1–4 8 9 8.573400 5–7 8.550294 10–12
DISC 24 68:27
Piano Sonata No. 24 in F sharp major, Op. 78 (1809) 9:28
1 I. Adagio cantabile –Allegro ma non troppo 6:27
2 II. Allegro vivace 2:58
Piano Sonata No. 25 in G major, Op. 79 ‘Kuckuck-Sonate’ (1809) 8:08
3 I. Presto alla tedesca 4:13
4 II. Andante 2:09
5 III. Vivace 1:46
Piano Sonata No. 26 in E flat major, Op. 81a ‘Les Adieux, l’Absence et le Retour’ (1809–0) 17:05
6 I. Das Lebewohl (Les Adieux): Adagio –Allegro 7:03
7 II. Abwesenheit (L’Absence): Andante espressivo (In gehender Bewegung, doch mit viel Ausdruck) –10:01
III. Das Wiedersehn (Le Retour): Vivacissimamente (Im Lebhaftesten Zeitmasse)
Piano Sonata No. 27 in E minor, Op. 90 (1814) 12:34
8 I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck 5:22
9 II. Nicht zu geschwind und sehr singbar vorgetragen 7:11
Piano Sonata No. 28 in A major, Op. 101 (1816) 21:01
10 I. Etwas lebhaft, und mit der innigsten Empfindung: Allegretto ma non troppo 4:06
11 II. Lebhaft. Marschmässig: Vivace alla Marcia 5:42
12 III. Langsam und sehnsuchtsvoll: Adagio, ma non troppo, con affetto –11:09
Geschwind, doch nicht zu sehr, und mit Entschlossenheit: Allegro
JenőJandó Piano
Recorded: January 1988 1–5 8–12 and 20–1 June 1987 6–7 at the Italian Institute, Budapest, Hungary
Producer: Monika Feszler •Engineer: Endre Radáyi 1–5 8–12, János Horváth 6–7
Released on 8.550162 1–2 8–12 8.550161 3–5 8.550054 6–7
DISC 25 79:48
Piano Sonata No. 29 in B flat major, Op. 106 ‘Hammerklavier’ (1817–8) 41:27
1 I. Allegro 11:20
2 II. Scherzo: Assai vivace –Presto –Tempo I 2:46
3 III. Adagio sostenuto, appassionato e con molto sentimento 14:12
4 IV. Largo –Allegro –2:38
5 Allegro risoluto. Fuga a tre voci, con alcune licenze 10:27
Piano Sonata No. 30 in E major, Op. 109 (1820) 19:00
6 I. Vivace, ma non troppo –Adagio espressivo –II. Prestissimo 6:00
7 III. Andante molto cantabile ed espressivo (Gesangvoll, mit innigster Empfindung) 12:59
Piano Sonata No. 31 in A flat major, Op. 110 (1821–2) 19:17
8 I. Moderato cantabile, molto espressivo 6:18
9 II. Allegro molto 2:18
10 III. Adagio, ma non troppo –Fuga: Allegro, ma non troppo 10:40
JenőJandó Piano
Recorded: 22 August– September 1988 1–5 and
28–30 December 1987 6–10 at the Italian Institute, Budapest, Hungary
Producer: JenőSimon 1–5, Monika Feszler 6–10 •Engineer: Endre Radányi
Released on 8.550234 1–5 8.550151 6–10
DISC 26 68:19
Piano Sonata No. 32 in C minor, Op. 111 (1821–2) 27:36
1 I. Maestoso –Allegro con brio ed appassionato 9:07
2 II. Arietta: Adagio molto semplice e cantabile 18:23
3 Piano Sonatas, WoO 47 ‘Kurfüstensonaten’ (1782–3) 8:37
Piano Sonata in E flat major, WoO 47, No. 1
3 I. Allegro cantabile 3:13
4 II. Andante 2:55
5 III. Rondo: Vivace 2:27
Piano Sonata in F minor, WoO 47, No. 2 11:18
6 I. Larghetto maestoso –Allegro assai 3:29
7 II. Andante 4:35
8 III. Presto 3:12
Piano Sonata in D major, WoO 47, No. 3 11:07
9 I. Allegro 3:19
10 II. Menuetto: Sostenuto 5:28
11 III. Scherzando: Allegretto, ma non troppo 2:17
12 Piano Sonata (Sonatina) in F major, WoO 50, Hess 53 (before 1793) 1:33
Piano Sonata in C major (2 Pieces), WoO 51 ‘Eleonoren-Sonate’ (?1797–) 7:48
13 I. Allegro 4:48
14 II. Adagio (completed by F. Ries, 1784–838) 2:59
Boris Giltburg 1–2, JenőJandó3–11, Sergio Gallo 12, Larry Weng 13.14 Piano
Recorded: 26–28 January 2015 at the Concert Hall, Wyastone Leys, Monmouth, UK 1–2
31 January–7 February 1989 at the Italian Institute, Budapest, Hungary 3–11
7–10 April 2019 at Hahn Hall, Music Academy of the West, Santa Barbara, USA 12
17–20 March 2017 at the Morse Recital Hall, Yale School of Music, New Haven, Connecticut, USA 13-14
Producer: Andrew Keener 1–2, Monika Feszler 3–11, Barbara Hirsch, Sergio Gallo 12, Matthew LeFevre13-14
Engineer: Phil Rowlands 1–2, Istvá Zakariá 3–11, Barbara Hirsch 12 Matthew LeFevre 13-14
Editor: Stephen Frost 1–2, Matthew LeFevre 13-14
Released on 8.573400 1–2 8.550255 3–11 8.574131 12 8.57393913-14
DISC 27 68:13
1 15 Variations and a Fugue on an Original Theme in E flat major, Op. 35 ‘Eroica Variations’ (1802) 25:29
2 32 Variations on an Original Theme in C minor, WoO 80 (1806) 11:06
3 6 Variations on an Original Theme in F major, Op. 34 (1802) 12:57
4 6 Variations in G major on the Duet ‘Nel cor piùnon mi sento’ from La molinara, WoO 70 (1795) 4:52
5 12 Variations in C major on the ‘Menuet àla Viganò’ 13:28
Piano Sonata in F minor, WoO 47, No. 2 11:18
from Haibel’s Le nozze disturbate, WoO 68 (1795)
Ian Yungwook Yoo 1 5, JenőJandó 2–4, Piano
Recorded: 25–6 July 2008 at the Glenn Gould Studio, CBC (Canadian Broadcasting Corporation),
Toronto, Ontario, Canada 1 5 6– April 1992 at the Unitarian Church, Budapest, Hungary 2–4
Producer: Bonnie Silver, Norbert Kraft 1 5, Ibolya Tóth 2–4 •Engineer: Norbert Kraft 1 5, János Bohus 2–4
Editor: Bonnie Silver 1 5 •Publisher: G. Henle Verlag 1 5
Released on 8.572160 1 5 8.550676 2–4
DISC 28 77:56
1 10 Variations in B flat major on the Duet ‘La stessa, la stessissima’ 9:41
from Salieri’s Falstaff, WoO 73 (1799)
2 8 Variations in F major on the Trio ‘Tädeln und Scherzen’ 8:09
from Süsmayr’s Soliman der Zweite, WoO 76 (1799)
3 6 Variations in D major on an Original Theme, Op. 76 (1809) 6:08
4 6 Variations on a Swiss Song, WoO 64 (version for piano) (before 1793) 2:55
5 24 Variations in D major on Righini’s arietta ‘Venni amore’, WoO 65 ‘Righini Variations’ (1790–1) 24:14
6 13 Variations in A major on the Arietta ‘Es war einmal ein alter Mann’ 13:09
from Dittersdorf’s Das rothe Käppchen, WoO 66 (1792)
7 9 Variations in A major on the Aria ‘Quant’ èpiùbello’ from Paisiello’s La molinara, WoO 69 (1795) 5:50
8 8 Variations in C major on the Romance ‘Une fière brûante’ 7:27
from Gréry’s Richard Coeur-de-lion, WoO 72 (1795)
Ian Yungwook Yoo 1–3, Sergio Gallo 4 6, Larry Weng 5 7 8, Piano
Recorded: 25–6 July 2008 at the Glenn Gould Studio, CBC (Canadian Broadcasting Corporation), Toronto,
Ontario, Canada 1–3 15–7 April 2019 at Hahn Hall, Music Academy of the West, Santa Barbara, USA 4 6
17–20 March 2017 at the Morse Recital Hall, Yale School of Music, New Haven, Connecticut, USA 5 7 8
Producer: Bonnie Silver, Norbert Kraft 1–3, Barbara Hirsch, Sergio Gallo 4 6, Matthew LeFevre 5 7 8
Engineer: Norbert Kraft 1–3, Barbara Hirsch 4 6, Matthew LeFevre 5 7 8
Editor: Bonnie Silver 1–3, Matthew LeFevre 5 7 8 •Publisher: G. Henle Verlag 1–3
Released on 8.572160 1–3 8.574131 4 6 8.573939 5 7 8
DISC 29 63:50
1 7 Variations in F major on the Quartet ‘Kind, willst du ruhig schlafen’ 11:42
from Winter’s Das unterbrochene Opferfest, WoO 75 (1799)
2 6 Easy Variations on an Original Theme in G major, WoO 77 (1800) 7:45
Tema: Andante, quasi Allegretto –Variation I –Variation II –Variation III –Variation IV:
Minore, Poco sostenuto –Variation V: Maggiore –Variation VI –Coda
3 7 Variations in C major on ‘God Save the King’, WoO 78 (1802/03) 9:35
Tema –Variation I –Variation II –Variation III –Variation IV –Variation V:
Con espressione –Variation VI: Allegro. Alla Marcia –Variation VII [Allegro] –Coda: Adagio –Allegro
4 5 Variations in D major on ‘Rule Britannia’, WoO 79 (1803) 5:41
Tema: Tempo moderato –Variation I –Variation II –Variation III –
Variation IV –Variation V [Allegro] –Coda
5 9 Variations in C minor on a March by Dressler, WoO 63 13:18
‘Dressler Variations’ (original version) (1782)
6 9 Variations in C minor on a March by Dressler, WoO 63 15:35
‘Dressler Variations’ (revised version) (1803)
Larry Weng 1, Carl Petersson 2–4, Sergio Gallo 5, Susan Kagan 6, Piano
Recorded: 17–20 March 2017 at the Morse Recital Hall, Yale School of Music, New Haven, Connecticut, USA 1
3–4 July 2018 at the Helsingborgs Konserthus, Helsingborg, Sweden 2–4
15–17 April 2019 at Hahn Hall, Music Academy of the West, Santa Barbara, USA 5
17 January and 14, 18 and 22 February 2011 at Patrych Sound Studios, Bronx, New York, USA 6
Producer: Matthew LeFevre 1, Mette Due, Lars Bisgaard 2–4, Barbara Hirsch, Sergio Gallo 5, Joseph Patrych 6
Engineer: Matthew LeFevre 1, Mette Due 2–4, Barbara Hirsch 5, Joseph Patrych 6
Editor: Matthew LeFevre 1, Mette Due 2–4, Joseph Patrych 6 •Publisher: Edition Peters 2–4
Released on 8.573939 1 8.573928 2–4 8.574131 5 GP615-16 6
DISC 30 67:45
33 Variations in C major on a Waltz by Diabelli, Op. 120 ‘Diabelli Variations’ (1819–3) 56:30
1 Thema: Vivace 1:11
2 Variation I: Alla Marcia maestoso 2:08
3 Variation II: Poco allegro 0:52
4 Variation III: L’istesso tempo 1:32
5 Variation IV: Un poco più vivace 1:07
6 Variation V: Allegro vivace 1:00
7 Variation VI: Allegro ma non troppo e serioso 1:41
8 Variation VII: Un poco più allegro 1:06
9 Variation VIII: Poco vivace 1:26
10 Variation IX: Allegro pesante e risoluto 1:54
11 Variation X: Presto 0:39
12 Variation XI: Allegretto 1:18
13 Variation XII: Un poco più moto 0:57
14 Variation XIII: Vivace 1:04
15 Variation XIV: Grave e maestoso 3:53
16 Variation XV: Presto scherzando 0:37
17 Variation XVI: Allegro 0:57
18 Variation XVII: Allegro 0:56
19 Variation XVIII: Poco moderato 2:04
20 Variation XIX: Presto 1:03
21 Variation XX: Andante 1:55
22 Variation XXI: Allegro con brio 1:42
23 Variation XXII: Allegro molto alla ‘Notte e giorno faticar’ di Mozart 0:58
24 Variation XXIII: Allegro assai 0:49
25 Variation XXIV: Fughetta: Andante 2:56
26 Variation XXV: [Allegro] 0:49
27 Variation XXVI: Piacevole 1:10
28 Variation XXVII: Vivace 1:01
29 Variation XXVIII: Allegro 1:05
30 Variation XXIX: Adagio ma non troppo 1:19
31 Variation XXX: Andante, sempre cantabile 2:43
32 Variation XXXI: Largo, molto espressivo 5:35
33 Variation XXXII: Fuga: Allegro 3:13
34 Variation XXXIII: Tempo di Minuetto moderato 3:49
35 12 Variations in A major on a Russian Dance 11:09
from Wranitzky and Kinsky’s Das Waldmädchen, WoO 71 (1796–7)
Konstantin Scherbakov 1–›, Ian Yungwook Yoo fi, Piano
Recorded: 12–13 November 1997 at St Martin’s Church, East Woodhay, Hampshire, England, UK 1–34
25–6 July 2008 at Glenn Gould Studio, CBC (Canadian Broadcasting Corporation), Toronto, Ontario, Canada 35
Producer: Andrew Walton (K&A Productions Ltd) 1–34, Bonnie Silver, Norbert Kraft 35
Engineer: Eleanor Thomason 1–34, Norbert Kraft fi •Post-production: Andrew Walton 1–34Editor: Bonnie Silver 35
Publisher: G. Henle Verlag 35
Released on 8.554372 1–34 8.572160 35
DISC 31 48:09
Sonata for Piano Four Hands in D major, Op. 6 (1896–7) 6:19
1 I. Allegro molto 2:56
2 II. Rondo: Moderato 3:22
3 8 Variations in C major on a Theme by Count Waldstein, WoO 67 ‘Waldstein Variations’ (1792) 8:26
4 6 Variations in D major on ‘Ich denke dein’, WoO 74 (1799) 4:46
Three Marches, Op. 45 (c. 1803) 13:37
5 No. 1 in C major: Allegro ma non troppo 4:18
6 No. 2 in E flat major: Vivace 4:40
7 No. 3 in D major: Vivace 4:33
8 Grosse Fuge in B flat major, Op. 134, Hess 86 (1826) 14:53
Amy Hamann (primo), Sara Hamann (secondo),
Piano 1–2 5–8, Fortepiano 3 4
Recorded: 2– June 2010 at Sundin Hall, Hamline University, Saint Paul, Minnesota, USA 1–2 5–8
18 and 22 October 2010 at the Landmark Center (Courtroom 430), Saint Paul, Minnesota, USA 3–4
Producer: Amy Hamann, Sara Hamann •Engineer: John Scherf •Editor: Amy Hamann, Sara Hamann
Released on GP619-20
DISC 32 73:21
1 Piano Éude in B flat major, Hess 58 (c. 1800) 0:43
2 Piano Éude in C major, Hess 59 (c. 1800) 0:26
3 Sketch in A major, Hess 60 (1818) (transcribed by A. Schmitz, 1893–980)* 0:31
4 Theme with Variations in A major, Hess 72 (fragment) (1803) 2:42
5 Three Little Sketches in Canonic Style, Bia. 69 (1794) 0:59
6 Sketches in C major and G major, Bia. 276 (c. 1800) (reconstructed by A.W. Holsbergen, b. 1957)* 2:23
7 Fragment in A major producing effect of Horns, Bia. 268 (1793) (transcribed by A. Schmitz) 0:13
* WORLD PREMIERE RECORDING
8 Fragment in A major producing effect of Horns, Bia. 268 (1793) (reconstructed by A.W. Holsbergen)* 0:31
9 Fragment (Andante) in F major, Bia. 270 (1793) (transcribed by A. Schmitz, 1893–980) 0:10
10 Fragment in E flat major, Bia. 271 (1793) (transcribed by A. Schmitz) 0:13
11 Sketch in F major, Bia. 273 (1793) (transcribed by A. Schmitz) 0:14
12 Sketch in F major, Bia. 273 (1793) (reconstructed by A.W. Holsbergen)* 0:23
13 Passage in B major, Bia. 280 (1793) 0:10
(transcribed by A. Schmitz, performing version by C. Petersson, b. 1981)
14 Sketch in E flat major, Bia. 317 (1802) (transcribed by S. Brandenburg, 1938–015) 0:42
15 Sketch for Piano Sonata in E flat major, Bia. 98 (1795) 0:39
16 Sketch for Piano Sonata in A minor, Bia. 318 (1802) (reconstructed by A.W. Holsbergen)* 1:54
17 Unused Sketches for the Finale to the Eroica Variations, Bia. 319 (1802) 0:50
(transcribed by S. Brandenburg)
18 Fragment in G major, Bia. 720 (1819–0) (transcribed by J. Schmidt-Gög, 1897–981) 0:20
19 Instrumental Sketch, Bia. 849 (1827) 0:06
20 Piano Trio in G major, Op. 1, No. 2: III. Scherzo (1794–9) 0:32
(version for piano) (fragment, Hess 98, completed by C. Petersson)
21 String Quintet in C major, WoO 62, Hess 41: I. Andante maestoso 2:47
‘Letzter musikalischer Gedanke’ (1826–7)
(fragment completed by A. Diabelli, 1781–858, for piano)
22 Symphony No. 7 in A major, Op. 92: I. Poco sostenuto (c. 1815)
(version for piano, ed. M.S. Zimmer, b. 1960) (fragment, Hess 96, performing version by C. Petersson) 2:55
23 Menuett in A flat major, WoO 209, Hess 88 (1790–2) 4:18
Cadenzas to Mozart’s Piano Concerto No. 20, WoO 58 (1802–9) 4:03
24 Cadenza to I. Allegro 2:34
25 Cadenza to III. Rondo 1:26
* WORLD PREMIERE RECORDING
26 March in C minor, Hess 330 (1804) (reconstructed by A.W. Holsbergen)* 0:59
Sketches for Allegretto, Bia. 99 (1795) 2:09
27 Sketch 1 0:29
28 Sketch 2 0:10
29 Sketch 3 0:27
30 Sketch 4 0:14
31 Sketch 5 0:20
32 Sketch 6 0:06
33 Sketch 7 0:06
34 Sketch 8 0:07
35 Intermezzo for Sonata in C minor, Bia. 191 (possible sketches for Piano Sonata No. 5 or No. 8) 1:00
(1798–9) (reconstructed by A.W. Holsbergen)*
36 Andante in B flat major, Bia. 272 (1793)
(original sketch transcribed by A. Schmitz, performing version by C. Petersson) 0:15
37 Andante in B flat major, Bia. 272 (1793) (reconstructed by A.W. Holsbergen)* 0:30
18 Sketches, Bia 96 (1795) 6:45
38 Sketch 1: Adagio 0:35
39 Sketch 2 0:15
40 Sketch 3 0:12
41 Sketch 4 0:12
42 Sketch 5 0:06
43 Sketch 6: Allegro 0:16
44 Sketch 7 0:22
45 Sketch 8: Allegro maestoso 0:23
46 Sketch 9: Adagio molto 0:13
47Sketch 10 0:08
48 Sketch 11 0:12
49 Sketch 12 1:29
50 Sketch 13 0:32
51 Sketch 14 0:08
52 Sketch 15: Fugentema 0:16
53 Sketch 16: Adagio 0:14
54 Sketch 17 0:29
55 Sketch 18: Allegro 0:22
* WORLD PREMIERE RECORDING
56 March in B flat major, WoO 29, Hess 107 ‘Grenadier March’ (performed on organ) (1798) 4:21
57 Fugue in D major, WoO 31 (1783) 2:09
2 Stüke, WoO 33b, Hess 106 (performed on organ) (1794) 14:04
58 No. 1. Allegro non più molto 8:31
59 No. 2. Allegretto 5:32
3 Stüke, WoO 33a, Hess 103–05 (performed on organ) (1799–800) 11:16
60 No. 1. Adagio assai, Hess 103 6:13
61 No. 2. Scherzo, Hess 104 2:32
62 No. 3. Allegro, Hess 105 2:27
Sergio Gallo, Piano 1–5 21.24.25, Carl Petersson 6–) 6-20.22.23.26-55, Piano
Janette Fishell, Organ 56-62
Recorded: 15–7 April 2019 at the Hahn Hall, Music Academy of the West, Santa Barbara, USA 1–5 21.24.25
3– July 2018 at the Helsingborgs Konserthus, Helsingborg, Sweden 6 20.22.23.26-55
18 August 2018 at Auer Hall, Georgina Joshi Recording Studio,
Indiana University Jacobs School of Music, Bloomington, Indiana, USA 56-62
Producer: Barbara Hirsch, Sergio Gallo 1–5 21.24.25, Mette Due, Lars Bisgaard 6 20.22.23.26-55
Konrad Strauss 56-52
Engineer: Barbara Hirsch 1–5 21.24.25, Mette Due 6 -20 22 23 26-55, Konrad Strauss, Jamie Tagg 56.62
Editor: Mette Due 6 -20 22 23 26-55, Konrad Strauss, Jamie Tagg 56-62
Publisher: The Unheard Beethoven, Inc. (BMI) 6 8 12 16 21 35 37,
Bonn: Verlag Beethoven-Haus 3 7 9–11 13 14 17 18 36 Manuscript 15 27-34 38 -55,
Leipzig: C.F. Peters (, Breitkopf & Hätel )20,21,23, Vance Brook Publishing 22
Released on 8.574131 1–5 21 24 25 9.70291 6–19 22 26-55 8.573928 ) "' 8.574040-41 56-62
DISC 33 85:01
1 Triumphmarsch zum Trauerspiel Tarpeja von Kuffner, WoO 2a, Hess 117 2:46
(‘Triumphal March for the Tragedy “Tarpeja” by Kuffner’) (1831) (arr. for piano, unknown)
2 March No. 1 in F major, WoO 18, Hess 99 ‘Fü die Bömische Landwehr’ 1:27
(‘For the Bohemian Territorial Army’) (1809–
Musik zu einem Ritterballett, WoO 1, Hess 89 (‘Music for a Ballet of the Knights’) (1791) 13:13
3 Marsch 1:54
4 Deutscher Gesang: Allegro 0:50
5 Jagdlied: Allegretto 0:36
6 Deutscher Gesang: Allegro 0:51
7 Minnelied: Romanze: Andantino 0:52
8 Deutscher Gesang: Allegro 0:44
9 Kriegslied: Allegro assai 1:11
10 Deutscher Gesang: Allegro 0:46
11 Trinklied: Allegro con brio 1:27
12 Deutscher Gesang: Allegro 0:51
13 Deutscher Tanz: Walzer 1:17
14 Coda: Allegro vivace 1:45
Die Geschöfe des Prometheus, Hess 90 (‘The Creatures of Prometheus’) 67:32
(piano version of Op. 43) (1801)
15 Ouverture 5:09
16 Act I: Introduzione, ‘La Tempesta’: Allegro non troppo 2:13
17Act I: Poco adagio 3:07
18 Act I: Adagio –Allegro con brio 1:56
19 Act I: Allegro vivace 2:29
20 Act II: Maestoso –Andante 1:15
21 Act II: Adagio –Andante quasi allegretto 6:14
22 Act II: Un poco adagio –Allegro 1:26
23 Act II: Grave 4:55
24 Act II: Allegro con brio 8:08
25 Act II: Adagio 3:25
26 Act II: Pastorale: Allegro 2:57
27 Act II: Coro di Gioja: Andante 0:22
28 Act II: Solo di Gioja: Maestoso 3:18
29 Act II: Terzettino, Grotteschi: Allegro 3:59
30 Act II: Solo della Signora Cassentini: Andante 4:57
31 Act II: Coro e Solo di Viganò: Andantino 4:35
32 Act II: Finale: Allegretto 6:53
Carl Petersson 1–14, Warren Lee 15–32., Piano
Recorded: 3–4 July 2018 at the Helsingborgs Konserthus, Helsingborg, Sweden 1–14
18 November 2018 at the Concert Hall, Wyastone Leys, Monmouth, UK 15-32
Engineer and editor: Mette Due 1-14, Phil Rowlands 15-32
Publisher: Jm K:K: Hoftheater Musik-Verlage 1, Breitkopf & Hätel 2-32
Released on 8.573928 1–14 8.573974 15-32
DISC 34 81:22
1 Andante in F major, WoO 57 ‘Andante favori’ (1803) 7:49
2 Bagatelle in C minor, WoO 52 (?1795) 4:13
March in B flat major, WoO 29, Hess 87 (original version) (1797–8) 1:21
3 Marcia. Vivace
March in B flat major, WoO 29, Hess 87 (revised version) (date unknown) 1:19
4 Marcia. Vivace
12 Piano Miniatures from the Sketchbooks, edited by Jos van der Zanden, b. 1954 3:07
(Raptus Editions, 2000) (excerpts) (date unknown)
5 No. 3. Klavierstük: Alla marcia in C major (Kafka Miscellany, f. 119v, 2–) 0:25
6 No. 4. Klavierstük: Allegro giocoso in A major (Kafka Miscellany, f. 41v, 13–6) 0:42
7 No. 6. Klavierstük: Allegro in A major (Kafka Miscellany, f. 160r, 1–) 0:31
8 No. 7. Klavierstük: Presto in A major (Kafka Miscellany, f. 47v, 13–6) 0:41
9 No. 8. Klavierstük: Allegretto in G major (Fischhof Miscellany, f. 53v, 11–4) 0:43
10 Molto adagio in G major, Hess 71 (fragment) (1803–4) 1:08
(transcribed by L. Lockwood, b. 1930 and A. Gosman, dates unknown)
11 Adagio ma non molto in G major, Hess 70 (fragment) (1803–4) 0:40
(transcribed by L. Lockwood and A. Gosman)
12 Allegretto in C minor, Hess 66 (second version of WoO 53) (1796–80) 3:09
13 Pastorella in C major, Bia. 622 (1815) (transcribed by F. Rovelli, b. 1979)* 0:24
14 Presto in G major, Bia. 277 (1793) (transcribed by A. Schmitz, 1893–980) 0:35
15 Allegro in C major, Bia. 279 (1793) (transcribed by A. Schmitz) 0:10
Johann MATTHESON (1681–764)
16 Der vollkommene Kapellmeister, Part III, Chapter 15: Canon in G major 1:06
(performed on piano) (1739) (transcribed by L. van Beethoven, Hess 274, 1803)
Ludwig van BEETHOVEN
17 Piano Piece in D major, Hess 325 (1802/03) (transcribed by N. Fishman, 1909–986) 0:25
* WORLD PREMIERE RECORDING
18 Andante molto in E flat major, Bia. 269 (c. 1800) (transcribed by A. Schmitz) 1:35
19 Fuga Tema in C major, Bia. 345 (1803) (transcribed by N. Fishman) 0:14
20 Fuga Antique in C major, Bia. 346 (fragment) (1806) (transcribed by N. Fishman) 0:15
21 Anglaise in G minor, Bia. 48 (original version) (1792) 0:34
22 Anglaise in G major, Bia. 48 (revised version) (1792) 0:51
(transcribed by D.P. Johnson, dates unknown)
23 Composition for Piano in D major, Bia. 213 (fragment) (1792–3?) 21:42
(transcribed by J. Kerman, 1924–014)
24 Liedthema in G major, WoO 200, Hess 75 ‘O Hoffnung’ (1818) 0:23
Christian Friedrich Daniel SCHUBART (1739–791)
25 Erstes Kaplied: Abschiedslied (1789) (arr. L. van Beethoven for piano as Klaviersatz, Hess 63) 0:38
Ludwig van BEETHOVEN
26 Andante in C major, WoO 211 (c. 1790–2) 0:58
27 Canon in A flat major, WoO 222, Hess 275/328 (1803) 0:26
Piano Sonatina in G major, Anh. 5, No. 1 (published c. 1807) 3:32
28 I. Moderato 1:42
29 II. Romanze 1:49
Piano Sonatina in F major, Anh. 5, No. 2 (published c. 1807) 4:04
30 I. Allegro assai 1:36
31 II. Rondo: Allegro 2:27
32 Melody in C minor, Hess 324 (1802) (transcribed by N. Fishman) 0:15
33 Melody in C minor, Hess 324 (1802) (reconstructed by A.W Holsbergen, b. 1957)* 1:04
34 Zweiter Eingang in’s Thema vom Rondo, Hess 84 (1806) 0:32
(cadenza for the piano version of Violin Concerto, Op. 61)
35 Kadenz zum Rondo, Hess 85 (cadenza for the Piano Concerto, Op. 61a) (1806) 0:28
* WORLD PREMIERE RECORDING
Wellingtons Sieg oder Die Schlacht bei Vittoria (‘Wellington’s Victory, or the Battle of Vitoria’), 15:26
Hess 97 (piano version of Op. 91) (1816)
36 Part I: Schlacht (‘The Battle’): Rule Britannia: Marcia –Marlborough: Marcia –Schlacht: 8:08
Allegro –Meno Allegro –Sturmmarsch: Allegro assai –Presto –Andante
37 Part II: Sieges-Symphonie (‘Victory Symphony’): Intrada: Allegro ma non troppo –Allegro con brio –7:18
Andante grazioso –Tempo I –Tempo di Menuetto moderato –Allegro.
JenőJandó1 228-31, Carl Petersson 3 4 17-22 32 33 36 37. Sergio Gallo 5–16 23-27,34,35, Piano
Recorded: 15–8 January 1996 at the Unitarian Church, Budapest, Hungary 1 2
3– July 2018 at the Helsingborgs Konserthus, Helsingborg, Sweden 3 4 17-22 32 33 36 37
15–7 April 2019 at Hahn Hall, Music Academy of the West, Santa Barbara, USA 5–16,23-27 34-35
31 January–7 February 1989 at the Italian Institute, Budapest, Hungary 28-31
Producer: Ibolya Tóth 1 2, Mette Due, Lars Bisgaard 3 4 &17-22 32 33 36 37, Barbara Hirsch,
Sergio Gallo 5–-16 23-27,34 35 Monika Feszler 28-31
Engineer: János Bohus 1 2, Mette Due 3 4 17-22 32 33 36 37, Barbara Hirsch 5-16 23-27 34-35
Istvá Zakariá 28 31
Digital editing: István Berényi 1 2, Editor: Mette Due 3 4 &17-22 32 33 36 37
Publisher: Breitkopf & Hätel 3 4 21 36 37, Raptus Editions 5–9, University of Illinois Press 10 11
Bonn: Verlag Beethoven-Haus (in preparation) 13, Bonn: Verlag Beethoven-Haus 14 15 18
Glinka Museum and State Publishing House 17 19 20 32 UMI Research Press 22,
London: Trustees of the British Museum 23, The Unheard Beethoven, Inc. (BMI) 33
Released on 8.553799 1 8.553795 2 8.573928 3 436 37
8.574131 5–16 23-27 34 35 9.70291 17-22 32 33. ‹ 8.550255 28-31
CHAMBER
DISC 35 78:39
Cello Sonata No. 1 in F major, Op. 5, No. 1 (1796) 23:46
1 I. Adagio sostenuto –- Allegro 16:53
2 II. Rondo: Allegro vivace 6:49
Cello Sonata No. 2 in G minor, Op. 5, No. 2 (1796) 28:36
3 I. Adagio sostenuto e espressivo –- Allegro molto più tosto presto 19:46
4 II. Rondo: Allegro 8:48
Cello Sonata No. 3 in A major, Op. 69 (1807–-08) 26:08
5 I. Allegro ma non tanto 12:18
6 II. Scherzo: Allegro molto 5:20
7 III. Adagio cantabile –- 1:28
8 Allegro vivace 6:58
Maria Kliegel, Cello •. Nina Tichman, Piano
Recorded: 6–.9 March 2002 at the Tonstudio van Geest, Sandhausen, Germany 1–-4
6–.9 December 2001 at the Clara Wieck Auditorium, Sandhausen, Germany 5–-8
Producer: Teije van Geest
Released on 8.555785 1–-4 8.555786 5–-8
DISC 36 74:13
Cello Sonata No. 4 in C major, Op. 102, No. 1 (1815) 14:42
1 I. Andante –- Allegro vivace 7:23
2 II. Adagio –- 3:09
3 Allegro vivace 4:06
Cello Sonata No. 5 in D major, Op. 102, No. 2 (1815) 18:22
4 I. Allegro con brio 6:05
5 II. Adagio con molto sentimento d’affetto 7:59
6 III. Allegro –Allegro fugato 4:14
Cello Sonata in E flat major, Op. 64, Hess A 15 40:51
(arr. of String Trio, Op. 3 for cello and piano) (1807)
7 I. Allegro con brio 11:05
8 II. Andante 6:38
9 III. Menuetto: Allegretto 3:39
10 IV. Adagio 8:47
11 V. Menuetto: Moderato 3:24
12 VI. Finale: Allegro 7:07
Maria Kliegel, Cello •Nina Tichman, Piano
Recorded: 24–6 February 2003 1–6 and 6–9 December 2001 7–12 at the Clara Wieck Auditorium,
Sandhausen, Germany
Producer: Teije van Geest
Released on 8.555787 1–6 8.555786 7–12
DISC 37 83:07
12 Variations in G major on ‘See the conqu’ring hero comes’ 12:19
from Handel’s Judas Maccabaeus, WoO 45 (1796)
1 Thema: Allegretto 0:42
2 Variation I 0:35
3 Variation II 0:41
4 Variation III 0:38
5 Variation IV 0:45
6 Variation V 0:43
7 Variation VI 0:44
8 Variation VII 0:39
9 Variation VIII 0:45
10 Variation IX 0:46
11 Variation X: Allegro 0:43
12 Variation XI: Adagio 3:34
13 Variation XII: Allegro 5:04
7 Variations in E flat major on ‘Bei Mänern, welche Liebe fülen’ 9:30
from Mozart’s Die Zauberflöe, WoO 46 (1801)
14 Thema: Andante 0:49
15 Variation I 0:43
16 Variation II 0:44
17 Variation III 1:01
18 Variation IV 1:25
19 Variation V: Si prenda il tempo un poco più vivace 0:39
20 Variation VI: Adagio 2:13
21 Variation VII: Allegro, ma non troppo 1:56
12 Variations in F major on ‘Ein Mächen oder Weibchen’ 10:32
from Mozart’s Die Zauberflöe, Op. 66 (1796)
22 Thema: Allegretto 0:32
23 Variation I 0:37
24 Variation II 0:34
25 Variation III 0:29
26 Variation IV 0:37
27 Variation V 0:32
28 Variation VI 0:29
29 Variation VII: Sempre pianissimo 0:47
30 Variation VIII 0:28
31 Variation IX 0:40
32 Variation X: Adagio 1:32
33 Variation XI: Poco adagio quasi andante 1:17
34 Variation XII: Allegro 1:57
35 Mandolin Sonatina in C minor, WoO 43a (performed on mandolin and piano) (1796) 3:49
36 Adagio in E flat major, WoO 43b, Hess 44 (performed on mandolin and piano) (1796) 4:21
37 Mandolin Sonatina in C major, WoO 44a, Hess 43 (performed on mandolin and piano) (1796) 2:43
38 Andante and Variations in D major, WoO 44b, Hess 45 (performed on mandolin and piano) (1796) 8:45
39 12 Variations in F major on ‘Se vuol ballare’ from Mozart’s Le nozze di Figaro, WoO 40 (1792–3) 11:10
40 Rondo in G major, WoO 41 (1793–4) 4:48
Horn Sonata in F major, Op. 17 (version for cello and piano) (1800) 14:36
41 I. Allegro moderato 7:52
42 II. Poco adagio, quasi andante 1:31
43 III. Rondo: Allegro moderato 5:12
Maria Kliegel, Cello •Nina Tichman, Piano 1 34 41-43
Alon Sariel, Mandolin •Michael Tsalka, Piano 35-38
Takako Nishizaki, Violin •JenőJandó Piano 39
Clara Scholtes, Violin •Tatiana Lokhina, Piano 40
Recorded: 24–6 February 2003 1–13 and 6–9 December 2001 22-34at the Clara Wieck Auditorium,
Sandhausen, Germany; 6– March 2002 at the Tonstudio van Geest, Sandhausen, Germany 14-21 41-43
8– November 2018 at Geelvinck Music Museums, Posthoornkerk Location, Amsterdam, Netherlands 35-38
21–2 February and 3– September 1992 at the Unitarian Church, Budapest, Hungary 39
4 May 2018 at the Musical Arts Center, Georgina Joshi Recording Studio,
Jacobs School of Music, Bloomington, Indiana, USA ‚
Producer: Teije van Geest 1-34 41-43, Marc Schrader, Michael Tsalka, Alon Sariel 35-38
Ibolya Toth39 Konrad Strauss 40
Engineer: Marc Schrader 35-38, Janos Bohus 39, Konrad Strauss, Jamie Tagg 40
Editor: Alon Sariel, Michael Tsalka, Marc Schrader 35-38, Konrad Strauss, Jamie Tagg 40
Co-Producer: Alon Sariel, Michael Tsalka 35-38
Publisher: G. Henle Verlag 35-38
Released on 8.555787 1–13 8.555785 14-21 41-43 8.555786 22-34› 9.70289 35-38
8.550285 39 8.574040-41 40
DISC 38 59:48
Piano Trio No. 1 in E flat major, Op. 1, No. 1 (1794–5) 29:20
1 I. Allegro 9:33
2 II. Adagio cantabile 7:31
3 III. Scherzo: Allegro assai 4:47
4 IV. Finale: Presto 7:18
Piano Trio No. 2 in G major, Op. 1, No. 2 (1794–5) 32:21
5 I. Adagio –1:55
6 Allegro vivace 9:01
7 II. Largo con espressione 8:18
8 III. Scherzo: Allegro 3:11
9 IV. Finale: Presto 7:45
Xyrion Trio
Nina Tichman, Piano · Ida Bieler, Violin •Maria Kliegel, Cello
Recorded: June 2005 at the Clara Wieck Auditorium, Sandhausen, Germany
Producer and engineer: Teije van Geest
Released on 8.557724
DISC 39 77:08
Piano Trio No. 3 in C minor, Op. 1, No. 3 (1794–5) 28:38
1 I. Allegro con brio 9:29
2 II. Andante cantabile con variazioni 7:55
3 III. Menuetto: Quasi allegro 3:36
4 IV. Finale: Prestissimo 7:34
Piano Trio No. 4 in B flat major, Op. 11 ‘Gassenhauer’ (version for clarinet, cello and piano) (1797) 20:20
5 I. Allegro con brio 9:03
6 II. Adagio 4:45
7 III. Thema: Pria ch’io l’impegno: Allegretto 6:28
Piano Trio No. 5 in D major, Op. 70, No. 1 ‘Ghost’ (1808) 27:55
8 I. Allegro vivace e con brio 9:53
9 II. Largo assai ed espressivo 9:55
10 III. Presto 7:57
Xyrion Trio
Nina Tichman, Piano •Ida Bieler, Violin 1–4 8–0 •Maria Kliegel, Cello
Ib Hausmann, Clarinet 5–7
Recorded: 5– June 2006 1–4, 1– December 2007 5–7 and
20–2 October 2004 8–10 at the Clara Wieck Auditorium, Sandhausen, Germany
Producer and engineer: Güter Appenheimer 1–7, Teije van Geest 8–10
Editor: Güter Appenheimer 5–10, Kohei Seguchi 5–7, Ralf Kolbinger 8–10
Released on 8.570255 1–4 8.570943 5–7 8.557723 8–10
DISC 40 73:09
Piano Trio No. 6 in E flat major, Op. 70, No. 2 (1808) 29:59
1 I. Poco sostenuto –Allegro ma non troppo 10:00
2 II. Allegretto 5:14
3 III. Allegretto ma non troppo 6:50
4 IV. Finale: Allegro 7:48
Piano Trio No. 7 in B flat major, Op. 97 ‘Archduke’ (1810–1) 43:05
5 I. Allegro moderato 12:16
6 II. Scherzo: Allegro 10:53
7 III. Andante cantabile, ma però con moto 12:35
8 IV. Allegro moderato 7:17
Xyrion Trio
Nina Tichman, Piano •Ida Bieler, Violin •Maria Kliegel, Cello
Recorded: 20–22 October 2004 1–4 and April 2009 5–8 at the Clara Wieck Auditorium, Sandhausen, Germany
Producer and engineer: Teije van Geest 1–4, Güter Appenheimer 5–8
Editor: Güter Appenheimer 1–8, Ralf Kolbinger 1–4 •Mastering: Eckhard Steiger 5–8
Released on 8.557723 1–4 8.572343 5–8
DISC 41 71:47
1 Piano Trio in B flat major, WoO 39, Hess 50 (1812) 4:33
14 Variations in E flat major on C.D. von Dittersdorf’s ‘Ja, ich muss mich von ihr scheiden’, 13:40
Op. 44 ‘Piano Trio No. 10’ (1792–800)
2 Theme: Andante 0:43
3 Variation I 0:39
4 Variation II 0:48
5 Variation III 0:41
6 Variation IV 0:49
7 Variation V 0:34
8 Variation VI 0:35
9 Variation VII 1:11
10 Variation VIII 1:05
11Variation IX 0:32
12 Variation X 0:34
13 Variation XI 0:41
14 Variation XII 0:40
15 Variation XIII 1:22
16 Variation XIV 2:45
17 Variations in G major on Wenzel Müler’s ‘Ich bin der Schneider Kakadu’, 16:34
Op. 121a (1803, rev. 1816–7)
18 Allegretto in E flat major, Hess 48 (fragment) (1790–2) 3:47
Symphony No. 2 in D major, Op. 36 (version for piano trio) (1803) 33:00
19 I. Adagio molto –Allegro con brio 11:13
20 II. Larghetto 10:53
21 III. Scherzo: Allegro 4:01
22 IV. Allegro molto 6:49
Xyrion Trio
Nina Tichman, Piano •Ida Bieler, Violin •Maria Kliegel, Cello
Recorded: June 2005 1, 20–22 October 2004 2–16, April 2009 & and 5–7 June 2006 18-22
at the Clara Wieck Auditorium, Sandhausen, Germany
Producer and engineer: Teije van Geest 1–16, Güter Appenheimer 17-22
Editor: Güter Appenheimer 2–17, Ralf Kolbinger 2–16 •Mastering: Eckhard Steiger 17
Released on 8.557724 1 8.557723 2–16 8.572343 17 8.570255 18-22
DISC 42 84:35
Piano Trio in E flat major, WoO 38, Hess 49 (?1791) 15:19
1 I. Allegro moderato 4:55
2 II. Scherzo: Allegro ma non troppo 5:17
3 III. Rondo: Allegretto 5:07
Piano Trio No. 8 in E flat major, Op. 38 38:53
(arr. from Septet, Op. 20 for clarinet, cello and piano) (?1803)
4 I. Adagio –Allegro con brio 9:29
5 II. Adagio cantabile 8:57
6 III. Tempo di menuetto 3:00
7 IV. Andante con variazioni 6:42
8 V. Scherzo: Allegro molto e vivace 3:09
9 VI. Andante con moto alla marcia –Presto 7:26
Piano Trio in G major, WoO 37 (1786) 25:43
10 I. Allegro 11:17
11 II. Adagio 4:50
12 III. Thema andante con variazioni 9:32
13 Piano Trio in F minor, Bia. 637 (1816) (fragments transcribed by N. Marston, b. 1958)* 4:39
* WORLD PREMIERE RECORDING
Xyrion Trio 1–3
Nina Tichman, Piano •Ida Bieler, Violin •Maria Kliegel, Cello
Jügen Demmler, Clarinet •Markus Tillier, Cello •Peter Grabinger, Piano 4–9
Kazunori Seo, Flute •Mitsuo Kodama, Bassoon •Makoto Ueno, Piano 10-12
Tristan Segal, Violin •Andreas Ioannides, Piano •Larry DiBello, Cello 13
Recorded: April 2009 at the Clara Wieck Auditorium, Sandhausen, Germany 1–3
13–5 September 1995 at Hans Rosbaud Studio SWF, Baden-Baden, Germany 4–9
16–8 August 2016 at the Grand Auditorium, Mie Center for the Arts, Tsu, Mie Prefecture, Japan 10-12
24 February 2019 at the Musical Arts Center, Georgina Joshi Recording Studio,
Jacobs School of Music, Bloomington, Indiana, USA 13
Producer: Güter Appenheimer 1–3, Klaus-Dieter Hesse 4–9, Kazunori Seo 10-12 Konrad Strauss 13
Engineer: Güter Appenheimer 1–3, Norbert Vossen 4–9, Kotaro Yamanaka (Rec-Lab) 10-12,
Konrad Strauss, Jamie Tagg 3
Editor: Güter Appenheimer 1–3, Klaus-Dieter Hesse 4–9, Kazunori Seo 10-12, Konrad Strauss, Jamie Tagg 13
Mastering: Eckhard Steiger 1–3 •Piano tuner: Yasuo Matsumoto 10-12•Post-production: Klaus-Dieter Hesse 4–9
Publisher: Taylor & Francis, Ltd. on behalf of the Royal Musical Association 13
Released on 8.572343 1–3 8.553389 4–9 8.573570 10-12 8.574040-41 13
DISC 43 64:11
Piano Quartet in C major, WoO 36, No. 3 (1785) 16:52
1 I. Allegro vivace 6:39
2 II. Adagio con espressione 6:32
3 III. Rondo: Allegro 3:40
Piano Quartet in E flat major, WoO 36, No. 1 (1785) 24:01
4 I. Adagio assai 7:06
5 II. Allegro con spirito 5:50
6 III. Theme and variations: Cantabile 11:04
Piano Quartet in D major, WoO 36, No. 2 (1785) 23:08
7 I. Allegro moderato 7:54
8 II. Andante con moto 9:34
9 III. Rondo: Allegro 5:40
New Zealand Piano Quartet
Richard Mapp, Piano •Yury Gezentsvey, Violin •Donald Maurice, Viola •David Chickering, Cello
Recorded: 4– December 2005 at the Illott Concert Room, Wellington Town Hall, Wellington, New Zealand
Producer and editor: Wayne Laird •Engineer: Paul McGlashan
Released on 8.570998
DISC 44 51:26
Piano Quartet in E flat major, Op. 16 26:16
1 I. Grave –Allegro ma non troppo 13:00
2 II. Andante cantabile 7:19
3 III. Rondo: Allegro, ma non troppo 5:54
Quintet for Piano and Winds in E flat major, Op. 16 25:07
4 I. Grave –Allegro ma non troppo 12:29
5 II. Andante cantabile 7:02
6 III. Rondo: Allegro, ma non troppo 5:33
Clara Scholtes, Violin •Seido Karasaki, Viola •Larry DiBello, Cello •Andreas Ioannides, Piano 1–3
Jósef Kiss, Oboe •Béa Kovás, Clarinet •Jósef Vajda, Bassoon •JenőKevehái, Horn •JenőJandó Piano 4–6
Recorded: 12–4 June 2019 at Auer Hall, Georgina Joshi Recording Studio,
Indiana University Jacobs School of Music, Bloomington, Indiana, USA 1–3
1– December 1990 at the Reformed Church, Budapest, Hungary 4–6
Producer: Konrad Strauss 1–3, Ibolya Tóth 4–6
Engineer: Konrad Strauss, Jamie Tagg 1–3, János Bohus 4–6 •Editor: Konrad Strauss, Jamie Tagg 1–3
Released on 8.574040-41 1–3 8.550511 4–6
DISC 45 75:15
String Trio in G major, Op. 9, No. 1 (1797–8) 26:54
1 I. Adagio –Allegro con brio 9:51
2 II. Adagio, ma non tanto, e cantabile 6:52
3 III. Scherzo: Allegro 4:49
4 IV. Presto 5:15
String Trio in D major, Op. 9, No. 2 (1797–8) 23:27
5 I. Allegretto 7:44
6 II. Andante quasi allegretto 5:34
7 III. Menuetto: Allegro 3:52
8 IV. Rondo: Allegro 6:10
String Trio in C minor, Op. 9, No. 3 (1797–8) 22:57
9 I. Allegro con spirito 7:43
10 II. Adagio con espressione 6:30
11 III. Scherzo: Allegro molto e vivace 3:05
12 IV. Finale: Presto 5:27
13 Trio Secondo, Hess 28 (Second Trio to String Trio, Op. 9, No. 1: III. Scherzo) (1798–800) 1:36
Members of the Kodáy Quartet
Attila Falvay, Violin •Jáos Fejévái, Viola •Gyögy Éer, Cello 1–12
Clara Scholtes, Violin •Seido Karasaki, Viola •Larry DiBello, Cello 13
Recorded: 27–0 April and 14–5 July 2008 at the Phoenix Hall, Diósd, Hungary 1–12 5 May 2018 at the Musical Arts Center, Georgina Joshi Recording Studio,
Jacobs School of Music, Bloomington, Indiana, USA 13
Producer: Ibolya Tóth 1–12, Konrad Strauss 13# •Engineer: János Bohus 1–12, Konrad Strauss, Jamie Tagg 13#
Editor: Adam Boros 1–12, Konrad Strauss, Jamie Tagg 13
Released on 8.572377 1–12 8.574040-41 13
DISC 46 73:36
String Trio in E flat major, Op. 3 (c. 1794) 39:39
1 I. Allegro con brio 11:13
2 II. Andante 6:31
3 III. Menuetto: Allegretto 3:41
4 IV. Adagio 8:13
5 V. Menuetto: Moderato 3:20
6 VI. Finale: Allegro 6:30
Serenade in D major, Op. 8 (1796–7) 26:54
7 I. Marcia: Allegro 2:19
8 II. Adagio 4:47
9 III. Menuetto: Allegretto 2:14
10 IV. Adagio –Scherzo: Allegro molto 4:37
11 V. Allegretto alla Polacca 3:12
12 VI. Thema con variazioni: Andante quasi allegretto –VII. Marcia: Allegro 9:32
13 Finale: Allegro, Hess 25 (early version of String Trio, Op. 3: IV. Finale) (1793–4) 6:54
Members of the Kodáy Quartet
Attila Falvay, Violin •Jáos Fejévái, Viola •Gyögy Éer, Cello 1–12
Eunji Kim, Violin •Seido Karasaki, Viola •Larry DiBello, Cello 13
Recorded: 7–0 January 2005 at Phoenix Studio, Budapest, Hungary 1–12
11 December 2018 at Auer Hall, Georgina Joshi Recording Studio,
Indiana University Jacobs School of Music, Bloomington, Indiana, USA 13
Producer: Ibolya Toth 1–12, Konrad Strauss 13# •Engineer: J疣os Bohus 1–12, Konrad Strauss, Jamie Tagg 13
Editor: Konrad Strauss, Jamie Tagg 13
Released on 8.557895 1–@ 8.574040-41 13
DISC 47 82:04
String Quartet No. 1 in F major, Op. 18, No. 1 (1798–800) 30:36
1 I. Allegro con brio 10:23
2 II. Adagio affettuoso ed appassionato 10:34
3 III. Scherzo: Allegro molto 3:40
4 IV. Allegro 5:56
String Quartet No. 2 in G major, Op. 18, No. 2 ‘Komplimentierquartett’ (1798–800)
24:48
5 I. Allegro 7:56
6 II. Adagio cantabile –Allegro 6:36
7 III. Scherzo: Allegro 4:47
8 IV. Allegro molto, quasi presto 5:26
String Quartet No. 3 in D major, Op. 18, No. 3 (1798–800) 26:28
9 I. Allegro 7:55
10 II. Andante con moto 8:09
11 III. Allegro 3:23
12 IV. Presto 6:50
Kodáy Quartet
Attila Falvay, Violin I •Tamá Szabó Violin II •Gáor Fias, Viola •Jáos Devich, Cello
Recorded: 22–5 October 1991 1–8 and 1– February 1995 9–@ at the Unitarian Church, Budapest, Hungary
Producer: Ibolya Toth •Engineer: Janos Bohus
Released on 8.550558 1–8 8.550559 9–12
DISC 48 82:05
String Quartet No. 4 in C minor, Op. 18, No. 4 (1798–800) 26:10
1 I. Allegro ma non tanto 9:37
2 II. Scherzo: Andante scherzoso quasi allegretto 7:29
3 III. Menuetto: Allegro 4:40
4 IV. Allegretto –Prestissimo 4:27
String Quartet No. 5 in A major, Op. 18, No. 5 (1798–800) 29:50
5 I. Allegro 7:04
6 II. Menuetto 5:34
7 III. Andante cantabile –Poco adagio 10:19
8 IV. Allegro 6:45
String Quartet No. 6 in B flat major, Op. 18, No. 6 (1798–800) 25:51
9 I. Allegro con brio 6:55
10 II. Adagio ma non troppo 6:44
11 III. Scherzo: Allegro 3:24
12 IV. La malinconia: Adagio –Allegretto quasi allegro 8:39
Kodáy Quartet
Attila Falvay, Violin I •Tamá Szabó Violin II •Gáor Fias, Viola •Jáos Devich, Cello
Recorded: 1– February 1995 at the Unitarian Church, Budapest, Hungary 1–4
6– March 1995 in Budapest, Hungary 5–12
Producer: Ibolya Tóth •Engineer: János Bohus
Released on 8.550559 1–4 8.550560 5–12
DISC 49 73:58
String Quartet No. 7 in F major, Op. 59, No. 1 ‘Razumovsky’ (1805–6) 38:05
1 I. Allegro 10:41
2 II. Allegretto vivace e sempre scherzando 9:32
3 III. Adagio molto e mesto 11:05
4 IV. Thème russe: Allegro 6:42
String Quartet No. 8 in E minor, Op. 59, No. 2 ‘Razumovsky’ (1805–6) 35:49
5 I. Allegro 10:06
6 II. Molto adagio 12:35
7 III. Allegretto 7:29
8 IV. Finale: Presto 5:34
Kodáy Quartet
Attila Falvay, Violin I •Tamá Szabó Violin II •Gáor Fias, Viola •Gyögy Éer, Cello
Recorded: 7– November 1996 and 4– March 1997 1–4, 10–2 November 1997 and 3– March 1998 5–8
at the Unitarian Church, Budapest, Hungary
Producer: Ibolya Tóth •Engineer: János Bohus •Editor: Mária Falvay 5–8
Released on 8.554181 1–4 8.550562 5–8
DISC 50 62:48
String Quartet No. 9 in C major, Op. 59, No. 3 ‘Razumovsky’, ‘Heldenquartett’ (1805–6) 31:18
1 I. Introduzione: Andante con moto –Allegro vivace 10:54
2 II. Andante con moto quasi allegretto 9:13
3 III. Menuetto grazioso 5:08
4 IV. Allegro molto 5:54
String Quartet No. 10 in E flat major, Op. 74 ‘Harp’ (1809) 31:25
5 I. Poco adagio –Allegro 9:27
6 II. Adagio ma non troppo 9:43
7 III. Presto –5:22
8 IV. Allegretto con variazioni 6:50
Kodáy Quartet
Attila Falvay, Violin I •Tamá Szabó Violin II •Gáor Fias, Viola •Gyögy Éer, Cello
Recorded: 27–0 April 1998 at Phoenix Studio, Budapest, Hungary 1–4
10–2 November 1997 and 3– March 1998 at the Unitarian Church, Budapest, Hungary 5–8
Producer: Ibolya Tóth •Engineer: János Bohus •Editor: Mária Falvay
Released on 8.550563 1–4 8.550562 5–8
DISC 51 58:16
String Quartet No. 11 in F minor, Op. 95 ‘Serioso’ (1810) 21:30
1 I. Allegro con brio 4:35
2 II. Allegretto ma non troppo 7:07
3 III. Allegro assai vivace, ma serioso 4:43
4 IV. Larghetto espressivo –Allegretto agitato –Allegro 5:00
String Quartet No. 12 in E flat major, Op. 127 (1823–4) 36:40
5 I. Maestoso –Allegro 6:30
6 II. Adagio ma non troppo e molto cantabile 14:38
7 III. Scherzo: Vivace 8:43
8 IV. Allegro 6:36
Kodáy Quartet
Attila Falvay, Violin I •Tamá Szabó Violin II •Gáor Fias, Viola •Gyögy Éer, Cello
Recorded: 7–8 November 1996 and 4–6 March 1997 at the Unitarian Church, Budapest, Hungary 1–4
12–5 October 1998 at Phoenix Studio, Budapest, Hungary 5–8
Producer: Ibolya Toth •Engineer: Janos Bohus •Editor: Maria Falvay 5–8
Released on 8.554181 1–4 8.550563 5–8
DISC 52 79:44
String Quartet No. 13 in B flat major, Op. 130 (1825–6) 39:39
1 I. Adagio ma non troppo –Allegro 12:59
2 II. Presto 2:00
3 III. Poco scherzoso, andante con moto ma non troppo 6:24
4 IV. Alla danza tedesca: Allegro assai 2:49
5 V. Cavatina: Adagio molto espressivo 6:12
6 VI. Finale: Allegro 8:55
String Quartet No. 14 in C sharp minor, Op. 131 (1826) 40:01
7 I. Adagio ma non troppo e molto espressivo 8:00
8 II. Allegro molto vivace 2:59
9 III. Allegro moderato 0:50
10 IV. Andante ma non troppo e molto cantabile 13:44
11 V. Presto 5:17
12 VI. Adagio quasi un poco andante 2:03
13 VII. Allegro 7:07
Kodáy Quartet
Attila Falvay, Violin I •Tamá Szabó Violin II
János Fejervary 1–6, Gáor Fias 7–13, Viola •Gyögy Éer, Cello
Recorded: 8–1 March 1999 1–6 and 26–9 April 1999 7–13 at Phoenix Studio, Budapest, Hungary
Producer: Ibolya Toth •Engineer: Janos Bohus
Released on 8.554593 1–6 8.554594 7–13
DISC 53 77:31
String Quartet No. 15 in A minor, Op. 132 (1825) 42:05
1 I. Assai sostenuto –Allegro 9:18
2 II. Allegro ma non tanto 8:01
3 III. Heiliger Dankgesang eines Genesenen an die Gottheit, in der lidischen Tonart: Molto adagio 15:33
4 IV. Alla marcia, assai vivace –V. Piu allegro 2:17
5 VI. Allegro appassionato 6:42
String Quartet No. 16 in F major, Op. 135 (1826) 22:58
6 I. Allegretto 6:00
7 II. Vivace 3:12
8 III. Assai lento, cantante e tranquillo 6:36
9 IV. Grave, ma non troppo tratto –Allegro 6:59
String Quartet in F major, Hess 34 (arr. of Piano Sonata No. 9, Op. 14, No. 1) (1801–2) 12:18
10 I. Allegro moderato 6:04
11 II. Allegretto 2:52
12 III. Allegro 3:18
Kodáy Quartet
Attila Falvay, Violin I •Tamá Szabó Violin II •Gáor Fias, Viola •Gyögy Éer, Cello
Recorded: 30 January– February 1999 1–5 10-12 and 26–9 April 1999 6–9
at Phoenix Studio, Budapest, Hungary
Producer: Ibolya Tóth •Engineer: János Bohus •Editor: Mária Falvay 1–5 10-12
Released on 8.554592 1–5 10-12 8.554594 6–9
DISC 54 71:13
String Quartet in F major, Hess 32 (First version of String Quartet No. 1, Op. 18, No. 1) (1799) 30:31
1 I. Allegro con brio 10:19
2 II. Adagio molto 9:33
3 III. Scherzo: Allegro 3:46
4 IV. Allegretto 6:46
5 Allegretto in B minor, WoO 210 (1817) 0:35
6 String Quartet No. 14 in C sharp minor, Op. 131: I. Adagio espressivo (early version) (1826) 6:05
George Frideric HANDEL (1685–759)
7 Solomon, HWV 67, Part I –Overture: Fugue 2:11
(arr. L. van Beethoven for string quartet, Hess 36) (1794–5)
Ludwig van BEETHOVEN
String Quintet in E flat major, Op. 4 (1795) 31:42
8 I. Allegro con brio 11:20
9 II. Andante 7:14
10 III. Menuetto: Allegretto 7:01
11 IV. Finale: Presto 6:04
Fine Arts Quartet 1–7
Ralph Evans, Violin I •Efim Boico, Violin II •Gil Sharon, Viola •Niklas Schmidt, Cello
Quartetto d’Archi di Venezia 8–!
Andrea Vio, Violin I •Alberto Battiston, Violin II •Luca Morassutti, Viola •Angelo Zanin, Cello
with Danilo Rossi, Viola II
Recorded: 26–9 November 2018 at Christuskirche, Berlin-Oberschöeweide, Germany 1–7
April/May 2005 in Padova, Italy 8–11
Producer, engineer and editor: Florian B. Schmidt, Pegasus Musikproduktion 1–7
Sound engineer: Marco Lincetto 8–! •Editing and mixing: C. Mosetti Casaretto 8–11
Publisher: Breitkopf & Hätel 1–4 7, K.G. Saur 5, G. Henle Verlag 6
Released on 8.574051 1–7 CDS484 8–11
DISC 55 70:45
String Quintet in C major, Op. 29 (1801) 36:35
1 I. Allegro moderato 11:27
2 II. Adagio molto espressivo 11:06
3 III. Scherzo: Allegro 4:12
4 IV. Presto 9:49
String Quintet in C minor, Op. 104 (arr. of Piano Trio No. 3, Op. 1, No. 3) (1817) 34:02
5 I. Allegro con brio 11:00
6 II. Andante cantabile con variazioni 9:41
7 III. Menuetto: Quasi allegro 3:43
8 IV. Finale: Prestissimo 9:33
Fine Arts Quartet
Ralph Evans, Vioin I •Efim Boico, Violin II •Chauncey Patterson, Viola I •Wolfgang Laufer, Cello
with Gil Sharon, Viola II
Recorded: 6– October 2008 at the Wittem Monastery Library, Netherlands
Producer, engineer and editor: Florian B. Schmidt
Released on 8.572221
DISC 56 77:07
Violin Sonata No. 1 in D major, Op. 12, No. 1 (1797–8) 20:33
1 I. Allegro con brio 8:33
2 II. Theme and Variations: Andante con moto 7:23
3 III. Rondo: Allegro 4:35
Violin Sonata No. 2 in A major, Op. 12, No. 2 (1797–8) 16:45
4 I. Allegro vivace 6:03
5 II. Andante più tosto allegretto 5:55
6 III. Allegro piacévole 4:41
Violin Sonata No. 3 in E flat major, Op. 12, No. 3 (1797–8) 20:31
7 I. Allegro con spirito 8:17
8 II. Adagio con molta espressione 7:48
9 III. Rondo: Allegro molto 4:25
Violin Sonata No. 4 in A minor, Op. 23 (1801) 19:03
10 I. Presto 7:27
11 II. Andante scherzoso più allegretto 5:51
12 III. Allegro molto 5:37
Takako Nishizaki, Violin •JenőJandó Piano
Recorded: 18–21 February and 2 September 1–9, 21–2 February and 3–4 September 1992 10-12
at the Unitarian Church, Budapest, Hungary
Producer: Ibolya Tóth •Engineer: János Bohus
Released on 8.550284 1–9 8.550285 10-12
DISC 57 70:59
Violin Sonata No. 5 in F major, Op. 24 ‘Spring’ (1800–1) 23:08
1 I. Allegro 9:37
2 II. Adagio molto espressivo 5:43
3 III. Scherzo: Allegro molto 1:08
4 IV. Rondo: Allegro ma non troppo 6:34
Violin Sonata No. 6 in A major, Op. 30, No. 1 (1801–2) 22:19
5 I. Allegro 7:20
6 II. Adagio molto espressivo 7:16
7 III. Allegretto con variazioni 7:38
Violin Sonata No. 7 in C minor, Op. 30, No. 2 ‘Eroica’ (1801–2) 25:20
8 I. Allegro con brio 7:52
9 II. Adagio cantabile 8:38
10 III. Scherzo: Allegro 3:26
11 IV. Finale: Allegro 5:21
Takako Nishizaki, Violin •JenőJandó Piano
Recorded: 21 and 27 April 1989 at the Italian Institute, Budapest, Hungary 1–4
3– October 1989 at Studio II of the Czechoslovak Radio, Bratislava, Czechoslovakia 5–11
Producer: JenőSimon 1–4, Martin Sauer 5–11•Engineer: János Horváth 1–4
Released on 8.550283 1–4 8.550286 5–11
DISC 58 77:46
Violin Sonata No. 8 in G major, Op. 30, No. 3 ‘Champagnersonate’ (1802) 17:31
1 I. Allegro assai 6:24
2 II. Tempo di minuetto, ma molto moderato e grazioso 7:39
3 III. Allegro vivace 3:25
Violin Sonata No. 9 in A major, Op. 47 ‘Kreutzer’ (1802–3) 33:15
4 I. Adagio sostenuto –Presto 11:37
5 II. Andante con variazioni 15:04
6 III. Presto 6:26
Violin Sonata No. 10 in G major, Op. 96 (1812) 26:53
7 I. Allegro moderato 10:02
8 II. Adagio espressivo 6:16
9 III. Scherzo: Allegro 1:58
10 IV. Poco allegretto 8:35
Takako Nishizaki, Violin •JenőJandó Piano
Recorded: 3–5 October 1989 at Studio II of the Czechoslovak Radio, Bratislava, Czechoslovakia 1–3
21 and 27 April 1989 at the Italian Institute, Budapest, Hungary 4–6
21–22 February and 3–4 September 1992 at the Unitarian Church, Budapest, Hungary 7–10
Producer: Martin Sauer 1–3, JenőSimon 4–6, Ibolya Tóth 7–10
Engineer: János Horváth 4–6, János Bohus 7–0
Released on 8.550286 1–3 8.550283 4–6 8.550285 7–10
DISC 59 80:35
6 Minuets, WoO 9, Hess 26 (c. 1799) 12:18
1 No. 1 in E flat major 2:05
2 No. 2 in G major 1:58
3 No. 3 in C major 2:28
4 No. 4 in F major 2:00
5 No. 5 in D major 1:50
6 No. 6 in G major 1:55
6 Lädlerische Täze, WoO 15 (version for 2 violins and double bass) (1801–2) 5:05
7 No. 1 in D major 0:42
8 No. 2 in D major 0:42
9 No. 3 in D major 0:38
10 No. 4 in D minor 0:43
11 No. 5 in D major 0:42
12 No. 6 in D major 1:38
6 German Dances, WoO 42 (1796) 5:25
13 No. 1 in F major 0:30
14 No. 2 in D major 0:30
15 No. 3 in F major 1:38
16 No. 4 in A major 0:36
17 No. 5 in D major 0:40
18 No. 6 in G major 1:31
19 Polonaise in D major, WoO 21 (1810) 2:06
20 Ecossaise in D major, WoO 22 (c. 1809–0) 0:58
21 Menuett in A flat major, WoO 209, Hess 33 (c. 1790) 2:05
22 March No. 1 in F major, WoO 18 ‘Fü die Bömische Landwehr’ (1809, rev. 1810) 1:24
23 March No. 1 in F major, WoO 18, Hess 7 3:01
‘Fü die Bömische Landwehr, Zapfenstreich No. 1’ (1809–3)
24' March No. 2 in F major, WoO 19 (1810) 1:40
25 March No. 2 in F major, WoO 19, Hess 9 ‘Zapfenstreich No. 3’ (1810–3) 3:35
26 March in C major, WoO 20 ‘Zapfenstreich No. 2’ (c. 1809–3) 4:28
27 March in D major, WoO 24 ‘Marsch zur grossen Wachtparade’ (Grosser Marsch No. 4) (1816) 8:15
28 March in B flat major, WoO 29 (1797–8) 1:22
Flute Duo in G major, WoO 26, Hess 17 (1792) 5:09
29 Allegro con brio 2:36
30 Minuetto quasi allegretto 2:33
Oboe Trio in C major, Op. 87 (1795) 23:06
31 I. Allegro 11:10
32 II. Adagio cantabile 4:39
33 III. Menuetto: Allegro molto Scherzo 2:38
34 ›IV. Finale: Presto 4:36
Tristan Segal 1–12, Noa Sarid 1–12, Clara Scholtes 13-18, Violin
Isabel Kwon, Cello 1–6 •Aleck Belcher, Double Bass 7–12 •Tatiana Lokhina, Piano 13-18
IU Wind Ensemble •Rodney Dorsey, Conductor19 20 26 27
Fine Arts Quartet 21
Ralph Evans, Violin I •Efim Boico, Violin II •Gil Sharon, Viola •Niklas Schmidt, Cello
New Zealand Symphony Orchestra •James Judd, Conductor 22 24
Ensemble 18+ •Marek Šilec, Conductor 23 25
David Shifrin, Paul Wonjin Cho, Clarinet •Frank Morelli, Marissa Olegario, Bassoon
William Purvis, Lauren Hunt, Horn 28
Kazunori Seo, Patrick Gallois, Flute 29-30
Marc Schachman, Principal Oboe •John Abberger, Oboe •Lani Spahr, Cor Anglais 31-34
Recorded: 6 March 2019 1–6 at Auer Hall and 4 February 2019 7–12, 4 May 2018 13-18 and
16 February 2019 19 20 26 27 at the Musical Arts Centre, Georgina Joshi Recording Studio,
Indiana University Jacobs School of Music, Bloomington, Indiana, USA;
26–29 November 2018 at Christuskirche, Berlin-Oberschöeweide, Germany 21
15 April 2019 at Studio Domovina, Prague, Czech Republic 23 25
16–17 May 2017 at Morse Recital Hall, Yale School of Music, New Haven, Connecticut, USA 28
1 October 2016 at the Auditorium du Conservatoire de Musique, Aulnay-sous-Bois, France 29-30
10–12 February 2003 at the Michael Fowler Centre, Wellington, New Zealand 22 24
22–24 February 1999 at St John’s Lutheran Church, Stamford, Connecticut, USA 31-34
Producer: Konrad Strauss 1–20 26-27, Florian B. Schmidt, Pegasus Musikproduktion 21, JiříŠilec 23 25
Matthew LeFevre 28, Kazunori Seo 29-30 Tim Handley 22-24', Gregory K. Squires 31-34›
Engineer: Konrad Strauss, Jamie Tagg 1–20 26-27, Florian B. Schmidt, Pegasus Musikproduktion 21
Vaclav Roubal 23-25 Matthew LeFevre 28, Johan Lelut a–o, Tim Handley22 24, Gregory K. Squires ⁄–›
Editor: Konrad Strauss, Jamie Tagg 1–20 26 27, Florian B. Schmidt, Pegasus Musikproduktion 21
Matthew LeFevre 28, Kazunori Seo 29-30, Wayne Hileman 31-34
Publisher: Mainz: Schott 1–6, Breitkopf & Hätel 7-18 21 27 28, G. Schirmer 19 20 G. Henle Verlag 29 30
Released on 8.574040-41 1–20 26 27 28 8.574051 ! 8.557264 19 20
9.70293 23 25 8.573942 28 8.573569 29 30 8.554550 31-34
DISC 60 74:16
3 Duets, WoO 27 (1792) (arr. Kazunori Seo, b. 1974, for flute and bassoon)
No. 1 in C major 13:43
1 I. Allegro commodo 7:37
2 II. Larghetto sostenuto 2:19
3 III. Rondo: Allegretto 3:44
No. 2 in F major 13:05
4 I. Allegro affettuoso 7:59
5 II. Aria: Larghetto 2:03
6 III. Rondo: Allegretto moderato 3:00
No. 3 in B flat major 15:15
7 I. Allegro sostenuto 8:49
8 II. Aria con variazioni: Andantino con moto 6:24
Duo for Viola and Cello in E flat major, WoO 32 ‘Mit 2 obligaten Augengläern’ (1797) 12:54
9 I. [without tempo indication] 8:38
10 II. Minuetto 4:16
11 Duet for 2 Violins in A major, WoO 34, Hess 42 (1822) 0:21
12 Duo for Violin and Cello in E flat major, Gardi 2 (fragment) (1790–2?) 3:20
13 8 Variations in C major on ‘Làci darem la mano’ 9:07
from Mozart’s Don Giovanni, WoO 28, Hess 18 (1795)
3 Equali, WoO 30 (1812) 4:59
14 No. 1. Andante 2:11
15 No. 2. Poco adagio 1:41
16 No. 3. Poco sostenuto 1:04
17 Adagio in A flat major, Hess 297 (1815) 0:53
Kazunori Seo, Flute •Mitsuo Kodama, Bassoon 1–8
Maria Kliegel, Cello •Tabea Zimmermann, Viola 9–10
Sofia Kim ! @, Susie Kroh, Violin ! •Marta Gudmunsdottir, Cello 12
Marc Schachman, Principal Oboe •John Abberger, Oboe •Lani Spahr, Cor Anglais 13
William Karceski, Alto Trombone I •Chris Houlihan, Alto Trombone II •Stefan Wiebe, Tenor
Trombone •Noah Roper, Bass Trombone 14-16
Layne Anspach, Scott Holben, Yu-Hsuan Cheng, Horn 17
Recorded: 3 May 2018 11 nd 15 June 2018 12 at the Musical Arts Centre and
9 December 2018 14-17 at Auer Hall, Georgina Joshi Recording Studio,
Indiana University Jacobs School of Music, Bloomington, Indiana, USA;
22–4 February 1999 at St John’s Lutheran Church, Stamford, Connecticut, USA 13
Producer: Kazunori Seo 1–8, Teije van Geest 9–10, Konrad Strauss 11 12 14-17 Gregory K. Squires 13
Engineer: Kotaro Yamanaka (Rec-Lab) 1–8, Konrad Strauss, Jamie Tagg 11 12 14-17, Gregory K. Squires #
Editor: Kazunori Seo 1–8, Konrad Strauss, Jamie Tagg 11 12 14-17, Wayne Hileman 13
Publisher: G. Henle Verlag 1–8, Edition Ebenos 17
Released on 8.573569 1–8 8.555787 9–10 8.574040-4111 12 14-17 8.554550 13
DISC 61 64:03
Septet in E flat major, Op. 20 (1800) 41:00
1 I. Adagio –Allegro con brio 10:46
2 II. Adagio cantabile 8:38
3 III. Tempo di menuetto 3:15
4 IV. Andante con variazioni 7:29
5 V. Scherzo: Allegro molto e vivace 3:03
6 VI. Andante con moto alla marcia –Presto 7:39
Wind Quintet in E flat major, WoO 208, Hess 19 15:57
(completed by L.A. Zellner, 1823–894) (?1793)
7 I. [Allegro] 10:37
8 II. Adagio maestoso 3:51
9 III. Minuetto: Allegro 1:29
10 Rondo in E flat major, WoO 25 ‘Rondino’ (1793) 7:06
Jósef Balogh, Clarinet
IldikóHegyi, Violin •GyööMáhé Viola
Péer Szabó Cello •Istvá Tóh, Double Bass 1–6
Jósef Vajda, Bassoon •JenöKevehái, Horn 1–9
OttóRáz, Oboe •Jáos Kevehái, Sádor Berki, Horn 7–9
David Shifrin, Paul Wonjin Cho, Clarinet
Stephen Taylor, Hsuan-Fong Chen, Oboe
Frank Morelli, Marissa Olegario, Bassoon
William Purvis, Lauren Hunt, Horn 10
Recorded: 21–23 April and 29–31 May 1994 at the Scottish Church, Budapest, Hungary 1–9
16–7 May 2017 at Morse Recital Hall, Yale School of Music, New Haven, Connecticut, USA 10
Producer: Ibolya Tóth 1–9, Matthew LeFevre 10 •Engineer: János Bohus 1–9, Matthew LeFevre 10
Editor: Matthew LeFevre 10
Released on 8.553090 1–9 8.573942 10
DISC 62 58:45
Sextet in E flat major, Op. 71 (1796) 20:12
1 I. Adagio –Allegro 9:56
2 II. Adagio 3:44
3 III. Menuetto: Quasi allegretto 2:44
4 IV. Rondo: Allegro maestoso 3:41
Sextet in E flat major, Op. 81b (1794–5) 17:01
5 I. Allegro con brio 7:47
6 II. Adagio 3:45
7 III. Rondo: Allegro 5:25
Octet in E flat major, Op. 103 ‘Parthia’ (1792) 21:26
8 I. Allegro 7:32
9 II. Andante 6:41
10 III. Allegro Menuetto 3:23
11 IV. Finale presto 3:46
David Shifrin, Paul Wonjin Cho, Clarinet 1–4 8–11
Stephen Taylor, Hsuan-Fong Chen, Oboe 8–11
Frank Morelli, Marissa Olegario, Bassoon 1–4 8–11
William Purvis, Lauren Hunt, Horn 1–4 8–11
JenöKevehái, Jáos Kevehái, Horn
IldikóHegyi, Péer Popa, Violin
GyööMáhé Viola •Péer Szabó Cello 5–7
Recorded: 16–7 May 2017 at the Morse Recital Hall, Yale School of Music, New Haven, Connecticut, USA 1–4 8–11
21–3 April and 29–1 May 1994 at the Scottish Church, Budapest, Hungary 5–7
Producer: Matthew LeFevre 1–4 8–11, Ibolya Tóth 5–7
Engineer: Matthew LeFevre 1–4 8–11, János Bohus 5–7 •Editor: Matthew LeFevre 1–4 8–11
Released on 8.573942 1–4 8–11 8.553090 5–7
DISC 63 46:51
1 Prelude and Fugue in E minor, Hess 29: Prelude (first version) (1795) 3:19
Prelude and Fugue in E minor, Hess 29 (final version) (1795) 5:03
2 Prelude 2:48
3 Fugue 2:15
4 Prelude and Fugue in F major, Hess 30 (1795) 6:28
5 Prelude and Fugue in C major, Hess 31 (1795) 4:44
Johann Sebastian BACH (1685–750)
6 The Well-Tempered Clavier, Book 1, BWV 846-869: Fugue No. 22 in B flat minor, BWV 867 (1722) 2:12
(arr. L. van Beethoven for string quintet, Hess 38)
Ludwig van BEETHOVEN
7 String Quintet in D minor, Hess 40 (fragment) (1817) 2:28
8 Fugue in D minor, Hess 245 (fragment) (c. 1795) 0:40
9 Grosse Fuge in B flat major, Op. 133 (1825) 16:38
10 Fugue in D major, Op. 137 (1817) 1:52
11 Canon in A major, WoO 35, Hess 273 (1825) 0:27
12 Canon in G major, WoO 160, No. 1, Hess 247 ‘O care selve’ (1795) 1:15
13 Canon in C major, WoO 160, No. 2, Hess 248 (1795) 1:14
Tristan Segal, Noa Sarid, Violin •Isabel Kwon, Cello 1–3
Sofia Kim, Susie Kroh, Violin 6 7 11
Seido Karasaki 6 7, Andrew Collins 7, Viola
Marta Gudmunsdottir 6 7, Larry DiBello 6, Cello
Luka Kusztrich, Violin I •Benjamin Lichtenegger, Violin II •Lara Kusztrich, Violin III 12 13
Dominik Hellsberg, Violin IV 13
Fine Arts Quartet
Ralph Evans, Violin I •Efim Boico, Violin II 4 5 8–10
Chauncey Patterson, Viola I 10
Gil Sharon, Viola 4 5 8 9, Viola II 10
Niklas Schmidt, 4 5 8 9, Wolfgang Laufer 10, Cello
Recorded: 4 March 2018 1–3 and 3 May 2018 ! at Auer Hall, and 4 May 2018 6 7 at the Musical Arts Centre,
Georgina Joshi Recording Studio, Indiana University Jacobs School of Music, Bloomington, Indiana, USA;
19 March 2019 at 4tune audio productions, Vienna12 13
26–9 November 2018 at Christuskirche, Berlin-Oberschöeweide, Germany 4 5 8 9
6– October 2008 at Wittem Monastery Library, Netherlands 10
Producer: Konrad Strauss 1–3 6 7 !, Johannes Kernmayer 12 13,
Florian B. Schmidt, Pegasus Musikproduktion 4 5 8 9, Florian B. Schmidt 10
Engineer and Editor: Konrad Strauss, Jamie Tagg 1–3 6 7 11, Martin Klebahn 12 13
Florian B. Schmidt, Pegasus Musikproduktion 4 5 8 9, Florian B. Schmidt 10
Publisher: Nagels Verlag 4 5, Breitkopf & Hätel 1–3 6–9 11
Released on 8.574040-41 1–3 6 7 11 8.574051 4 5 8 9 8.572221 0 8.574176 12 13
DISC 64 73:15
Flute Sonata in B flat major, Anh. 4, Hess A 11 22:11
(Authenticity not certain. The first edition under Beethoven’s name appeared in 1906)
1 I. Allegro 9:03
2 II. Polonaise 3:19
3 III. Largo 3:50
4 IV. Tema: Allegretto 5:55
Serenade in D major, Op. 25 (1801) 24:48
5 I. Entrata: Allegro 3:35
6 II. Tempo ordinario d’un menuetto 5:24
7 III. Allegro molto 2:08
8 IV. Andante con variazioni 6:25
9 V. Allegro scherzando e vivace 1:49
10 VI. Adagio –VII. Allegro vivace e disinvolto 5:19
Serenade in D major, Op. 41, Hess A 12 (arr. of Serenade, Op. 25 for flute and piano) (1803) 23:39
(Arr. Anonymous)
11 I. Entrata: Allegro 3:22
12 II. Tempo ordinario d’un menuetto 4:54
13 III. Allegro molto 2:07
14 IV. Andante con variazioni 6:13
15 V. Allegro scherzando e vivace 1:45
16 VI. Adagio –VII. Allegro vivace e disinvolto 5:11
Violin Sonata in A major, Hess 46 (fragments) (1790/91) 2:32
Kazunori Seo, Flute 1–16
Asuka Sezaki, Violin •Koichi Komine, Viola 5–10
Makoto Ueno, Piano 1–4 11-16
Clara Scholtes, Violin •Tatiana Lokhina, Piano 17
Recorded: 16–18 August 2016 1–4 11-16, 22 December 2015 and 14 August 2016 5–10,
at the Grand Auditorium, Mie Center for the Arts, Tsu, Mie Prefecture, Japan;
4 May 2018 at the Musical Arts Center, Georgina Joshi Recording Studio,
Jacobs School of Music, Bloomington, Indiana, USA17
Producer: Kazunori Seo 1–16, Konrad Strauss 17
Engineer: Kotaro Yamanaka (Rec-Lab) 1–^, Konrad Strauss, Jamie Tagg &
Editor: Kazunori Seo 1–16 Konrad Strauss, Jamie Tagg 17
Piano tuner: Yasuo Matsumoto 1–4 !–^ •Publisher: G. Henle Verlag 5–0, Breitkopf & Hätel &
Released on 8.573570 1–4 11 16 8.573569 5–10 8.574040-41 17
DISC 65 85:39
6 Variations on Folk Songs, Op. 105 (1818–9) 21:44
(version for flute and piano, performing version by P. Gallois, b. 1956)
1 No. 1. Variation on a Welsh folk song ‘The cottage maid’ (Thema: Andantino quasi allegretto) 3:09
2 No. 2. Variation on a Welsh folk song ‘Of noble race was Shenkin’ (Thema: Allegretto scherzoso) 2:29
3 No. 3. Variation on ‘A Schüserl und a Reinderl’ from Henneberg’s Die Kaufmannsbude (Thema: Andantino) 6:16
4 No. 4. Variation on an Irish folk song ‘Sad and luckless was the season’ 4:05
(Thema: Andante espressivo assai)
5 No. 5. Variation on an Irish folk song ‘Put round the bright wine’ (Thema: Allegretto spiritoso) 2:06
6 No. 6. Variation on an Irish folk song ‘English bulls’ (Thema: Allegretto piùtosto vivace) 3:36
10 Variations on Folk Songs, Op. 107 (1818–9) 49:32
(version for flute and piano, performing version by P. Gallois)
7 No. 1. Variation on ‘I bin a Tyroler Bue’, ‘Teppichkräerlied’ 4:38
from Satzenhofen’s Der Köbelflechter an der Zauberquelle (Thema: Moderato)
8 No. 2. Variation on a Scottish folk song ‘Bonny laddie, highland laddie’ (Thema: Allegretto, quasi vivace) 3:04
9 No. 3. Variation on a Ukrainian folk song (Thema: Vivace) 6:13
10 No. 4. Variation on an Irish folk song ‘The pulse of an Irishman’ (Thema: Allegretto scherzoso) 4:44
11 No. 5. Variation on a Tyrolean song ‘A Madel, ja a Madel’ (Thema: Moderato) 7:11
12 No. 6. Variation on a Welsh folk song ‘Peggy’s daughter, or Merch Megan’ (Thema: Andante comodo) 5:27
13 No. 7. Variation on a Russian folk song ‘Schöe Minka’ (Thema: Andante) 5:46
14 No. 8. Variation on a Scottish folk song ‘Oh Mary, at the window be’ (Thema: Andantino quasi allegretto) 2:40
15 No. 9. Variation on a Scottish folk song ‘Oh! Thou art the lad of my heart’ 5:17
(Thema: Allegretto più tosto vivace)
16 No. 10. Variation on a Scottish folk song ‘The Highland Watch’ (Thema: Spiritoso e marziale) 4:23
Horn Sonata in F major, Op. 17 (1800) 14:19
17 I. Allegro moderato 8:05
18 II. Poco adagio, quasi andante 1:20
19 III. Rondo: Allegro moderato 4:53
Patrick Gallois, Flute •Maria Prinz, Piano 1–16
Wolfgang Tomboeck, Vienna Horn •Madoka Inui, Piano 17-19
Recorded: 19–21 June 2014 at the Mozart-Saal, Irnberger Foundation, Salzburg, Austria 1–16
10–4 November and 4 and 10 December 2003 at ORF Funkhaus Vienna, Studio 3, Austria 17-19
Producer: Jens Jamin 1–16, Alfred Treiber,17-19 •Engineer: Jens Jamin 1–16
Recording supervisor: Erich Hofmann 17-19 Sound engineer and mastering: Josef Schüz 17-19
Editor: Jens Jamin 1–16, Elmar Peinelt 17-19
Released on 8.573337 1–16 8.557471 17-19
STAGE
DISC 66 76:37
Die Geschöfe des Prometheus, Op. 43 (‘The Creatures of Prometheus’) (1800–1) 76:37
1 Act I: Overtura: Adagio –Allegro molto e con brio 5:25
2 Act I: La Tempesta: Allegro non troppo 2:14
3 Act I: Poco adagio 3:39
4 Act I: Adagio –Allegro con brio 2:25
5 Act I: Allegro Vivace 2:03
6 Act II: Maestoso –Andante 1:21
7 Act II: Adagio –Andante quasi allegretto 9:06
8 Act II: Un poco adagio –Allegro 1:40
9 Act II: Grave 9:40
10 Act II: Allegro con brio 4:34
11 Act II: Adagio 5:05
12 Act II: Pastorale: Allegro 2:51
13 Act II: Coro di Gioja: Andante 0:31
14 Act II: Solo di Gioja: Maestoso 3:11
15 Act II: Terzettino, Grotteschi: Allegro 4:35
16 Act II: Solo della Signora Cassentini: Andante 6:11
17 Act II: Coro e Solo di Viganò: Andantino 4:52
18 Act II: Finale: Allegretto 6:52
Turku Philharmonic Orchestra
Leif Segerstam, Conductor
Recorded: 22–4 May 2017 at Turku Concert Hall, Turku, Finland
Producer, engineer and editor: Sean Lewis •Publisher: Breitkopf & Hätel
Released on 8.573853
DISC 67 69:28
Fidelio, Op. 72 (1814) 69:28
(Text: Joseph Sonnleithner, 1766–835, after Jean Nicolas Bouilly’s Léonore, ou L’Amour conjugal.
Revised: Georg Friedrich Treitschke, 1776–842)
1 Overture 6:24
2 Act I: Duet: Jetzt, Schäzchen, jetzt sind wir allein (Jaquino, Marzelline) 4:46
3 Act I: Armer Jaquino (Marzelline) 0:11
4 Act I: Aria: O wä’ ich schon mit dir vereint (Marzelline) 3:49
5 Act I: Marzelline? Marzelline? (Rocco, Marzelline, Leonore) 0:46
6 Act I: Quartet: Mir ist so wunderbar (Marzelline, Leonore, Rocco, Jaquino) 4:44
7 Act I: Höe Fidelio! (Rocco, Marzelline) 0:30
8 Act I: Aria: Hat man nicht auch Gold beineben (Rocco) 2:47
9 Act I: Ihr habt recht, Vater Rocco (Leonore, Rocco, Marzelline) 1:29
10 Act I: Terzett: Gut, Sönchen, gut (Rocco, Leonore, Marzelline) 6:30
11 Act I: March 2:14
12 Act I: Drei Schildwachen auf den Wall (Pizarro, Rocco) 0:45
13 Act I: Aria and Chorus: Ha! Welch ein Augenblick! (Pizarro, The Watch) 3:08
14 Act I: Hauptmann! Besteigen Sie mit einem Trompeter (Pizarro, Rocco) 0:25
15 Act I: Duet: Jetzt, Alter, jetzt hat es Eile! (Pizarro, Rocco) 4:35
16 Act I: Recitative and Aria: Abscheulicher! Wo eilst du hin? (Leonore) 7:25
17 Act I: Marzelline! Marzelline! (Jaquino, Marzelline, Rocco, Leonore) 0:53
18 Act I: Finale: O welche Lust (Chorus of Prisoners, First Prisoner, Second Prisoner) 7:01
19 Act I: Finale: Nun sprecht, wie ging’s? (Leonore, Rocco, Marzelline, Jaquino, Pizarro) 7:37
20 Act I: Finale: Leb’wohl, du warmes Sonnenlicht (Prisoners, Marzelline, Leonore, Jaquino, Pizarro, Rocco) 3:28
DISC 68 84:35
Fidelio, Op. 72 (1814) (continued) 45:19
1 Act II: Introduction and Aria: Gott! Welch’ Dunkel hier! (Florestan) 10:45
2 Act II: Melodrama and Duet: Wie kalt ist es (Leonore, Rocco) 5:21
3 Act II: Er erwacht! (Leonore, Rocco, Florestan) 0:58
4 Act II: Terzett: Euch werde Lohn in bessern Welten (Florestan, Rocco, Leonore) 5:53
5 Act II: Alles ist bereit (Rocco, Florestan, Leonore, Pizarro) 0:26
6 Act II: Quartet: Er sterbe! (Pizarro, Florestan, Leonore, Rocco, Jaquino) 5:08
7 Act II: Duet: O namenlose Freude! (Leonore, Florestan) 2:44
8 Act II: Finale: Heil! Heil sei dem Tag! (People and Prisoners) 2:07
9 Act II: Finale: Des besten Köigs Wink und Wille 7:54
(Don Fernando, People and Prisoners, Rocco, Pizarro, Leonore, Marzelline, Florestan)
10 Act II: Finale: Wer ein holdes Weib errungen 4:00
(People and Prisoners, Florestan, Leonore, Marzelline, Jaquino, Rocco, Don Fernando)
Don Fernando, the King’s Minister...............................Wolfgang Glashof, Bass
Don Pizarro, Governor of the Prison........................Alan Titus, Baritone
Florestan, a Prisoner...................................... Göta Winbergh, Tenor
Leonore, his wife, in male attire as Fidelio.................. Inga Nielsen, Soprano
Rocco, Chief Jailer.................................Kurt Moll, Bass
Marzelline, his daughter............... Edith Lienbacher, Soprano
Jaquino, assistant to Rocco............................Herwig Pecoraro, Tenor
First Prisoner........................Péer Páinká, Tenor
Second Prisoner............................Jósef Moldvay, Bass
Hungarian Radio Chorus •Kálmán Strausz, Chorus Master
Nicolaus Esterházy Sinfonia •Michael Halász, Conductor
Köig Stephan, Op. 117 ‘King Stephen’ (1811) 39:09
(Text: August Friedrich Ferdinand von Kotzebue, 1761–819)
11 Overture 6:59
12 Chorus: Ruhend von seinen Taten 2:37
13 Monologue: Seid mir gegrüst an dieses Thrones Stufen (Stephan) 1:52
14 Chorus: Auf dunkelm Irrweg in finstern Hainen 1:08
15 Dialogue: Füst! Mich sandten die Edlen im Heere (Warrior, Stephan) 0:48
16 Siegesmarsch: Feurig und stolz 3:26
17 Dialogue: Ihr tapfern Krieger, Ungarns Stolz und Zierde (Stephan, Gyula, Envoy) 3:00
18 Chorus: Wo die Unschuld Blumen streute 2:42
19 Melodrama: Du hast Dein Vaterland (Stephan, Gisela) 0:53
20 Chorus: Eine neue strahlende Sonne 0:43
21 Melodrama: Ihr edlen Ungarn! (Stephan) 0:22
22 Monologue: Werft einen Blick in die Vergangenheit (Stephan) 1:49
23 Andante con moto 0:40
24 Monologue: Empfanget sie aus Eures Füsten Häden (Stephan) 0:27
25 Maestoso con moto 0:27
26Geistlicher Marsch: Moderato 2:39
27 Monologue: In der schösten Deiner Lebensstunden (Old Man) 0:22
28 Chorus: Heil unserm Köige –Melodrama: 0:23
Ich schmüke ehrfurchtsvoll mein Haupt mit dieser Krone (Stephan)
29 Chorus: Heil unserm Köige 0:16
30 Melodrama: Sie bleibe ewig unverletzlich (Stephan) 1:19
31 Melodrama: Da steigen sie herauf die edlen Füsten (Stephan) 2:22
32 Melodrama: Umsonst will Zwietracht ihren Bogen spannen (Stephan) 1:37
33 Chorus: Heil unsern Enkeln! 2:14
Stephan...................................... Claus Obalski, Speaker
Warrior, Envoy, Old Man ...................Roland Astor, Speaker
Gyula ..............................................Ernst Oder, Speaker
Gisela.............................Angela Eberlein, Speaker
The Key Ensemble
Turku Philharmonic Orchestra
Leif Segerstam, Conductor
Recorded: 7–10 and 14–18 November 1998 at Phoenix Studio, Budapest, Hungary 1–10
27–31 August 2018 at Turku Concert Hall, Turku, Finland 11-33
Producer: Ibolya Tóth 1–10, Sean Lewis 11-33
Engineer: János Bohus 1–10, Sean Lewis 11-33
Digital editing: Máia Falvay, Veronika Vincze 1–10 •Editor: Sean Lewis 11-33
Technical consultant: Eleanor Thomason (K&A Productions Ltd) 1–10
Released on 8.660070-71 1–10 8.574042 11-33
DISC 69 77:20
Leonore (1805 version) 77:20
(Text: Joseph Sonnleithner, 1766–835)
1 Overture 14:03
2 Act I: Fidelio kommt nicht zurük! (Marzelline) 0:35
3 Act I: Aria: O wä’ ich schon mit dir vereint (Marzelline) 4:33
4 Act I: Wenn ich diese Tü nicht (Jaquino, Marzelline) 0:23
5 Act I: Duet: Jetzt, Schäzchen, jetzt sind wir allein (Jaquino, Marzelline) 5:04
6 Act I: Höe, Jaquino (Marzelline, Jaquino, Rocco) 2:00
7 Act I: Trio: Ein Mann ist bald genommen (Rocco, Jaquino, Marzelline) 3:41
8 Act I: Ist Fidelio noch nicht nach Hause gekommen? (Rocco, Marzelline, Jaquino, Leonore) 1:18
9 Act I: Quartet: Mir ist so wunderbar (Marzelline, Leonore, Rocco, Jaquino) 4:52
10 Act I: Höe, Fidelio! (Rocco, Marzelline, Leonore) 0:48
11 Act I: Aria: Hat man nicht auch Gold beineben (Rocco) 2:47
12 Act I: Ihr könt das leicht sagen (Leonore, Rocco, Marzelline) 2:38
13 Act I: Trio: Gut, Sönchen, gut (Rocco, Leonore, Marzelline) 7:08
14 Act II: March 1:58
15 Act II: Drei Schildwachten auf den Wall (Pizarro, Rocco) 1:35
16 Act II: Aria and Chorus: Ha! Welch ein Augenblick! (Pizarro, Rocco) 2:58
17 Act II: Rocco! (Pizarro, Rocco) 0:09
18 Act II: Duet: Jetzt, Alter, jetzt hat es Eile! (Pizarro, Rocco) 5:00
19 Act II: Nun ist es endlich entschieden (Marzelline, Leonore) 0:10
20 Act II: Duet: Um in der Ehe froh zu leben (Marzelline, Leonore) 6:05
21 Act II: Sie doch, wie du so schnell (Marzelline, Leonore) 1:17
22 Act II: Recitative: Ach, brich noch nicht –Aria: Komm’, o komm’ (Leonore) 8:18
DISC 70 78:19
Leonore (1805 version) (continued) 78:19
1 Act II: Finale: O welche Lust! (Prisoners, First Prisoner, Second Prisoner) 8:38
2 Act II: Entfernt euch jetzt! (Rocco, Leonore) 2:52
3 Act II: Wir müsen gleich zu Werke schreiten (Rocco, Leonore, Marzelline, Pizarro) 3:46
4 Act II: Auf euch nur will ich bauen (Pizarro, Guards) 3:50
5 Act III: Recitative and Aria: Gott! Welch Dunkel hier! (Florestan) 10:57
6 Act III: Duet: Wie kalt ist es (Leonore, Rocco) 6:01
7 Act III: Er erwacht! (Leonore, Rocco, Florestan) 2:13
8 Act III: Trio: Euch werde Lohn in besser’n Welten (Florestan, Rocco, Leonore) 6:49
9 Act III: Alles ist bereit (Rocco, Leonore, Pizarro) 0:32
10 Act III: Quartet: Er sterbe! (Pizarro, Florestan, Leonore, Rocco) 4:38
11 Act III: Die Waffe hab’ ich mir (Leonore) 0:13
12 Act III: Recitative: Ich kann mich noch nicht fassen –Duet: O namenlose Freude (Florestan, Leonore) 9:27
13 Act III: O Leonore, sprich! (Florestan, Leonore) 0:35
14 Act III: Finale: Zur Rache (Chorus, Leonore, Florestan, Rocco, Fernando) 5:07
15 Act III: O Gott! O welch ein Augenblick! (Leonore, Florestan, Marzelline, Rocco, Fernando, Chorus) 5:04
16 Act III: Wie lange habt ihr sie getragen? 2:04
(Fernando, Florestan, Rocco, Chorus, Leonore, Marzelline, Jaquino)
17 Act III: Preist mit hoher Freude Glut (Chorus) 0:39
18 Act III: Wer ein holdes Weib errungen (Marzelline, Jaquino, Rocco, Fernando, Chorus, Florestan) 4:54
Leonore................................Edda Moser, Soprano
Florestan.............................................. Richard Cassilly, Tenor
Marzelline..................................................................... Helen Donath, Soprano
Jaquino..................................................................Eberhard Buchner, Tenor
Pizarro............................................................................. Theo Adam, Bass-baritone
Fernando........................................................... Hermann Christian Polster, Bass
Rocco................................................................. Karl Ridderbusch, Bass
First Prisoner...................................................Reiner Goldberg, Tenor
Second Prisoner......................................................... Siegfried Lorenz, Baritone
Rundfunkchor Leipzig
Staatskapelle Dresden
Herbert Blomstedt, Conductor
Recorded: 1976 at Lukaskirche, Dresden, East Germany
Producer: Bernd Runge •Engineer: Gerald Junge
Music Licensed Courtesy of Brilliant Classics Licensing
Released on BC94868
DISC 71 81:17
Egmont, Op. 84 (1809–-10) 47:42
(Text: Johann Wolfgang von Goethe, 1749–.1832)
1 Overture 9:42
2 Monologue: Besteigt denn, von den Töonen hold geleitet (Narrator) 2:12
3 Lied: Die Trommel gerüuhret (Cläarchen) 3:10
4 Zwischenakt No. 1: Andante –. Allegro con brio 3:11
5 Monologue: Wo Egmont wandelt, hoch auf steilem Pfade (Narrator) 1:14
6 Zwischenakt No. 2: Larghetto 6:22
7 Monologue: Die Geliebte harrt (Narrator) 0:33
8 Lied: Freudvoll und leidvoll (Cläarchen) 2:00
9 Zwischenakt No. 3: Allegro –. Marcia vivace 4:08
10 Monologue: Sorglos dem Wort des Köonigs trauend (Narrator) 0:42
11 Zwischenakt No. 4: Poco sostenuto e risoluto –. Larghetto –. Andante agitato 4:06
12 Monologue: Doch jenes Mäadchen (Narrator) 0:39
13 Clärchens Tod bezeichnend: Larghetto 2:55
14 Melodrama: Süusser Schlaf! Du kommst wie ein reines Glüuck (Egmont) –- Siegessinfonie: Allegro con brio 6:34
15 Vestas Feuer, Hess 115 (fragment) (1803) 10:56
(Text: Emanuel Schikaneder, 1751–.1812)
16 Die Ehrenpforten: Chorus: Es ist Vollbracht, WoO 97 (1815) 4:16
(Text: Georg Friedrich Treitschke, 1776–.1842)
Leonore Prohaska, WoO 96 (1815) 12:50
(Text: Johann Friedrich Leopold Duncker, 1770–.1842)
17 Jäger: Chorus: Wir bauen und sterben 2:24
18 Romanze: Es blüuht eine Blume 3:02
19 Melodram: Du, dem sie gewunden 1:02
20 Trauermarsch 6:10
21 Die gute Nachricht: Chorus: Germania, WoO 94 (1814) 5:09
(Text: Georg Friedrich Treitschke)
Narrator 2 5 7 10 12, Egmont 14 .........................Matti Salminen, Speaker
Cläarchen 3 8.......................................... Kaisa Ranta, Soprano
Kaisa Ranta, Soprano • Niina Keitel, Mezzo-soprano
Tuomas Katajala, Tenor •. Nicholas Söoderlund, Bass 15
Reetta Haavisto, Soprano •. Päaivi Severeide, Harp 18
Thomas Bloch, Glass Harmonica, Voice 19
Juha Kotilainen 16, Niklas Spangberg 21, Bass
Chorus Cathedralis Aboensis 15-17
The Key Ensemble 21
Turku Philharmonic Orchestra •. Leif Segerstam, Conductor 1–17 20 21
Recorded: 15–-19 January 2018 1–14 20, 28–-31 May 2018 1 October 2018 16 17 and 27–-31 August 2018 18 21
at the Turku Concert Hall, Turku, Finland; January–.March 1997,
at ADS (Ivry-sur-Seine) Auditorium FR3, Strasbourg, France 19
Producer: Sean Lewis 1–14 16-18 20 21 , Phil Rowlands 15 Philippe Avril 19
Engineer: Sean Lewis 1–14 16-18 20 21, Phil Rowlands, James Clarke 15
Editor: Sean Lewis 1–18 20 21, Phil Rowlands 15 •.
Publisher: Breitkopf & Häartel 16, Edwin F. Kalmus 21
Released on 8.573956 1–14 20 8.574017 15 8.574042 16-18 21 8.555295 19
DISC 72 81:48
Die Ruinen von Athen, Op. 113 (‘The Ruins of Athens’) (1811)* 52:44
(Text: August Friedrich Ferdinand von Kotzebue, 1761–819)
1 Overture 5:12
2 Chorus: Tochter des mähtigen Zeus! 3:18
3 Dialogue: Versönt? (Minerva, Merkur) 2:57
4 Duet: Ohne Verschulden Knechtschaft dulden (Greek Man, Greek Woman) 5:17
5 Dialogue: Wo sind wir? (Minerva, Merkur, Greek Man, Maiden) 2:46
6 Chorus: Du hast in deines Ärmels Falten (Dervishes) 2:21
7 Dialogue: Ha! Welchen Unsinn hat mein Ohr vernommen! (Minerva, Maiden) 0:12
8 Marcia alla turca –Dialogue: He! Achmet! (First Turk, Second Turk, Minerva, Merkur) 5:01
9 Harmonie auf dem Theater: Melodrama: Es wandelt schon das Volk im Feierkleide 1:28
und fullt die weiten Strassen und frohlockt! (Old Man)
10 Dialogue: Wo sind wir nun? (Minerva, Merkur, Old Man) 1:27
11 March: Dialogue: Schau dieser Kinder fröliches Gewül (Merkur, Minerva) –6:57
Chorus: Schmükt die Altäe! (Priests, Virgins)
12 Recitative: Mit reger Freude (Chief Priest) 1:49
13 Chorus: Wir tragen empfängliche Herzen im Busen 3:04
14 Aria and Chorus: Will unser Genius noch einen Wunsch gewären (Chief Priest, Minerva, Chorus) 5:42
15 Monologue: Nicht in des Köigs furchtgebietendem Glanze (Minerva) 1:12
16 Chorus: Heil unserm Köig! 3:59
17 Die Weihe des Hauses Overture, Op. 124 (‘The Consecration of the House’) (1822) 11:57
18 Musik zu Carl Meisls Gelegenheitsfestspiel, Hess 118 (Die Weihe des Hauses): 3:29
[No. 1] Invisible Chorus: Folge dem mähtigen Ruf der Ehre! (1811)
(Text: Carl Meisl, 1773–853)
19 Die Ruinen von Athen (‘The Ruins of Athens’): March with Chorus: 6:56
Schmükt die Altäe, Op. 114 (1811)
(Text: August Friedrich Ferdinand von Kotzebue / Anonymous)
20 Die Weihe des Hauses (‘The Consecration of the House’): Wo sich die Pulse, WoO 98 (1822) 6:31
(Text: Carl Meisl)
* WORLD PREMIERE RECORDING OF VERSION WITH NARRATION
Minerva ...........................Angela Eberlein, Speaker 3 5 7 8 10 11 14 15
Merkur ................................................Claus Obalski, Speaker 3 5 8 10 11
Greek Man (singing) 4 / Chief Priest 12 14........................Juha Kotilainen, Bass
Greek Woman ..................................................Reetta Haavisto, Soprano 4
Greek Man (speaking) 5 / First Turk 8 / Old Man 9 10 .......Roland Astor, Speaker
Maiden..........................................................Leah Sinka, Speaker 5 7
Second Turk.............................................................Ernst Oder, Speaker 8
Reetta Haavisto, Soprano )
Chorus Cathedralis Aboensis 2 6 11 13 14 16 18-20
Turku Philharmonic Orchestra •Leif Segerstam, Conductor
Recorded: 15–19 October 2018 at Turku Concert Hall, Turku, Finland
Producer, engineer and editor: Sean Lewis •Publisher: Breitkopf & Hätel 19
Released on 8.574076
CHORAL
DISC 73 57:41
Der glorreiche Augenblick, Op. 136 (‘The Glorious Moment’) (1814) 37:49
(Text: Alois Weissenbach, 1766–821, revised: Joseph Karl Bernard, 1781–850)
1 Chorus: Europa steht! 4:06
2 Recitative and Chorus: O seht sie nah und näer treten! (Leader of the People, Genius, Chorus) 4:27
3 Recitative and Aria with Chorus: O Himmel, welch Entzüken! (Vienna, Chorus) 9:50
4 Recitative and Aria with Chorus: Das Auge schaut (Prophetess, Chorus) 6:57
5 Recitative and Quartet: Der den Bund im Sturme fest gehalten 8:11
(Prophetess, Vienna, Leader of the People, Genius)
6 Chorus: Es treten hervor 4:11
7 Fantasia in C minor, Op. 80 ‘Choral Fantasy’ (1808) 19:43
(Text: Christoph Johann Anton Kuffner, 1780–846)
Vienna......................................................Claire Rutter, Soprano 3 5
Prophetess.............................................Matilde Wallevik, Mezzo-soprano 4 5
Genius..........................................................Peter Hoare, Tenor 2 5
Leader of the People.......................................Stephen Gadd, Baritone 2 5
Westminster Boys’ Choir 6
Claire Rutter, Soprano •Matilde Wallevik, Marta Fontanals-Simmons, Mezzo-soprano
Peter Hoare, Julian Davies, Tenor •Stephen Gadd, Baritone •Leon McCawley, Piano 7
City of London Choir
Royal Philharmonic Orchestra
Hilary Davan Wetton, Conductor
Recorded: 5–6 February 2011 at Cadogan Hall, London, UK
Producer: Andrew Walton (K&A Productions Ltd) •Executive producer: Jenny Robinson
Engineer: Mike Clements •Editor: Andrew Walton (K&A Productions Ltd)
Released on 8.572783
DISC 74 76:42
Missa solemnis, Op. 123 (1823) 76:42
(Mass Text)
1 I. Kyrie 10:17
II. Gloria
2 Gloria in excelsis Deo 4:42
3 Qui tollis peccata mundi 5:17
4 Quoniam tu solus sanctus 6:37
III. Credo
5 Credo in unum Deum 4:00
6 Et incarnates est 5:06
7 Et resurrexit tertia die 9:12
IV. Sanctus
8 Sanctus –Präludium: Sostenuto ma non troppo 5:33
9 Benedictus 10:23
V. Agnus Dei
10 Agnus Dei 5:48
11 Dona nobis pacem 9:28
Lori Phillips, Soprano •Robynne Redmon, Mezzo-soprano
James Taylor, Tenor •Jay Baylon, Bass-baritone 1–4 6–11
Mary Kathryn Van Osdale, Violin 9
Nashville Symphony Orchestra and Chorus •Kenneth Schermerhorn, Conductor
Recorded: 21–22 April 2003 at Ingram Hall, Blair School of Music, Vanderbilt University, Nashville, Tennessee, USA
Producer, engineer and editor: Tim Handley
Released on 8.557060
DISC 75 81:09
Kantate auf die Erhebung Leopold II. zur Kaiserwüde, WoO 88 28:05
(‘Cantata on the Accession of Emperor Leopold II’) (c. 1790)
(Text: Severin Anton Averdonk, 1768–817)
1 Recitative with Chorus: Er schlummert … schlummert! (Soprano, Chorus) 4:37
2 Aria: Fliesse, Wonnezäre, fliesse! (Soprano) 11:29
3 Recitative: Ihr staunt, Vöker der Erde! (Bass) 0:47
4 Recitative: Wie bebt mein Herz vor Wonne! (Tenor) 1:03
5 Terzetto: Ihr, die Joseph ihren Vater nannten (Soprano, Tenor, Bass) 4:44
6 Chorus: Heil! Stüzet nieder 5:25
7 Ihr weisen Grüder glüklicher Staaten, WoO 95 ‘Chor auf die verbüdeten Füsten’ (1814) 1:51
(Text: Anonymous)
8 Bundeslied, Op. 122 ‘In allen guten Stunden’ (1824) 4:38
(Johann Wolfgang von Goethe, 1749–832)
Mass in C major, Op. 86 (1807) 46:21
(Mass text)
9 I. Kyrie 5:21
10 II. Gloria 9:16
11 III. Credo 12:39
12 IV. Sanctus –Benedictus 10:50
13 V. Agnus Dei 8:05
Silja Aalto, Soprano 1 2 5
Tuomas Katajala, Tenor 4 5
Niklas Spångberg, Bass 3 5
Johanna Lehesvuori, Soprano •Merja Mäelä Alto 8
Kaisa Ranta, Soprano •Niina Keitel, Mezzo-soprano
Topi Lehtipuu, Tenor •Nicholas Söerlund, Bass
Chorus Cathedralis Aboensis 9–13
The Key Ensemble 1 6–8
Turku Philharmonic Orchestra
Leif Segerstam, Conductor
Recorded: 27–31 August 2018 1–8 and 28–1 May 2018 9–13 at Turku Concert Hall, Turku, Finland
Producer and editor: Sean Lewis 1–8, Phil Rowlands 9–13
Engineer: Sean Lewis 1–8, Phil Rowlands, James Clarke 9–13 •Publisher: Breitkopf & Hätel 1–7
Released on 8.574077 1–6 8.574042 7 8 8.574017 9–13
DISC 76 70:20
Christus am Öberge, Op. 85 (‘Christ on the Mount of Olives’) (1803) 57:07
(Text: Franz Xaver Huber, 1755–814)
1 Introduction 7:01
2 Recitative: Jehovah! Du! Mein Vater! (Jesus) 4:03
3 Aria: Meine Seele ist erschütert (Jesus) 5:21
4 Recitative: Erzittre, Erde! (Seraph) 1:33
5 Aria: Preist des Erlöers Güe (Seraph) 3:27
6 Chorus: O Heil euch ihr Erlöten (Angels, Seraph) 4:49
7 Recitative: Verküdet Seraph mir dein Mund Erbarmen (Jesus, Seraph) 1:10
8 Duet: So ruhe denn mit ganzer Schwere (Jesus, Seraph) 7:04
9 Recitative: Willkommen Tod! (Jesus) 1:09
10 Chorus: Wir haben ihn gesehen (Soldiers) 2:34
11 Recitative: Die mich zu fangen ausgezogen sind (Jesus) 1:41
12 Chorus: Hier ist er, der Verbannte (Soldiers, Disciples) 3:16
13 Recitative: Nicht ungestraft soll der Verwegnen (Peter, Jesus) 1:17
14 Trio: In meinen Adern wülen gerechter Zorn und Wuth (Peter, Jesus, Seraph) 5:07
15 Chorus: Auf, ergreifet den Verräher! (Soldiers, Disciples, Jesus) 3:01
16 Chorus: Macht! –Welten singen Dank und Ehre (Jesus, Angels) 1:32
17 Chorus: Preiset ihn, ihr Engelchöe (Angels) 3:00
18 Opferlied, Op. 121b (2nd setting, version for voice, choir and orchestra) (1824) 5:42
19 Opferlied, Op. 121b (2nd setting, version for 3 voices, choir and orchestra) (1822) 7:24
(Text: Friedrich von Matthisson, 1761–831)
Seraph..........................Hanna-Leena Haapamäi, Soprano 4–8 14
Jesus...................................................... Jussi Myllys, Tenor 2 3 7–9 11 13-16
Peter...........................................Niklas Spångberg, Bass13 14
Johanna Lehesvuori 18 Maikki Säkkä19 Soprano
Kristina Raudanen, Alto •Andreas Nordströ, Tenor 19
Chorus Cathedralis Aboensis 6 10 12 15-17
The Key Ensemble 18 19
Turku Philharmonic Orchestra
Leif Segerstam, Conductor
Recorded: 15–7 May 2017 1–17 and 27–1 August 2018 18 19 at Turku Concert Hall, Turku, Finland
Producer, engineer and editor: Sean Lewis •Publisher: Breitkopf & Hätel
Released on 8.573852 1–17 8.574042 18 19
DISC 77 69:36
1 Meeres Stille und Glükliche Fahrt, Op. 112 (‘Calm Sea and Prosperous Voyage’) (1815) 7:59
(Text: Johann Wolfgang von Goethe, 1749–832)
Kantate auf den Tod Kaiser Josephs II, WoO 87 ‘Trauerkantate’ 44:22
(‘Cantata on the Death of Emperor Joseph II’) (1790)
(Text: Severin Anton Averdonk, 1768–817)
2 Chorus: Tot, stönt es durch die öe Nacht! 8:28
3 Recitative: Ein Ungeheuer, sein Name Fanatismus (Bass) 1:24
4 Aria: Da kam Joseph, mit Gottes Stäke (Bass) 5:57
5 Aria with Chorus: Da stiegen die Menschen (Soprano, Chorus) 5:57
6 Recitative: Er schläft, von den Sorgen seiner Welten entladen (Soprano) 3:30
7 Aria: Hier schlummert seinen stillen Frieden (Soprano) 9:31
8 Chorus: Tot, stohnt es durch die öe Nacht! 9:31
9 Abschiedsgesang, WoO 102 ‘Die Stunde schlät’ (1814) 3:47
(Text: Joseph Ritter von Seyfried, 1780–849)
10 Cantata campestre, WoO 103, Hess 127 ‘Un lieto brindisi’ (1814) 6:57
(Text: Clemente Bondi, 1742–821)
11 Gesang der Möche, WoO 104 ‘Rasch tritt der Tod’ (1817) 1:08
(Text: Friedrich von Schiller, 1759–805)
12 Der freie Mann (1st version), Hess 146 (1792) 0:40
(Text: Gottlieb Conrad Pfeffel, 1736–809)
13 Bundeslied, Op. 122 ‘In allen guten Stunden’ (version for choir and piano) (1824/25) 4:20
(Text: Johann Wolfgang von Goethe)
Johanna Lehesvuori, Soprano 5–7
Niklas Spångberg, Bass 3 4
Chorus Cathedralis Aboensis 1 5 8
Turku Philharmonic Orchestra •Leif Segerstam, Conductor 1–8
Tabea Gerstgrasser, Soprano 12 •Stefan Tauber, Tenor 12
Diana Fuchs, Piano 10 13
Cantus Novus Wien •Thomas Holmes, Musical Director 9–13
Recorded: 28–1 May 2018 1 and 15–9 October 2018 2–8 at Turku Concert Hall, Turku, Finland;
20 January 9 11-13 and 27 January 2019 10 at 4tune audio productions, Vienna, Austria
Producer: Phil Rowlands 1, Sean Lewis 2–8, Johannes Kernmayer 9–13
Engineer: Phil Rowlands, James Clarke 1, Sean Lewis 2–8, Martin Klebahn 9–13
Editor: Phil Rowlands 1, Sean Lewis 2–8, Martin Klebahn 9–13
Publisher: Breitkopf & Hätel 2–8
Released on 8.574017 1 8.574077 2–8 8.574175 9–13
VOCAL
DISC 78 71:12
Irish Songs I, WoO 152 (1810–3) 71:12
(Texts: Sir Walter Scott, 1771–832 1 5 30, Joanna Baillie, 1762–851 2 4 7 8, Robert Burns,
1759–796 3 13, Traditional 6 12 25, Thomas Campbell, 1777–844 9, John Philpot Curran, 1750–817
10 11 T. Toms, dates unknown 14 22 23 31, Sir Alexander Boswell, 1775–822 17 20, William Smyth,
1765–1849 16 18 Anne Grant, 1755–838 & ), William Robert Spencer, 1769–834 (, John Wolcot,1738–819 "', David Thomson, 1770?–1815 26-28, Helen Maria Williams, 1761–1827 29
1 No. 1. The Return to Ulster 5:31
2 No. 2. Sweet Power of Song 1:34
3 No. 3. Once more I hail thee 3:07
4 No. 4. The morning air plays on my face 2:29
5 No. 5. On the Massacre of Glencoe (2nd version, Hess 192) 1:56
6 No. 6. What shall I do 1:44
7 No. 7. His boat comes on the sunny tide 2:03
8 No. 8. Come draw we round 0:51
9 No. 9. The Soldier’s Dream 5:08
10 No. 10. The Deserter 1:06
11 No. 11. Thou emblem of faith 1:27
12 No. 12. English Bulls 2:29
13 No. 13. Musing on the roaring ocean 0:58
14 No. 14. Dermot and Shelah 2:20
15 No. 15. Let brain-spinning swains 1:00
16 No. 16. Hide not thy anguish 2:23
17 No. 17. In vain to this desert 1:38
18 No. 18. They bid me slight my Dermot dear 2:19
19 No. 19. Wife, children and friends 1:39
20 No. 20. Farewell bliss 1:14
21 No. 21. Morning a cruel turmoiler is 1:06
22 No. 22a. From Garyone, my happy home (1st version) 3:29
23 No. 22. From Garyone, my happy home (2nd version) 4:01
24 No. 23. The Wand’ring Gypsy 0:49
25 No. 24. The Traugh Welcome 0:56
26 No. 25a. Oh harp of Erin (1st version) 4:11
27 No. 25. Oh harp of Erin (2nd version) 3:48
28 No. 26. When eve’s last rays 1:33
29 No. 27. No riches from his scanty store 2:55
30 No. 28. The British Light Dragoons 2:48
31 No. 29. Since greybeards inform us 1:11
Renate Kramer 2 17 19 20, Barbara Emilia Schedel 27, Dorothee Wohlgemuth 7 16 18 22 29 ™a, Soprano Ingeborg Springer, Mezzo-soprano 2 13 14
Kerstin Wagner23 27, Christine Wehler 814$, Alto
Eberhard Buchner 5 6 19 28 31, Georg Poplutz 3 12 18 30 31 Tenor
Jens Hamann 1 4 9 14 26, Siegfried Lorenz 6 8 10 11 15 17 20 21 25 28 Baritone
Brahms Trio 2 5 6 8 10 11 13 15 17 19-21 24 25 28 31
(Jög Hoffmann, Violin · Gotthard Popp, Cello · Volker Lehmann, Piano)
Martin Haunhorst, Violin •Bernhard Schwarz, Cello
Rainer Maria Klaas, Piano 1 3 4 7 9 12 14 16 18 22 26 29 30
Sachiko Kobayashi, Violin, Chihiro saito, Cello. Michael Wagner, piano 23 27
Berliner Solistenchor 10
Recorded: 21–2 February 2007 at Ferdinand-Trimborn-Saal,
Stätische Musikschule, Ratingen, Germany 1 3 4 7 9 12 14 16 18 22 26 29 30 February 2007 at Bauer Studios,
Ludwigsburg, Germany 23 27 ;1979 2 5 6 8 10 11 13 15 17 19 20 21 24 25 28 31
Producer: Nicol Matt 1 3 4 7 9 13 14 16 18 22 26 29 30
Engineer and editor: Gerd Puchelt 1 3 4 7 9 12 14 16 18 22 23 26 27 29 30 •Engineer: Adrian Ripk 23 27
Language coach: David Mulvenna Hamilton 1 3 4 7 9 12 14 16 18 22 23 26 27 29 30
Music Licensed Courtesy of Brilliant Classics Licensing
Released on BC94925
DISC 79 78:41
Irish Songs II, WoO 153 (1810–5)
(Texts: Robert Burns, 1759–796 1, William Smyth, 1765–849 2–5 8 9 12-16 19 20 21 23-25 27 29 30
Sir Alexander Boswell, 1775–822 6 17 18 28, George Gordon Lord Byron, 1788–824 7, David Thomson,
1770?–81510 11 John Freeman Milward Dovaston, 1782–1854 22, Joanna Baillie, 1762–1851 "26)
1 No. 30. I dream’d I lay (1st version, Hess 194) 1:26
2 No. 31. The hero may perish 1:12
3 No. 32. Sad and luckless was the season 4:18
4 No. 33. O soothe me, my lyre 1:05
5 No. 34. By the side of the Shannon 2:09
6 No. 35. Norah of Balamagairy 1:30
7 No. 36. The kiss, dear maid 2:47
8 No. 37. The Soldier 2:43
9 No. 38. Oh! Thou hapless soldier 1:27
10 No. 39. The Elfin Fairies 1:48
11 No. 40. When far from the home 2:17
12 No. 41. I’ll praise the saints (2nd version) 3:45
13 No. 42. Put round the bright wine 2:22
14 No. 43. The wand’ring minstrel 3:53
15 No. 44. Sunshine (ed. G. Thomson, 1757–851, for voice, violin, cello and piano) 2:03
16 No. 45. Oh! Who, my dear Dermot 3:42
17 No. 46. The pulse of an Irishman 2:20
18 No. 47. Paddy O’Rafferty 2:38
19 No. 48. Oh! Would I were (2nd version) 5:38
20 No. 49. ’T is but in vain (1st version, Hess 197) 1:12
21 No. 50. Save me from the grave and wise 2:05
22 No. 51. A health to the brave 2:04
23 No. 52. He promis’d me at parting 2:46
24 No. 53. O might I but my Patrick love 2:59
25 No. 54. Come, Darby dear, easy 1:10
26˜ No. 55. The soldier in a foreign land 6:08
27 No. 56. No more, my Mary 1:56
28 No. 57. Judy, lovely, matchless creature 2:43
29 No. 58. Thy ship must sail 1:32
30 No. 59. The Farewell Song 3:36
Antonia Bourvé 14 22, Renate Kramer 1 9 29, Barbara Emilia Schedel 10 16 19 23 26
Dorothee Wohlgemuth 12 18 24 Soprano
Ingeborg Springer 1 4 9 20, Rebekka Stör 22, Mezzo-soprano
Kerstin Wagner, Alto 10 21
Daniel Schreiber 2 13 19 21 23 26 30, David Mulvenna Hamilton 8 14, Georg Poplutz 15 27 28
Eberhard Büchner –, Tenor
Jens Hamann 3 4 7 11, Daniel Raschinsky 2 17 21, Haakon Schaub 14 Siegfried Lorenz 6, Baritone
Manfred Bittner, Bass-baritone 5
Brahms Trio 1 3 4 6 9 20 25 29
(Jög Hoffmann, Violin · Gotthard Popp, Cello · Volker Lehmann, Piano)
Sachiko Kobayashi, Violin •Chihiro Saito, Cello •Michael Wagner, Piano 2 10 13 16 17 19 21 23 26 30
Martin Haunhorst, Violin •Bernhard Schwarz, Cello •Rainer Maria Klaas, Piano 3 4 7 11 12 15 18 24 27 28
Zsuzsa Zsizsmann, Violin •Cornelius Boensch, Cello •Michael Clark, Piano5 8 14 22
Berliner Solistenchor 6
Recorded: 8–5 February 2007 at Bauer Studios, Ludwigsburg, Germany 2 5 8 10 13 14 16 17 19-21-23 26 30
21–2 February 2007 at the Ferdinand-Trimborn-Saal, Stätische Musikschule,
Ratingen, Germany 3 7 11 12 15 18 24 27 28• 1979 1 4 6 9 20 25 29
Producer: Nicol Matt 2 3 5 7 8 10-19 21-24 26-28 30
Engineer: Gerd Puchelt 3 7 11 12 15 18 24 27 28•, Adrian Ripka 2 10 13 16 17 19 21 23 26 30
Philipp Heck 5 8 14 22
Editor: Gerd Puchelt 3 7 11 12 15 18 24 27 28
Language coach: David Mulvenna Hamilton 2 3 5 7 8 10-19 21-24 26-28 30
Music Licensed Courtesy of Brilliant Classics Licensing
Released on BC94925
DISC 80 85:37
Irish Songs III, WoO 154 (1810–5) 11:40
(Texts: Traditional 2 4)
1 No. 60. Lament for Owen Roe O’Neill 2:32
2 No. 61. Adieu, my lov’d harp 2:35
3 No. 62. Castle O’Neill 2:22
4 No. 63. Since all thy vows 4:00
26 Welsh Songs, WoO 155 (1810–5) 74:01
(Texts: Anne Grant, 1755–838 5, Sir Walter Scott, 1771–832 6 ^, William Smyth, 1765–849
7 10-12 19 25 27 29, John Richardson, 1787–865 8, Anne Hunter, 1742–821 9 13 -15 21 !,
Robert Burns, 1759–796 17 26, Roberts of Pentre, dates unknown, 18 24, William Jones, 1746–794 )20
Amelia Opie, 1769–1853 22 23, Richard Litwyd, 1752–183528, William Robert Spencer, 1769–1834 30)
5 No. 1. Sion, the Son of Evan 3:48
6 No. 2. The Monks of Bangor’s March 2:29
7 No. 3. The Cottage Maid 2:57
8 No. 4. Love Without Hope 2:14
9 No. 5. The Golden Robe 2:57
10 No. 6. The Fair Maids of Mona 3:22
11 No. 7. O let the night my blushes hide (4th version) 2:21
12 No. 8. Farewell thou noisy town 1:28
13 No. 9. To the Aeolian Harp 4:28
14 No. 10. Ned Pugh’s Farewell 2:25
15 No. 11. Peggy’s daughter, or Merch Megan 2:45
16 No. 12. Waken lords and ladies gay 2:38
17 No. 13. Helpless Woman 1:43
18 No. 14. The Dream (2nd version) 4:16
19 No. 15. When mortals all to rest retire 4:04
20 No. 16. The Damsels of Cardigan 2:56
21 No. 17. The Dairy House 2:10
22 No. 18. Sweet Richard 2:02
23 No. 19. The Vale of Clwyd (2nd version) 4:22
24 No. 20. To the Blackbird (2nd version) 3:32
25 No. 21. Cupid’s Kindness 1:56
26 No. 22. Constancy 1:23
27 No. 23. My Pleasant Home 3:24
28 No. 24. Three Hundred Pounds 2:36
29 No. 25. The Parting Kiss 3:06
30 No. 26. Good Night 1:31
Antonia Bourvé, Soprano 4 7 10 16 17 19 25 28
Rebekka Stör, Mezzo-soprano 9 11 13 18 20 23 26 27
Christine Wehler, Alto 2
David Mulvenna Hamilton, Tenor 4 5 6 8 14 16 18 21 22 26 29 30
Haakon Schaub, Baritone 4 5 24
Manfred Bittner, Bass-baritone 6 9 12 15
Josef Herzer, Violin •Bertin Christelbauer, Cello •Bernadette Bartos, Piano 1 3
Martin Haunhorst, Violin •Bernhard Schwarz, Cello •Rainer Maria Klaas, Piano 2
Zsuzsa Zsizsmann, Violin •Cornelius Boensch, Cello •Michael Clark, Piano 4–30
Recorded: 25, 28 February 2019 and 1 March 2019 at 4tune audio productions, Vienna, Austria 1 3
22–3 February 2007 at Ferdinand-Trimborn-Saal, Stätische Musikschule, Ratingen, Germany 2
8–5 February 2007 at Bauer Studios, Ludwigsburg, Germany 4–30
Producer: Johannes Kernmayer 1 3, Gerd Puchelt 2, Nicol Matt 4–30
Engineer: Martin Klebahn 1 3, Philipp Heck 4–o •Editor: Martin Klebahn 1 3, Gerd Puchelt 2
Language coach: David Mulvenna Hamilton 4–30
Music Licensed Courtesy of Brilliant Classics Licensing 2 4–30
Released on 8.574174 1 3 BC94925 2 4–30
DISC 81 61:52
22 Scottish Songs, WoO 156 (1810–-20)
(Texts: Thomas Moore, 1779–-1852 2, Traditional 3 5 16, Robert Burns, 1759–-1796 4 7 9 14 15 20 21 22,
Robert Couper, 1750–-1818 6, George Gordon Lord Byron, 1788–.1824 8, William Smyth, 1765–-1849 10,
Robert Burns and Traditional 11, Anne Hunter, 1742–-1821 12, William Hamilton 1704–-1754 13, Joanna Baillie,1762–-1851 17, Sir Walter Scott, 1771–-1832 18 19
1 No. 1. 3:13
2 No. 2. Erin! Oh, Erin 3:20
3 No. 3. O Mary ye’s be clad in silk 2:36
4 No. 4. Highland Harry 1:54
5 No. 5. Oh onochri, oh 5:23
6 No. 6. Red gleams the sun 1:41
7 No. 7. Sir Johnie Cope 3:10
8 No. 8. Lochnagar (1825 edition) 3:44
9 No. 9. Duncan Gray 3:00
10 No. 10. The hero may perish (1825 edition) 1:19
11 No. 11. Auld lang syne 2:06
12 No. 12. Dark was the morn 1:59
13 No. 13. Ye Shepherds of this pleasant vale 2:39
14 No. 14. From thee, Eliza, I must go 2:42
15 No. 15. Polly Stewart 1:47
16 No. 16. Charlie is my darling 1:49
17 No. 17. Up! Quit thy bower 2:26
18 No. 18. Glencoe 3:04
19 No. 19. The Banner of Buccleuch 2:41
20 No. 20. Highlander’s Lament 4:40
21 No. 21. Mark yonder pomp of costly fashion 3:09
22 No. 22. Bonnie wee thing 2:19
Antonia Bourvé 8–10 12 13 16-19(, Dorothee Wohlgemuth 14 22, Soprano
Rebekka Stör, Mezzo-soprano 4 11 16 17 20
Christine Wehler, Alto 5 22
David Mulvenna Hamilton 7–13 15 18-20), Georg Poplutz 2 3 6 14 21, Tenor
Jens Hamann 14 22, Haakon Schaub 8–10 12 13 16-19(, Baritone
Manfred Bittner, Bass-baritone 11 20
Tristan Segal, Violin •Larry DiBello, Cello •Andreas Ioannides, Piano 1
Martin Haunhorst, Violin •Bernhard Schwarz, Cello •Rainer Maria Klaas, Piano 2 3 5 6 14 21 22
Zsuzsa Zsizmann, Violin •Cornelius Boensch, Cello •Michael Clark, Piano 4 7–13 15 -20)
Recorded: 24 February 2019 at the Musical Arts Center, Georgina Joshi Recording Studio,
Jacobs School of Music, Bloomington, Indiana, USA 1
22–3 February 2007 at Ferdinand-Trimborn-Saal, Stätische Musikschule, Ratingen, Germany 2 3 5 6 14 21 22
8–5 February 2007 at Bauer Studios, Ludwigsburg, Germany 4 7–13 15 -20)
Producer: Konrad Strauss 1, Gerd Puchelt 2 3 5 6 14 21 22, Nicol Matt 4 7–13 15-20)
Engineer: Konrad Strauss, Jamie Tagg 1, Philipp Heck 4 7–13 15-20)
Editor: Konrad Strauss, Jamie Tagg 1, Gerd Puchelt 2 3 5 6 14 21 22
Language coach: David Mulvenna Hamilton 4 7–13 15-20)
Music Licensed Courtesy of Brilliant Classics Licensing 2–22•Publisher: G. Henle Verlag 1
Released on 8.574040-41 1 BC94925 2–22
DISC 82 61:15
4 English Songs, WoO 157 (1816/19) 9:33
(Texts: John Gay, 1685–732 1 2, Henry Carey, c. 1687–743 3, Traditional 4)
1 No. 1. When my hero in court appears 1:48
2 No. 2. Cease your funning 1:02
3 No. 3. God save the king 4:00
4 No. 4. The miller of the Dee 2:36
29 Songs of Various Nationality, WoO 158 (1816–20) 51:32
(Texts: Traditional 5 8–10 12-19 22-25 27 30 32 33, Joachim Perinet, 1763–816 6 7, Emanuel
Schikaneder, 1751–1812 11, Christoph August Tiedge, 1752–841 ), Carl Michael Bellman, 1740–1795 21,
Sádor (Alexander) Kisfaludy, 1772–1844 26, Jean‐Jacques Rousseau, 1712–1778 28, Antonio Lamberti,
1757–1832 31)
5 No. 1. Ridder Stig tjener (Danish) 0:37
6 No. 2. Horch auf, mein Liebchen (German) 1:51
7 No. 3. Wegen meiner bleib d’Fräla (German) 2:24
8 No. 4. Wann i in der Frü aufsteh (Tyrolean) 1:12
9 No. 5. I bin a Tyroler Bue (Tyrolean) 3:47
10 No. 6. A Madel, ja a Madel (Tyrolean) 2:48
11 No. 7. Vier solche Buema afipackt (Tyrolean) 0:54
12 No. 8. Ih mag di nit nehma (Tyrolean) 3:06
13 No. 9. Oj, oj upilem sie w karczmie (Polish) 0:47
14 No. 10. Poszł baba po popiół(Polish) 0:41
15 No. 11. Yo no quiero embarcarme (Spanish) 1:27
16 No. 12. Seus lindos olhos (Portuguese) 2:14
17 No. 13. Vo lesoče komaročov mnogo urodilos’ (Russian) 0:55
18 No. 14. Ach rečn’ki, rečn’ki (Russian) 1:30
19 No. 15. Kak poši naš podruži (Russian) 0:47
20 No. 16. Schöe Minka (Ukrainian) 3:03
21 No. 17. Wiegenlied (1941 edition) (Swedish) 1:51
22 No. 18. An ä Bergli bin i gesässe (Swiss) 1:52
23 No. 19. Una paloma blanca (2nd version) (Spanish) 2:33
24 No. 20. Como la mariposa (Spanish) 1:03
25 No. 21. La tirana se embarca (Spanish) 3:30
26 No. 22. Ées, kíos emléezet (Hungarian) 0:56
27 No. 23. Da brava, Catina (Venetian) 1:02
28 No. 24. Non, non, Colette n’est point trompeuse (French) 1:38
29 No. 25. Air Français, Hess 168 (arr. for oboe, violin, cello and piano) 1:43
30 No. 26. O Sanctissima (Sicilian) 2:24
31 No. 27. La Biondina in gondoleta (Venetian) 2:44
32 No. 28. Das liebe Käzchen, Hess 133 (Austrian) 0:26
33 No. 29. Der Knabe auf dem Berge, Hess 134 (Austrian) 0:53
Antonia Bourvé 2–4 30, Renate Kramer 8 12 17 21 22 24, Dorothee Wohlgemuth 20,
Elisabeth Breuer 32 33, Soprano
Ingeborg Springer 18 22 24 , Rebekka Stör 30, Mezzo-soprano
Christine Wehler, Alto 1
David Mulvenna Hamilton 3 4 31, Eberhard Buchner 14 16 19 28 , Georg Poplutz 9 10 15 20 23 25 27, Tenor
Haakon Schuab 3 4 31, Güther Leib 5 11 13 16 26, Jens Hamann 6 7, Baritone
Martin Haunhorst, Violin •Bernhard Schwarz, Cello •Rainer Maria Klaas, Piano 1 6 7 9 10 15 20 23 25 27
Zsuzsa Zsizsmann, Violin •Cornelius Boensch, Cello •Michael Clark, Piano 2–4 30 31
Kurt Mahn, Oboe 29
Reinhard Ulbricht, Violin •Joachim Bischof, Cello •Eva Ander, Piano 5 8 11-14 16-19 21 22 24 28 29
Bernadette Bartos, Piano 32 33
Members of the Radio Chorus Leipzig •Horst Neumann, Conductor 5
Recorded: 8–5 February 2007 at Bauer Studios, Ludwigsburg, Germany 2–4 30 31
22–3 February 2007 1 6 7 9 10 15 20 23 25 27 and 1972 5 8 11-14 16-19 21 22 24 26 28 29
at Ferdinand-Trimborn-Saal, Stätische Musikschule, Ratingen, Germany;
27 September 2018 at 4tune audio productions, Vienna, Austria 32 33
Producer: Gerd Puchelt 1 6 7 9 10 15 20 23 25 27, Nicol Matt 2–5 8 11-14 16-19 21 22 24 26 28-31
Johannes Kernmayer 32 33
Engineer: Philipp Heck 2–4 30 31, Gerd Puchelt 5 8 11-14 16-19 21 22 24 26 28 29, Martin Klebahn 32 33
Editor: Gerd Puchelt 1 6 7 9 10 15 20 23 25 27, Martin Klebahn 32 33
Language coach: David Mulvenna Hamilton 2–4 30 31
Music Licensed Courtesy of Brilliant Classics Licensing 1–31
Released on BC94925 1–31⁄ 8.574071 32 33
DISC 83 52:52
25 Scottish Songs, Op. 108 (1810–0)
(Texts: William Smyth, 1765–849 1 3 5 10 11 13 21 24 Sir Walter Scott, 1771–1832 2 4 18
William Browne, ?–809 6, James Hogg, 1770–835 7 16 22, Robert Burns, 1759–1796 8 9 14 17
George Gordon Lord Byron, 1788–1824 12, Alexander Ballantyne, dates unknown 15, Joanna Baillie,
1762–185119 23, Anne Grant 1755–1838 20 Henry Carey, c.1687–1743 –25
1 No. 1. Music, Love and Wine 1:35
2 No. 2. Sunset 2:38
3 No. 3. Oh! Sweet were the hours 2:58
4 No. 4. The Maid of Isla (3rd version) 2:09
5 No. 5. The sweetest lad was Jamie 1:45
6 No. 6. Dim, dim is my eye 2:29
7 No. 7. Bonnie Laddie, Highland Laddie (3rd version) 1:01
8 No. 8. The lovely lass of Inverness 3:10
9 No. 9. Behold my love how green the groves 2:26
10 No. 10. Sympathy 1:53
11 No. 11. Oh! Thou art the lad of my heart (2nd version) 0:52
12 No. 12. Oh, had my fate been join’d with thine 1:54
13 No. 13. Come fill, fill, my good fellow 1:35
14 No. 14. O, how can I be blithe and glad 1:53
15 No. 15. O cruel was my father 1:41
16 No. 16. Could this ill world have been contriv’d 1:54
17 No. 17. O Mary, at thy window be 2:07
18 No. 18. Enchantress, farewell 1:52
19 No. 19. O swiftly glides the bonny boat 2:32
20 No. 20. Faithful Johnie (2nd version) 2:54
21 No. 21. Jeanie’s Distress 1:42
22 No. 22. The Highland Watch 1:39
23 No. 23. The Shepherd’s Song 1:49
24 No. 24. Again, my lyre 3:53
25 No. 25. Sally in Our Alley 1:35
Renate Kramer, Soprano 1 5 6 11 14 19 20 21 24
Ingeborg Springer, Mezzo-soprano 2 8 9 15 19
Eberhard Büchner, Tenor 1 3 10 13 18 19 22 25
Güther Leib, Baritone 1 4 7 9 12 16 17 19 23
Reinhard Ulbricht, Violin •Joachim Bischof, Cello •Eva Ander, Piano
Members of the Radio Chorus Leipzig •Horst Neumann, Conductor 1 13 19 22
Recorded: 1972 at Ferdinand-Trimborn-Saal, Stätische Musikschule, Ratingen, Germany
Producer: Nicol Matt •Engineer: Gerd Puchelt
Music Licensed Courtesy of Brilliant Classics Licensing
Released on BC94925
DISC 84 68:32
1 Irish Songs I, WoO 152
No. 5. On the Massacre of Glencoe (1st version) (1810) 6:29
(Text: Sir Walter Scott, 1771–832)
Irish Songs II, WoO 153
(Texts: Robert Burns, 1765–849 2, David Thomson, 1770?–815 3, William Smyth, 1765–849 4–7)
2 No. 30. I dream’d I lay (2nd version) (1812/13) 2:38
3 No. 40. When far from the home (alternative version, Hess 195) (1813) 4:09
4 No. 41. I’ll praise the saints (1st version, Hess 196) (1810) 6:07
5 No. 44. Sunshine, Hess 178 (1815) 2:48
6 No. 48. Oh! Would I were (1st version, Hess 198) (1812) 4:31
7 No. 49. ’T is but in vain (2nd version) (1812/13) 4:09
26 Welsh Songs, WoO 155
(Texts: William Smyth 8, Robert Burns 9, Amelia Opie, 1769–853 0, Roberts of Pentre, dates unknown !)
8 No. 7. O let the night my blushes hide (2nd discarded version, Hess 204) (1810) 3:52
9 No. 14. The Dream (1st version, Hess 205) (c. 1810) 5:15
10 No. 19. The Vale of Clwyd (1st version, Hess 191) (c. 1810) 4:37
11 No. 20. To the Blackbird (1st version, Hess 206) (1810) 4:40
12 29 Songs of Various Nationality, WoO 158
No 19. Una paloma blanca (1st version, Gardi 25) (1816) 0:59
(Text: Anonymous)
25 Scottish Songs, Op. 108
(Texts: Sir Walter Scott 13 14, James Hogg, 1770–1835 15 16, William Smyth 17, Anne Grant, 1755–1838 18)
13 No. 4. The Maid of Isla (1st version, Hess 200) (1817) 2:28
14 No. 4. The Maid of Isla (2nd version, Hess 200) (1817/18) 2:29
15 No. 7. Bonny Laddie, Highland Laddie (1st version with original violin part,
Hess 201) (1815) 1:55
16 No. 7. Bonny Laddie, Highland Laddie (2nd version with revised violin part, Hess 201) (1817/18) 1:58
17 No. 11. Oh! Thou art the lad of my heart (1st version, Hess 202) (1815) 2:06
18 No. 20. Faithful Johnie (1st version, Hess 203) (1810) 6:20
Paula Sophie Bohnet, Soprano 1 2 4–10 17 18
Daniel Johannsen, Tenor 3 5 6 9 11 12
Georg Klimbacher, Baritone 2 13-16
Josef Herzer, Violin •Bertin Christelbauer, Cello 1–9 11-18
Bernadette Bartos, Piano
Recorded: 25, 28 February and 1 March 2019 at 4tune audio productions, Vienna, Austria
Producer: Johannes Kernmayer •Engineer and editor: Martin Klebahn
Publisher: Breitkopf & Hätel
Released on 8.574174
DISC 85 73:56
1 Schilderung eines Mächens, WoO 107 (1783) 1:02
(Text: Anonymous)
2 An einen Sägling, WoO 108 ‘Schlummerlied’ (version for choir and piano) (1784) 2:59
(Text: Johann von Döing, 1741–818)
3 Elegie auf den Tod eines Pudels, WoO 110 (?1806–9) 5:12
4 Erhebt das Glas mit froher Hand, WoO 109 ‘Trinklied, beim Abschied zu singen’ (c. 1791/92) 1:30
5 Punschlied, WoO 111, Hess 126 (version for voice, choir and piano) (1791/92) 0:52
(Texts: Anonymous)
6 An Laura, WoO 112, Hess 128 (1792) 3:34
(Text: Friedrich von Matthisson, 1761–831)
7 Klage, WoO 113 (2nd version) (1790) 2:40
(Text: Ludwig Christoph Heinrich Höty, 1748–776)
8 Ein Selbstgespräh, WoO 114 (1792–1793) 3:05
(Text: Johann Wilhelm Ludwig Gleim, 1719–803)
9 An Minna, WoO 115 (1792) 1:03
(Text: Anonymous)
8 Songs, Op. 52 (c. 1794/95) 22:26
(Texts: Matthias Claudius, 1740–815 10 Sophie Mereau, 1770–1806 11, Hermann Wilhelm Franz Ueltzen,
1759–1808 12, Johann Wolfgang von Goethe, 1749–832 13 16, Gottfried August Büger, 1747–1794 14 17
Gotthold Ephraim Lessing, 1729–1781 15
10 No. 1. Urians Reise um die Welt 2:49
11 No. 2. Feuerfarb’ 3:06
12 No. 3. Das Liedchen von der Ruhe 4:41
13 No. 4. Maigesang 2:25
14 No. 5. Mollys Abschied 3:44
15 No. 6. Die Liebe 1:18
16 No. 7. Marmotte 1:17
17 No. 8. Das Blüchen Wunderhold 2:49
18 Que le temps me dure, WoO 116, Hess 129 (1st version) –3:54
Que le temps me dure, WoO 116, Hess 130 (2nd version) (1793)
(Text: Jean-Jacques Rousseau, 1712–778)
19 Der freie Mann, WoO 117 (1794/95) 1:45
(Text: Gottlieb Konrad Pfeffel, 1736–809)
20 O care selve, oh cara, WoO 119 (probably 1794/95) 1:52
(Text: Pietro Metastasio, 1698–782)
21 Seufzer eines Ungeliebten und Gegenliebe, WoO 118 (1795) 6:53
(Text: Gottfried August Büger)
22 Man strebt, die Flamme zu verhehlen, WoO 120 (probably before 1800) 2:11
(Text: Johanna Franul von Weissenthurn, 1776–847)
23 Opferlied, WoO 126 (1st setting, version for voice and piano) (c. 1798) 3:12
(Text: Friedrich von Matthisson)
24 Abschiedsgesang an Wiens Büger, WoO 121 (version for voice, choir and piano) (1796) 2:39
(Text: Josef Friedelberg, 1781?–800)
25 Kriegslied der Öterreicher, WoO 122 (version for voice, choir and piano) (1797) 3:16
(Text: Josef Friedelberg)
26 La partenza, WoO 124 (probably 1795) 1:00
(Text: Pietro Metastasio)
27 Es lebe unser teurer Füst, WoO 106 ‘Lobkowitz-Kantate’ (probably 1822) 2:03
(Text: Ludwig van Beethoven, 1770–827)
Pamela Coburn, Soprano 6 11 14 27
Rainer Trost, Tenor 7
Hermann Prey, Baritone 1 3–5 8–10 12 13 15-26
Leonard Hokanson 1–6 8–27, Bernadette Bartos 7, Piano
Heinrich-Schüz-Kreis Berlin •Wolfgang Matkowitz, Conductor 2 5 10 19 20 24 25 27
Recorded: 1987–989 at Studio 10, RIAS, Berlin, Germany 1–6 8–27
6 December 2018 at 4tune audio productions, Vienna, Austria 7
Producer: Helge Jöns 1–6 8–27 Johannes Kernmayer 7
Engineer: Söen Pehrs, Geert Puhlmann 1–6 8–27, Martin Klebahn 7
Editor: Susanne Pickert 1–6 8–27, Martin Klebahn 7 •Recording supervisor: Ivan Paley 7
Released on C10343-45 1–6 8–27 8.574071 7
DISC 86 73:43
1 Adelaide, Op. 46 (1794–6) 6:07
(Text: Friedrich von Matthisson, 1761–831)
2 Ich liebe dich wo wie du mich, WoO 123 ‘Zätliche Liebe’ (1795) 1:53
(Text: Karl Friedrich Herrosee, 1754–821)
3 La Tiranna, WoO 125, Hess 135 (1798) 2:47
(Text: Anonymous –original Italian text)
(English translation: William Wennington, dates unknown)
4 Plaisir d’aimer, WoO 128, Hess 131 (1799) 1:12
(Text: Anonymous)
6 Songs, Op. 48 (1802) 13:17
(Texts: Christian Füchtegott Gellert, 1715–769)
5 No. 1. Bitten 1:50
6 No. 2. Die Liebe des Nächsten 0:56
7 No. 3. Vom Tode 2:28
8 No. 4. Die Ehre Gottes aus der Natur 2:30
9 No. 5. Gottes Macht und Vorsehung –No. 6. Busslied: An dir allein, an dir hab' ich gesüdigt –3:19
10 No. 6. Busslied: Frü wollst du mich mit deiner Gnade fülen 2:12
11 Der Wachtelschlag, WoO 129 ‘Wachtellied’ (1803) 3:37
(Text: Samuel Friedrich Sauter, 1766–846)
12 Das Glük der Freundschaft, Op. 88 ‘Lebensglük’ (sung in Italian) (1803) 2:37
13 (Text: Anonymous)
14 An die Hoffnung, Op. 32 (1805) 4:04
(Text: Christoph August Tiedge, 1752–84
15 Als die Geliebte sich trennen wollte, WoO 132 (1806) 2:13
(Text: Stephan von Breuning, 1774–827)
16 In questa tomba oscura, WoO 133 (2nd version) (1807) 3:04
(Text: Giuseppe Carpani, 1752–825)
17 Die laute Klage, WoO 135 (1814–5) 2:19
(Text: Johann Gottfried Herder, 1744–803)
18 Andenken, WoO 136 (1808) 3:10
(Text: Friedrich von Matthisson)
19 Gesang aus der Ferne, WoO 137 (1809) 4:12
20 Der Jügling in der Fremde, WoO 138 (final version) (1809) 2:22
21 Der Liebende, WoO 139 (1809) 2:25
(Texts: Christian Ludwig Reissig, 1783–847)
6 Songs, Op. 75 (1809) 15:57
(Texts: Johann Wolfgang von Goethe, 1749–832 ™–"', Gerhard Anton von Halem, 1752–819 –
Christian Ludwig Reissig "˜ "÷)
22 No. 1. Kennst du das Land 4:16
23' No. 2. Neue Liebe, neues Leben 2:39
24 No. 3. Aus Goethes Faust 2:11
25 No. 4. Gretels Warnung 1:58
26 No. 5. An den fernen Geliebten 3:13
27 No. 6. Der Zufriedene 1:26
Pamela Coburn, Soprano 3 4 12 22 25 26
Rainer Trost, Tenor 19
Hermann Prey, Baritone 1 2 5–11 13-15 17 18 20 21 23 24 27
Ricardo Bojóquez Martíez, Bass 16
Leonard Hokanson 1–15 17 18 20 21-27, Bernadette Bartos 16 19 Piano
Heinrich-Schüz-Kreis Berlin •Wolfgang Matkowitz, Conductor 24
Recorded: 1987–989 at Studio 10, RIAS, Berlin, Germany 1–15 17 18 20-27
26 June 2018 16 and 6 December 2018 19 at 4tune audio productions, Vienna, Austria
Producer: Helge Jöns 1–15 17 18 20 -27, Johannes Kernmayer 16 19
16 19
Editor: Susanne Pickert 1–15 17-18 20-27, Martin Klebahn 16 19 •Recording supervisor: Ivan Paley 16 19
Released on C10343-45 1–15 17-18 20-27÷ 8.574071 16 19
DISC 87 80:47
4 Ariettas and a Duet, Op. 82 (1809) 11:41
(Texts: Anonymous 1, Pietro Metastasio, 1689–782 2–5)
1 No. 1. Dimmi, ben mio, che m’ami 1:46
2 No. 2. T’intendo sì mio cor 2:18
3 No. 3. L’amante impaziente ‘Arietta buffa’ 1:32
4 No. 4. L’amante impaziente ‘Arietta assai seriosa’ 2:11
5 No. 5. Odi I’aura che dolce sospira 2:22
3 Songs, Op. 83 (1810) 6:37
(Texts: Johann Wolfgang von Goethe, 1749–832)
6 No. 1. Wonne der Wehmut 2:45
7 No. 2. Sehnsucht 1:59
8 No. 3. Mit einem gemalten Band 1:50
9 An die Geliebte, WoO 140 (1st version) (version for voice and piano) (1811) 1:04
10 An die Geliebte, WoO 140 (2nd version) (1811) 1:04
11 An die Geliebte, WoO 140 (3rd version) (1814) 0:59
12 An die Geliebte (draft version) (1811) 0:57
(Text: Josef Ludwig Stoll, 1778–815)
13 Der Gesang der Nachtigall, WoO 141 (1813) 1:23
(Text: Johann Gottfried Herder, 1744–803)
14 Der Bardengeist, WoO 142 (1813) 3:01
(Text: Franz Rudolf Hermann, 1787–823)
15 Merkenstein, WoO 144 (1814) 3:29
(Text: Johann Baptist Rupprecht, 1776–846)
16 An die Hoffnung, Op. 94 (1815) 7:19
(Text: Christoph August Tiedge, 1752–841)
17 Des Kriegers Abschied, WoO 143 (1814) 2:48
(Text: Christian Ludwig Reissig, 1783–847)
18 Merkenstein, Op. 100 (1814–5) 1:41
(Text: Johann Baptist Rupprecht
19 Sehnsucht, WoO 146 (1815–6) 2:40
(Text: Christian Ludwig Reissig)
20 Das Geheimnis, WoO 145 (1815) 1:18
(Text: Ignaz Heinrich Carl Freiherr von Wessenberg, 1774–860)
21 Der Mann von Wort, Op. 99 (1816) 3:23
(Text: Friedrich August Kleinschmid, 1749–838)
An die ferne Geliebte, Op. 98 (1816) 14:54
(Texts: Alois Isidor Jeitteles, 1794–858)
22 No. 1. Auf dem Hüel sitz’ ich, späend 3:05
23 No. 2. Wo die Berge so blau 1:51
24 No. 3. Leichte Segler in den Höen 1:43
25 No. 4. Diese Wolken in den Höen 1:03
26 No. 5. Es kehret der Maien 2:39
27 No. 6. Nimm sie hin denn, diese Lieder 4:33
28 Ruf vom Berge, WoO 147 (1816) 1:56
(Text: Georg Friedrich Treitschke, 1776–842)
29 So oder so, WoO 148 (1817) 1:55
(Text: Karl Gottlieb Lappe, 1773–843)
30 Resignation, WoO 149 (1814–5) 2:30
(Text: Paul Graf von Haugwitz, 1791–856)
31 Abendlied unterm gestirnten Himmel, WoO 150 (1820) 4:35
(Text: Heinrich Goeble, 1786–825)
32 Der edle Mensch sei hülfreich und gut, WoO 151, Hess 132 (1823) 0:36
(Text: Johann Wolfgang von Goethe)
33 Auf, Freunde, singt dem Gott der Ehen (2nd version), WoO 105, Hess 124 34 Hochzeitslied’ 1:29
(sung in German) (1819)
34 Auf, Freunde, singt dem Gott der Ehen (1st version), WoO 105, Hess 125 ‘Hochzeitslied’ (1819) 1:57
(Text: Anton Joseph Stein, 1759–844)
35 Der Kuss, Op. 128 (1822) 1:54
(Text: Christian Felix Weisse, 1726–804)
Pamela Coburn 2 4 5 18 20 ), Tabea Gerstgrasser 34 Soprano
Stefan Tauber, Tenor 34
Hermann Prey 1 3 5–8 13 19 21-33 35, Paul-Armin Edelmann 9–!, Georg Klimbacher 12, Baritone
Leonard Hokanson 1–8 13-32 35. Bernadette Bartos 9–11, Diana Fuchs 34, Piano
Heinrich-Schutz-Kreis Berlin •Wolfgang Matkowitz, Conductor 33
Cantus Novus Wien •Thomas Holmes, Musical Director 34
Recorded: 1987–9 at Studio 10, RIAS, Berlin, Germany 1–8 13-33 35
25 June 2018 9–! and 20 January 2019 @ ›at 4tune audio productions, Vienna, Austria
Producer: Helge Jöns 1–8 13 -33 35, Johannes Kernmayer 9–12 34
Engineer: Söen Pehrs, Geert Puhlmann 1–8 13 -33 35 Martin Klebahn 9–12 34
Editor: Susanne Pickert 1–8 13-33 35, Martin Klebahn 9–12 34
Recording supervisor: Ivan Paley 9–! •Publisher: G. Henle Verlag 12
Released on C10343-45 1–8 13-33 35 8.574071 9–! 8.574175 12 34
DISC 88 59:52
1 Neue Liebe, neues Leben, WoO 127, Hess 136 (1798) 2:36
(Text: Johann Wolfgang von Goethe, 1749–832)
2 An Henrietten, ‘Traute Henriette’, Hess 151 (c. 1790–2) (completed by A. Orel for voice and piano) 0:49
(Text: Ludwig Christoph Heinrich Höty, 1748–776)
3 Erlköig, WoO 131, Hess 148 (probably 1796/97) (completed by R. Becker, 1842–924) 3:16
(Text: Johann Wolfgang von Goethe)
4 Klage, WoO 113 (1st version) (1790) 1:55
(Text: Ludwig Christoph Heinrich Höty)
5 In questa tomba oscura, WoO 133 (1st version) (1806) 3:07
(Text: Giuseppe Carpani, 1752–825)
6 Sehnsucht, WoO 134 ‘Nur wer die Sehnsucht kennt’ (1st setting) (1808) 1:32
7 Sehnsucht, WoO 134 ‘Nur wer die Sehnsucht kennt’ (2nd setting) (1808) 1:06
8 Sehnsucht, WoO 134 ‘Nur wer die Sehnsucht kennt’ (3rd setting) (1808) 1:17
9 Sehnsucht, WoO 134 ‘Nur wer die Sehnsucht kennt’ (4th setting) (1808) 1:52
(Text: Johann Wolfgang von Goethe
10 Lied aus der Ferne, WoO 138 (1st version) (1809) 2:26
(Text: Christian Ludwig Reissig, 1784–847)
11 Egmont, Op. 84: Freudvoll und leidvoll 1:42
(elaborated version for voice and piano without prelude, Hess 93) (1809/10)
12 Egmont, Op. 84: Freudvoll und leidvoll (elaborated version for voice and piano with prelude) (1809/10) 1:51
13 Egmont, Op. 84: Freudvoll und leidvoll (version for voice and piano, Hess 94) (1809/10) 1:44
(Text: Johann Wolfgang von Goethe)
14 Schwinge dich in meinem Dom, Hess 137 (c. 1795–7) 5:17
(reconstructed by A.W. Holsbergen, b. 1957, as Ich wiege dich in meinem Arm)
(Text: Friedrich Wilhelm August Schmidt, 1764–838)
15 Dimmi, ben mio, che m’ami, Hess 140 (early version of Op. 82, No. 1) (c. 1809) 2:18
16 Dimmi, ben mio, che m’ami, Hess 140 (Paris autograph version of Op. 82, No. 1) (1811?) 2:14
(Text: Anonymous)
17 6 Songs, Op. 48: No. 6. Busslied (with another version of bars 102–13, Hess 141) (1801/02) 4:51
(Text: Christian Füchtegott Gellert, 1715–769)
18 Wonne der Wehmut, Hess 142 (1st version of Op. 83, No. 1) (1810) 2:33
(Text: Johann Wolfgang von Goethe)
19 Feuerfarb, Hess 144 (1st version of Op. 52, No. 2) (1792) 3:07
(Text: Sophie Mereau, 1770–806)
20 Opferlied, Hess 145 (sketch of 1st setting, WoO 126, version for voice and piano) (1796)* 2:57
(Text: Friedrich von Matthisson, 1761–831)
21 6 Songs, Op. 75: No. 4. Gretels Warnung (1st version) (presumably 1795) 0:55
(Text: Gerhard Anton von Halem, 1752–819)
22 Opferlied, Hess 91 (2nd setting, Op. 121b, version for voice, choir and piano) (1824–5) 5:17
(Text: Friedrich von Matthisson)
23 Die laute Klage, WoO 135 (1st version) (c. 1814–5) 2:06
(Text: Johann Gottfried Herder, 1744–803)
24 6 Songs, Op. 48: No. 3. Vom Tode (1st version) (1798–9)* 1:08
(Text: Christian Füchtegott Gellert) * WORLD PREMIERE RECORDING
Elisabeth Breuer 6–8 11-14 21, Pamela Coburn 9, Claudia Schlemmer 22, Paula Sophie Bohnet 23, Soprano
Rainer Trost 1 2 15 16 18, Daniel Johannsen 4 10, Tenor
Paul-Armin Edelmann 3 17 19 20, Georg Klimbacher 4', Baritone
Ricardo Bojóquez Martíez, Bass 5
Bernadette Bartos 1–8 10-21 23 24, Leonard Hokanson 9, Diana Fuchs ™, Piano
Cantus Novus Wien •Thomas Holmes, Musical Director ™
Recorded: 8– March 2019 ™, 25, 28 February and 1 March 2019 4 5 0 "' "',
6 December 2018 1 2 % ^ *, 28 September 2018 ! @ $, 27 September 2018 6–8 # !,
26 June 2018 3 ( and 25 June 2018 & ) at 4tune audio productions, Vienna, Austria;
1987–9 at Studio 10, RIAS, Berlin, Germany 9 Diana Fuchs 22, piano
Cantus Novus Wien. Thomas Holmes, Musical Director 22
Recorded : 8-9 March 2019 22, 25 28 February and 1 march 2019 4 5 10 23 24
6December 2018 1 2 15 16 18 28 September 2018 11 12 14 27 September 2018 6-8 13 21
1987-89 at Studio 10 RIAS, Berlin Germany 9
Producer: Johannes Kernmayer 1–8 10-24, Helge Jöns 9
Engineer: Martin Klebahn 1–8 10-24, Söen Pehrs, Geert Puhlmann 9
Editor: Martin Klebahn 1–8 10-24, Susanne Pickert 9
Publisher: G. Henle Verlag 4 5 10-13 21 23 24 The Unheard Beethoven, Inc. (BMI) 14
Released on 8.574071 1–3 6–8 11-21 8.574175 4 5 10 22-24 C10343-45 9
DISC 89 79:29
1 Prüung des Küsens, WoO 89 ‘Meine weise Mutter spricht’ (1792) 5:36
(Text: Klamer Eberhard Karl Schmidt, 1746–824)
2 Mit Mäeln sich vertragen, WoO 90 (1792) 4:11
(Text: Johann Wolfgang von Goethe, 1749–832)
3 Erste Liebe, Himmelslust, WoO 92 (Sung in Italian as Primo amore, piacer del ciel) (1792) 15:53
(Original German Text: Gerhard Anton von Halem, 1752–819) [Italian sung text translator: Anonymous]
2 Arias for Umlauf's Singspiel Die schöe Schusterin, WoO 91 (1795)
(Text: probably Johann Gottlieb Stephanie, 1741–800)
4 No. 1. O welch ein Leben, ein ganzes Meer von Lust 3:09
5 No. 2. Soll ein Schuh nicht drüken 5:55
6 Ah! perfido, Op. 65 (Recitative: Ah! perfido –Aria: Per pietà non dirmi addio) (1796) 13:37
(Text: Recitative: Pietro Metastasio, 1689–782 –Aria: Anonymous)
7 No, non turbati, WoO 92a (1802) 6:50
(Text: Pietro Metastasio
8 Ne’ giorni tuoi felice, WoO 93, Hess 120 (c.1802–3) 7:51
(Text: Pietro Metastasio)
9 Tremate, empi, tremate, Op. 116 (1802–3) 9:02
(Text: Giovanni de Gamerra, 1743–803)
10 Elegischer Gesang, Op. 118 (c. 1814) 6:53
(Text: Anonymous –attrib. Ignaz Franz von Castelli, 1781–862)
Reetta Haavisto, Soprano 3, 5–9
Dan Karlströ, Tenor 4, 8, 9
Kevin Greenlaw, Baritone 1, 2, 9
Chorus Cathedralis Aboensis 10
Turku Philharmonic Orchestra, Leif Segerstam, Conductor
Recorded: 11–3 September 2017 1–9 and 15–7 May 2017 10 at Turku Concert Hall, Turku, Finland
Producer, engineer and editor: Sean Lewis
Publisher: Edwin F. Kalmus 1–5, 7, G. Henle Verlag 6, Edition Eulenberg 8, Breitkopf & Hätel 9
Released on 8.573882 1–9 8.573852 10
DISC 90 83:38
1 Herr Graf, ich komme zu fragen, WoO 221, Hess 276 (c. 1796–7) 1:50
(arr. T. Holmes, b. 1965, for choir and piano)*
(Text: Ludwig van Beethoven, 1770–827)
2 Kurz ist der Schmerz, WoO 163 (1813) 1:06
(Text: Friedrich von Schiller, 1759–805)
3 Languisco e moro, Hess 229 0:40
(arr. from J. Mattheson’s Der vollkommene Capellmeister, Part III Chapter 14:
Ungezwungener Gebrauch der üermäsigen None for 2 voices) (1803)
4 Languisco e moro, Hess 229 1:03
(arr. from J. Mattheson’s Der vollkommene Capellmeister, Part III Chapter 14:
Ungezwungener Gebrauch der üermäsigen None for voice and piano) (1803)
(Text: Anonymous)
5 Lob auf den dicken Schuppanzigh, WoO 100, Hess 278 (1801) 0:37
6 Graf, Graf, liebster Graf, WoO 101, Hess 279 (?1802) 0:41
(Texts: Ludwig van Beethoven)
* WORLD PREMIERE RECORDING
7 Im Arm der Liebe ruht sich’s wohl, WoO 159 (1795) 1:37
(Text: Hermann Wilhelm Franz Ueltzen, 1759–808)
8 Freundschaft ist die Quelle wahrer Glükseligkeit, WoO 164 (1814) 1:17
9 Glük zum neuen Jahr!, WoO 165 (1815) 0:35
(Texts: Ludwig van Beethoven)
10 Kurz ist der Schmerz, WoO 166 (1815) 1:31
(Text: Friedrich von Schiller)
11 Das Schweigen, WoO 168, No. 1 (1815–6) 1:23
(Text: Johann Gottfried Herder, 1744–803)
12 Das Reden, WoO 168, No. 2 (1815–6) 1:36
(Text: Anonymous)
13 Ich küsse Sie, WoO 169, Hess 250 (1816) (arr. T. Holmes for voice and choir)* 0:59
(Text: Ludwig van Beethoven)
14 Ars longa, vita brevis, WoO 170, Hess 251 (1815/16) (arr. T. Holmes for choir)* 0:59
(Text: taken from the beginning of the Aphorisms by Hippocrates, 460–70 BC)
Michael HAYDN (1737–806)
15 Glük fehl’ dir vor allem, MH 582 (attrib. to L. van Beethoven as WoO 171, Hess 252) (1795) 0:51
(Text: Anonymous)
Ludwig van BEETHOVEN
16 Hol Euch der Teufel! B’hü’ Euch Gott!, WoO 173, Hess 253 (1819) 0:42
17 Glaube und hoffe, WoO 174 (1819) 0:31
18 Glük, Glük zum neuen Jahr!, WoO 176 (1819) 1:01
19 Seiner Kaiserlichen Hoheit! –Alles Gute, alles Schöe, WoO 179 (1820) 1:34
Sankt Petrus war ein Fels? –Bernardus war ein Sankt?, WoO 175, Hess 255 (1819–0)
20 Sankt Petrus war ein Fels? 0:29
21 Bernardus war ein Sankt? 0:57
22 Hoffmann, sei ja kein Hofmann, WoO 180 (1820) 0:53
23 Gedenket heute an Baden!, WoO 181, No. 1 (1822) 1:03
24 Gehabt euch wohl, WoO 181, No. 2, Hess 258 (1822) 0:50
25 Tugend ist kein leerer Name, WoO 181, No. 3, Hess 259 (1822) 0:49
26 O Tobias!, WoO 182 (1821) 0:34
27 Bester Herr Graf, Sie sind ein Schaf!, WoO 183, Hess 261 (1823/24) 0:37
28 Falstafferel, lass’ dich sehen!, WoO 184, Hess 262 (1823) 1:29
(Texts: Ludwig van Beethoven)
* WORLD PREMIERE RECORDING
29 Edel sei der Mensch, hülfreich und gut, WoO 185 (1823) 2:24
(Text: Johann Wolfgang von Goethe, 1749–832)
30 Te solo adoro, Hess 263 (sketch of WoO 186) (probably 1824 or earlier) 0:46
31 Te solo adoro, Hess 264 (sketch of WoO 186) (probably 1824 or earlier) 0:45
32 Te solo adoro, WoO 186 (1824) 0:51
(Text: Pietro Metastasio, 1698–782)
33 Schwenke dich ohne Schwäke!, WoO 187 (1824) 1:03
34 Gott ist eine feste Burg, WoO 188, Hess 265 (1825) 0:33
(Texts: Ludwig van Beethoven)
35 Das Schöe zu dem Guten, WoO 203, Hess 272 (1825) 0:22
(Text: Friedrich von Matthisson, 1761–831)
36 Doktor sperrt das Tor dem Tod, WoO 189, Hess 266 (1825) 1:06
37 Ich war hier, Doktor, ich war hier, WoO 190, Hess 267 (1825) 0:37
38 Kühl, nicht lau, WoO 191 (1825) 1:02
(Texts: Ludwig van Beethoven)
39 Ars longa, vita brevis, WoO 192, Hess 268 (1825) 0:40
(Text: Hippocrates, 460–70 BC)
40 Si non per portas, WoO 194 (1825) 0:41
(Text: Ludwig van Beethoven)
Karl HOLZ (1799–858)
41 Holz geigt die Quartette so (attrib. to L. van Beethoven as WoO 204, Hess 284) (1825) 0:30
(Text: Ignaz Franz Castelli, 1781–862)
Ludwig van BEETHOVEN
42 Freu dich des Lebens, WoO 195 (1825) 0:43
(Text: Johann Martin Usteri, 1763–827)
43 Esel aller Esel, WoO 227, Hess 277 (1826) 0:35
44 Es muss sein!, WoO 196, Hess 270 (probably 1826) 0:55
45 Da ist das Werk, WoO 197, Hess 271 (before 1826) 0:53
(Texts: Ludwig van Beethoven)
46 Wir irren allesamt, WoO 198, Hess 280 (c. 1826) 0:46
(Text : probably Georg Christoph Lichtenbert, 1742-1799)
47 Ewig dein, WoO 161 (probably 1810) 1:24
(Text: probably Ludwig van Beethoven)
48 Brauchle, Linke, WoO 167, Hess 249 (probably 1815) 0:38
(Text: Ludwig van Beethoven)
49 Ich bitt’ dich, schreib’ mir die Es-Scala auf, WoO 172 (probably between 1813–6 and about 1824) 0:49
(Text: probably Ludwig van Beethoven)
50 Bester Magistrat, Ihr friert!, WoO 177, Hess 257 (probably between 1818 and 1820) 0:52
51 Signor Abate!, WoO 178 (c. 1820) (arr. T. Holmes for choir and piano)* 1:39
(Texts: Ludwig van Beethoven)
52 Ars longa, vita brevis, WoO 193, Hess 269 (possibly 1825) 0:34
(Text: Hippocrates)
53 Ich bin der Herr von zu, WoO 199, Hess 281 (1814) 0:45
54 Ich bin bereit! –Amen, WoO 201, Hess 282 (after 1818) (arr. T. Holmes for choir)* 0:38
(Texts: Ludwig van Beethoven)
55 Das Schöe zum Guten, WoO 202, Hess 283 (1823) 0:22
(Text: Friedrich von Matthisson)
Mehrstimmige italienische Gesäge, WoO 99 (1801–2)
(Texts: Pietro Metastasio)
56 No. 1. Bei labbri che amore, Hess 211 1:29
57 No. 2. Ma tu tremi, o mio tesoro, Hess 212 1:38
58 No. 3. E pur fra le tempeste, Hess 232 (arr. W. Hess, 1906–997, for voice and piano) 0:54
59 No. 4. Sei mio ben, Hess 231 0:46
60 No. 5a. Giura il nocchier, Hess 227 (1st setting) 0:41
61 No. 5b. Giura il nocchier, Hess 230 (2nd setting) 0:46
62 No. 5c. Giura il nocchier, Hess 221 (3rd setting) 0:51
63 No. 7. Chi mai di questo core, Hess 214 1:48
64 No. 8. Scrivo in te, Hess 215 0:59
65 No. 9. Per te d’amico aprile, Hess 216 0:57
66 No. 10a. Nei campi e nelle selve, Hess 217 (1st setting) 1:33
67 No. 10b. Nei campi e nelle selve, Hess 220 (2nd setting) 1:58
68 No. 11a. Fra tutte le pene, Hess 208 (1st setting, original version) 1:27
69 No. 11a. Fra tutte le pene, Hess 208 (1st setting, revised by A. Salieri, n 1750–825) 1:22
70 No. 11b. Fra tutte le pene, Hess 225 (2nd setting, original version) 1:28
71 No. 11b. Fra tutte le pene, Hess 209 (2nd setting, revised by A. Salieri) 1:30
72 No. 11c. Fra tutte le pene, Hess 224 (3rd setting, original version) 1:17
* WORLD PREMIERE RECORDING
73 No. 11c. Fra tutte le pene, Hess 210 (3rd setting, revised by A. Salieri) 1:26
74 No. 12a. Salvo tu vuoi lo sposo (1st setting) 0:49
75 No. 12b. Salvo tu vuoi lo sposo, Hess 228 (2nd setting) 0:49
76 No. 13a. Quella cetra ah pur tu sei, Hess 218 (1st setting) 1:05
77 No. 13b. Quella cetra ah pur tu sei, Hess 219 (2nd setting) 0:47
78 No. 13c. Quella cetra ah pur tu sei, Hess 213 (3rd setting) 0:55
79 No. 14a. Giàla notte s’avvicina, Hess 223 (1st setting) 0:59
80 No. 14b. Giàla notte s’avvicina, Hess 222 (2nd setting) 0:48
Claudia Schlemmer 3 64 75, Elisabeth Breuer 4, Soprano
Stefan Tauber 3 5 13 64 75, Daniel Johannsen r58 Tenor
Martin Weiser 5, Franz Schneckenleitner 5, Bass
Wolfgang Däble, Cello 50 •Bernadette Bartos, Piano 4 58
Cantus Novus Wien •Thomas Holmes, Piano 1 51
Musical Director 1 2 5 6 8–14 16 18-26 28-35 37-55 61 62 65 66 74 76-78 80
Tabea Ensemble
Tabea Gerstgrasser, Soprano 7 15 17 27 36 56 57 59 60 63 67 70-73
Marianne Prenner, Alto 7 15 17 27 36 57 60 67 70-73 79
Nicolas Frémy, Tenor 7 15 17 27 36 56 57 59 63 67-73 79
Alex Gazda 7 15 17 27 36 60 63 67 -69 72 79, Martin Weiser 73 Bass
Recorded: 27 September 2018 4, 22 October 2018 7 27 60 72 24 October 2018 15 17 56 57 67
25 October 2018 36 59 63 69 79, 27 October 2018 68 70 71, 19 January 2019 22 24 25 61 62 77 78 80
20 January 2019 8 16, 27 January 2019 2 18 26 44 48 65 66 76, 26 February 2019 3 12 64 75
3 March 2019 58, 8–9 March 2019 1 14 20 21 23 28 -31 33 -35 37 39 40 45 46 49 51-53 55
10 March 2019 1 5 6 9 13 18 19 32 38 41-43 50 54, 20 March 2019 10 74 and 6 May 2019 73
at 4tune audio productions, Vienna, Austria
Producer: Johannes Kernmayer •Engineer and editor: Martin Klebahn
Publisher: Unpublished 1 13 14 51 54
Breitkopf & Hätel 56-73 75-80. Henle Verlag 74
Released on 8.574176 1–3 5–55 8.574071 4 8.574175 56-80
Naxos artist biographies are available online at www.naxos.com
